The Riverside Scene at Qingming Festival is a national treasure, but it is also a flawed national treasure. What are the defects of Riverside Scene at Qingming Festival? What valuable contents can Ma Weidou and Lao Liang reveal for us?
The content and inheritance of The Riverside Scene at Qingming Festival, painted by Zhang Zeduan, a famous painter in the Northern Song Dynasty, are not detailed here. In fact, the study of The Riverside Scene at Qingming Festival has been an ocean of research works for more than 900 years since its birth. For a simple example, no matter whether the Riverside Scene at Qingming Festival is about Qingming Festival or something else, it is estimated that writing a paper will start with 10,000 words.
Then, by studying the specific positioning of Bianhe and Hongqiao, Kaifeng, the birthplace of Riverside Scene at Qingming Festival, invested a lot of manpower and material resources to demonstrate. To some extent, the interpretation of Riverside Scene at Qingming Festival has become the embodiment of cultural soft power output.
It is no exaggeration to say that Zhang Zeduan's The Riverside Scene at Qingming Festival is simply an encyclopedic masterpiece. With the gradual deepening of people's research on the Riverside Scene at Qingming Festival, people also find that it has some defects. Lao Liang pointed out that the Riverside Scene at Qingming Festival was revised when it was unveiled.
Lao Liang said that the Riverside Map on Qingming Festival was inevitably destroyed in the process of inheritance. In order to protect the national treasure, the staff of the Palace Museum re-mounted it at 1973. As a result, a donkey was lost after the Qingming Riverside Map was mounted.
If you pay attention, you will find that there is a male donkey carrying its owner and a female donkey in the picture on the riverside at Qingming Festival. Experts in the Forbidden City felt very abrupt when they mounted it. When they think the donkey looks uncomfortable, something is always missing. Her ear is not an ear, but a particularly fat donkey, which is really ugly.
After much discussion, experts in the Forbidden City painted the donkey's ears as stakes. In fact, Zhang Zeduan painted the charm of the donkey in a few strokes. However, experts in the Forbidden City did not follow the principle of ancient brush restoration, and were injured in the Riverside Map at Qingming Festival, which led to defects in the national treasure.
Compared with Lao Liang's view of technology, Ma Weidou emphasized the defects caused by the limitations of The Riverside Scene at Qingming Festival. Ma Weidou pointed out that "The Riverside Scene at Qingming Festival" is like a TV series, which is based on facts. Ma Weidou emphasized that there was no developed image recording technology and means in ancient times, and his creation depended entirely on the painter's fragmentary memory.
Although The Riverside Scene at Qingming Festival seems to be advancing gradually, it doesn't feel like turning pages suddenly, but it is still Zhang Zeduan's second creation after all, and it can't truly reproduce all aspects of the social environment at that time. In other words, The Riverside Scene at Qingming Festival is not an ancient painting recorded realistically, nor can it be regarded as a true representation. In addition, The Riverside Scene at Qingming Festival has a strong political color, which makes the art emperor Song Huizong happy. How can it be true?
Taking Han Xizai's The Night Banquet as an example, Ma Weidou compared it with The Riverside Scene at Qingming Festival and drew a conclusion. Ma Weidou emphasized that "Han Xizai's Night Banquet" is based on a true story, and it is a news recording creation with detailed details, which is the biggest difference between "Han Xizai's Night Banquet" and "Riverside Scene at Qingming Festival".
Therefore, the limitation of The Riverside Scene at Qingming Festival is very obvious, that is, it is between authenticity and artistry. Of course, the artist's creation is allowed to have elements of self-play. Perhaps, it was Zhang Zeduan's time limitation that wrote the myth of The Riverside Scene at Qingming Festival, which reached its peak.
The Riverside Scene at Qingming Festival is a national treasure, but it is not perfect. Ma Weidou and Lao Liang also pointed out its shortcomings to varying degrees. The imperfection of art creates different beauty, which is also the charm of Riverside Scene at Qingming Festival.
For the beauty of the flaws in The Riverside Scene at Qingming Festival, we can look at our national treasure with a tolerant heart and an artistic vision of appreciating Venus' brokeback.
References:
[1] Expert: "The Riverside Scene at Qingming Festival" is the lazy tax burden of the officers and men in danger in the prosperous times.
[2] What is the specific direction of Bianhe and Hongqiao in the Riverside Map of Qingming Festival? Big river. com
[3] The Riverside Scene at Qingming Festival in Beijing Palace Museum. qilu evening news