2. Jin Opera must have been born by Lao Dan Li Jianqing.
Introduction: Li Jianqing, female, national second-class actress, mainly plays Xu Sheng, and then Lao Dan. She graduated from Shanxi Theatre Academy, and is an outstanding actress of Shanxi Jin Theatre Youth League Committee!
Her representative drama editor
Dozens of plays, such as "Playing Golden Branches", "Wei River" and "The Turn of the Dragon's Head", are all dressed smartly, with rich fruit flavor in their vocals and Ding School's performance style on the stage. She received careful guidance from several teachers, such as Qiao Yuxian, Ma Qiuxian and Yang, which made her more powerful in her own art and became the strength of the Golden Theater.
Her chief editor
In 2006, Li Jianqing won the "Red Plum Award" gold medal in the drama by virtue of an old lady's aria in the traditional drama "Yangmen Woman", which left a high evaluation for the vast number of opera fans and experts. Performing the traditional drama "Golden Branch" in Shanghai in 2008 was an artistic exchange and test for her. She used to be outdoors in the country. This performance at Shanghai Grand Theatre is an opportunity for her artistic talent to be fully reflected. Following her successful performance in Shanghai, She, an outstanding young actor from Ding School, left a deep impression on Shanghai audiences and experts. Li Jianqing said to the Shanghai opera fans, "She will repay the fans' support for her art with her best art." Her Jin Opera art has left a high evaluation for many opera fans, which is a new peak of her art. ......
Her artistic life editor
One is the "two-door embrace" of Xu Shenghe, a descendant of Ding School. She and Yang (Wang Zhengkui), a disciple of the King School of Jin Opera, sang the famous Ding School drama "Wei Shui Xing" for the audience. Play, Yang plays. They sang a whole set of songs on the big board, which was very attractive and clingy. I have watched this clip of his (her) performance many times, and this night, Li Jianqing obviously found a breakthrough in artistic promotion. The whole singing method is fuller, the bottom sound is thicker and the effect is better. It's like a completely different person. In this way, we will certainly find our own unique artistic path in the singing of other plays. (Excerpted from Gong's drama review article)