The golden age of Cantonese music should be when Tan Chen (,,Anita Mui,) and a hundred schools of thought contend. Besides these four singers, there are many powerful singers such as Samuel Hui, George Lam, Sally Yeh, Lv Fang, Sandy Lam, Priscilla Chan, Tam and Jenny Paula Tsui! There are bands like beyond Wenner.

Starting from 1984 Alan Tam's Love Roots in Late Autumn and 1985's Love Roots trilogy, my brother Leslie Cheung also became a hit, and a situation called "Zhang Tan strives for hegemony" appeared. And Anita Mui, Danny Chan, and George Lam are not afraid!

The origin of Cantonese songs should be Wen's, Tan's, Guan's, right? It was the 1970s, but Cantonese songs had not yet reached their peak. By 1988, Alan Tam announced his withdrawal from the podium, followed by Leslie Cheung, George Lam Anita Mui and others, Samuel Hui bid farewell to the podium, Cantonese songs began to decline, and the four great kings began to move towards Chinese music in the 1990s!

When Alan Tam and Leslie Cheung were the most popular in Hongkong, Teresa Teng held up a sky in the most mature Japanese music scene in Asia!