Wu Zehao, the owner of Tower 1, is a native of Shantou, Guangdong Province, a painter from China, a national first-class artist, a member of China Artists Association, a member of China Calligraphers Association, a vice chairman of Shandong Artists Association, a researcher at the Painting and Calligraphy Institute of the Central Museum of Literature and History, a chairman of Jinan Federation of Literary and Art Circles, a representative of the Ninth and Tenth National People's Congress, a member of the Seventh Shandong Provincial Political Consultative Conference, a member of the Standing Committee of the Eighth Jinan Political Consultative Conference, a vice chairman of the Ninth and Tenth Jinan Political Consultative Conference, and the Tenth Jiu San Society.

Chinese name: Wu Zehao.

Alias: Tower One, Zhu Xuan.

Nationality: China.

Ethnic group: Han nationality

Place of birth: Shantou, Guangdong

Date of birth: 1943 July 15

Occupation: painter

Graduate school: Chinese Painting Department of Guangzhou Academy of Fine Arts.

Main achievements: Vice Chairman of Shandong Artists Association.

Researcher, Painting and Calligraphy Institute, Central Literature and History Museum

Jiu San society Ji' nan Committee

Chairman of Jinan Federation of Literary and Art Circles

Representative works: Wu Zehao's Collection of Chinese Paintings, etc.

experience

Wu Zehao, male, the owner of Building No.1, is a famous painter in China. Born in July, 1943, 15, Han nationality, Shantou, Guangdong, university degree, Han nationality. National first-class artist. Huaxia Calligraphy and Painting Network will open a column for Mr. Wu Zehao.

He studied painting with Mr. Wu Songling, a master of arts and crafts in China, and 1983 joined the Jiu San Society. 1985 joined China. 1966 to join the work.

1958- 196 1 Studied in the Fine Arts Department of Shantou Art School, and studied under teachers Liu Changchao and Wang Chen from Shanghai. 1961.09 ——1966.09 Chinese painting major of Guangzhou Academy of Fine Arts, under the teacher Guan Shanyue, Li Xiongcai and Yang Zhiguang; 1966.09- 1968.09 to be assigned after graduation; 1968.09 ——1981.04 Art cadres of Jinan Mass Art Museum; 1981.04 ——1983.05 Art cadres of Jinan Painting Academy; 1983.05 ——1983.08 Vice President of Jinan Painting Academy; 1983.08 ——1986.03 Vice Chairman of Jinan Federation of Literary and Art Circles; 1986.03 ——1987.08 Acting Chairman of Jinan Federation of Literary and Art Circles; 1987.08 ——1994.02 Chairman and member of the leading group of Jinan Federation of Literary and Art Circles; 1994.02 ——1997.02 chairman and member of the party group of Jinan Federation of Literary and Art Circles (sub-provincial city); 1997.02 ——1997.05 CPPCC, Vice Chairman of Jinan City, Chairman of Municipal Federation of Literary and Art Circles and Member of Party Group; 1997.05—2002.05 CPPCC, Vice Chairman of Jinan City, Chairman of Municipal Federation of Literary and Art Circles, Member of Party Group, Chairman of Jinan Municipal Committee of Jiu San Society; 2002.05 CPPCC, Vice Chairman of Jinan City, Chairman of Municipal Federation of Literary and Art Circles, Member of Party Group, Vice Chairman of Shandong Provincial Committee of Jiu San Society and Chairman of Jinan Municipal Committee. In February, 2003, he was elected as the vice chairman of CPPCC at the first meeting of the 11th CPPCC Committee in Jinan, and served as the chairman of the Municipal Federation of Literary and Art Circles, the member of the Central Committee of Jiu San Society, the vice chairman of Shandong Provincial Committee and the chairman of Jinan Municipal Committee.

Wu Zehao Art Studio was established in 2005, enjoying the special allowance of experts from the State Council. The thesis was compiled into Family Directory of Contemporary Artists in China, Dictionary of Surnames of Contemporary Artists in China and Who's Who of Contemporary Artists in China.

Wu Zehao is also vice chairman of Shandong Artists Association, chairman of Jinan Artists Association, member of China Artists Association, member of China Calligraphers Association, vice president of the Central Painting and Calligraphy Institute of Jiu San Society, researcher of the Painting and Calligraphy Institute of the Central Literature and History Museum, consultant of Shandong Artists Association, vice president of Shandong Friendship Painting and Calligraphy Institute of the Chinese People's Political Consultative Conference, vice president of Shandong People's Congress Painting and Calligraphy Institute, and librarian of Shandong Literature and History Museum.

Wu Zehao was a deputy to the Ninth and Tenth National People's Congress; Member of the 7th Shandong CPPCC, member of the 8th Jinan CPPCC Standing Committee, vice chairman of the 9th and 10th Jinan CPPCC, and vice chairman of Shandong CPPCC Friendship Association. Member of the 10th and 11th Central Committee of Jiu San Society, member of the 11th Central Overseas Liaison Committee, member of the 1st and 2nd Shandong Provincial Committee of Jiu San Society, vice chairman of the 3rd and 4th Shandong Provincial Committee, and chairman of the 7th and 8th Jinan Municipal Committee.

Works and achievements

His works have been selected for many major exhibitions at home and abroad. He has published Poems and Paintings by Compatriots in Taiwan Province Province, Traditional Chinese Paintings by Wu Zehao and Selected Works by Wu Zehao. He has held solo exhibitions and lectures in Beijing, Shandong, Guangdong, Hangzhou, Japan, the United States, Singapore, Hongkong and Taiwan Province Province. His representative works include Painting on the Long March, Long March Scroll, Silk Road, Pu Songling, Autumn as a Dream and so on.

201365438+1October 3 1, Wu Zehao's art exhibition was held in Laiwu.

Social assessment

Lin Yong (Vice Chairman of China Artists Association)

I watched Wu Zehao's paintings carefully and quietly in the evening, thinking that being a man is still important, honest and diligent, or giving something to my fellow villagers! Take something and leave it to future generations! I think it is this great ambition that Wu Zehao has worked tirelessly for many years!

Wu Zehao's paintings are not only landscapes, flowers and birds, but also people. Over the years, he has dabbled in a wide range, wide but not urgent. In a few years, depth will bring him more fruitful results! Wu Zehao's paintings can be both narrative and lyrical, and his books are also literary and always literary. He is not confined to his own feet, he is always innovative. Innovation is where he has been working hard! Wu Zehao's paintings, from traditional to fine. The world brought by this tradition broadened his artistic vision. His generosity is real, not illusory and scary. Wu Zehao's paintings cover many aspects, and he is interested in ancient and modern China and foreign countries. Bluffing, using the so-called modern cover to be pale and powerless, he missed! He is actually a founder's doer. Fame is very important, but work hard! Art is important, but practice hard! The reason for the present propaganda and years of bitter precipitation is that there are thick places. In my opinion, the sunrise is gorgeous, who says God has no eyes! Night came, and it was still quiet. I remembered Wu Zehao's career as an artist. He not only studied the advantages of Lingdong School of Painting very hard, but also studied the characteristics of Lingnan School of Painting very seriously, and then immersed himself wholeheartedly in the charm of Qilu culture. More than 30 years of solid practice is hard-won! Wu Zehao is using his achievements to repay the contributions of his predecessors. Looks like a lot of good things happen! Painting, just painting itself, is very difficult, and the more difficult it is to draw, the more difficult it is to be single-minded, the deeper and narrower it is, and the height is endless. So, spend more time practicing painting, which seems to be a start! I believe Wu Zehao and I will feel the same way.

I always thought that our generation really wasted many years! So it's rare to have time, so whip quickly, don't look back, just go forward. I firmly believe that there are one or two achievements in life, and I have no regrets! Tomorrow, isn't it sunny again!

news

Reporter Zhao Xiaolin 2011March 10

Wu Zehao's China Art Exhibition, jointly organized by the Louvre in Paris, the China Cultural Center in Paris and the France-China Cultural and Art Exchange Center, was held at the Louvre in France from October 25th to 29th on/kloc-0. It was a great success and caused quite a stir in the local area. Yesterday, the reporter made a special trip to interview Wu Zehao, a famous painter who just attended the exhibition and went to many European countries to sketch and returned to Jinan.

The 24 works exhibited in "Wu Zehao's Art Exhibition in China" are all masterpieces created by Wu Zehao, including three theme paintings combining the giant China character landscape; 65,438+00 paintings by famous sages in China history, such as "The Picture of Confucius Climbing Mount Tai" and "The Picture of Li Bai Watching the Moon among Flowers", represent the history of civilization in China for thousands of years; Four landscape paintings, such as Pine Clouds on Mount Tai, Adventures in Huashan Mountain and Changbai Mountain Waterfall, respectively represent the scenic mountains in the east, west, north and south. Many small paintings, modern and classical, are very interesting to appreciate. This exhibition is also the first exhibition held by contemporary painters in China in the Louvre, which is groundbreaking.

"I didn't expect westerners to like Chinese painting so much."

Wu Zehao told reporters that the exhibition officially started on the morning of 25th 1 1 in the Carroussel Exhibition Hall of the Louvre. Chinese Ambassador to France Kong Quan, Cultural Counselor Pu Dong and famous French fashion designer Pierre Cardin visited the exhibition specially. Pierre Cardin is very interested in the paintings on display. He is familiar with Confucius, Zhong Kui and other famous people. He pointed to Zhong Kui and said, "I know this man is the murderer." Wu Zehao told him the origin of Zhong Kui and its cultural connotation in China, saying that it was a legend who killed bad people and evil spirits. Pierre Cardin was very happy after hearing this, and thought this artistic performance was superb.

Wu Zehao said that this time he carefully selected these 24 works to participate in the exhibition. In advance, he considered what kind of content to talk with westerners, so that they could get in touch with China's culture and art. So he chose China Wuyue and other works with historical figures and landscapes. Besides Confucius and Zhong Kui, there are Laozi, Wang Xizhi, Zhuge Liang and Mount Tai, Huashan and Huangshan. The combination of people and mountains and rivers has made the long history of China. It can be said that the exhibition lasted several days. Unexpectedly, westerners are so interested in Chinese painting. During the three days of the exhibition, many people came to see it two or three times. The gallery operators kept asking about the prices of these works and wanted to buy them, but Wu Zehao did not agree. This also shows that westerners understand the contents of these paintings to a certain extent and show respect for the art of Chinese painting.

"The art treasures of the Louvre deeply touched me."

Wu Zehao was deeply impressed by the exhibition held in the Louvre: "I visited the exhibition in the Louvre during the exhibition, and those art treasures deeply touched me. These works are the highest-level masterpieces in the world, and this masterpiece is not only manifested in artistic skills and themes, but also the kind of love and respect for art revealed in it is very touching and needs our attention when creating. "

Wu Zehao told reporters that one of the biggest gains of this trip to the Louvre was that after visiting many art treasures, he realized that in future artistic creation, the word "essence" must be adhered to. Because all works of art that can be passed down to this day and are regarded as treasures are masterpieces of an era, representing the highest level of artistic creation in an era or even several eras, and every artistic creator should pay attention to and learn. In the future, when he was creating, he insisted on China's pen and ink, techniques and concepts, that is, he insisted on taking China's traditional culture as the foundation in terms of artistic elements, absorbed more other arts, especially the essence of western art, made foreign things serve China, and created new works with more distinctive styles and certain differences from previous works, striving for more excellent works and leaving the best works to future generations, so as to be worthy of the inheritance of China culture. Details can also be found on Huaxia Calligraphy and Painting Network.