Yesterday, He, a famous writer, literary critic and chairman of Sichuan Literature Critics Association, also commented on this couplet. He pointed out, "Although Xiao Xingwen's couplets are not the best, his spirit of daring to challenge the peak is commendable, which helps to arouse everyone's love for the traditional culture of couplets."
At the expert seminar the day before yesterday, when analyzing Xiao Xingwen's bottom line, many experts thought that Guanhailing was too far away from Chengdu. However, He believes that this does not constitute the lack of this bottom line. The farther the difference in meaning between ontology and vehicle, the stronger artistic tension will be formed, on the contrary, it will create amazing artistic rhetoric effect. "It is a good idea that the" sea "in Guanhailing and the" river "in Wangjianglou have the same cultural connotation of rivers and seas and people's hearts." He Kaisi said, "In the couplet culture, there is an art form of' no love', so don't care about this bondage."
He also pointed out the shortcomings of Xiao Xingwen's downlinking. "Outlook and hope are the same thing, so there is a suspicion of tautology. In addition, "one hundred years" is weaker than the "eternity" in the first part ... However, Xiao Xingwen's bottom line is hard to come by. For more than a hundred years, no bottom line has been recognized as' the best'. In fact, finding the best bottom line for the classic top line can be infinitely close, but it can never be absolutely perfect. " He also said that the discussion of Xiao Xingwen's couplets is a good thing in itself, which can arouse more people's understanding and love of couplets.