8 years old, 1970, entered Xiazhen Primary School in Weishan County.
197 1 9 years old, his mother Guo muqiu sent him to Weishan county cultural center to learn painting for Mr. Zhao Mingcheng.
1972 10 years old created the sketch "Busy Dock" and participated in the youth art exhibition in Jining, Shandong.
1974 12 years old created the cartoon "Struggle of Reed" and participated in the Shandong Children's Art Exhibition.
1975 13 years old graduated from primary school and attended Weishan No.1 Middle School.
1976 14 years old created the New Year picture "Say goodbye to the old and welcome the new" and participated in the Jining Art Exhibition in Shandong.
1977/kloc-entered high school at the age of 0/5.
1978 16 years old created the Chinese painting "The Discharger" and participated in the Jining Art Exhibition in Shandong.
1979/kloc-graduated from high school at the age of 0/7, enlisted in the army, and was a soldier in the third division of the First Army.
1980, 18 years old, created a woodcut black and white painting "Class dismissed" and published it in People's Front Line; Get an award. 198 1 19 years old retired and worked in Weishan county cultural center, Shandong province, engaged in cultural relics management and artistic creation; Participate in the second national cultural relics survey, search for scattered cultural relics, archaeological excavations, and write excavation reports and cultural relics records.
1982 at the age of 20, he created the Chinese painting Xi and participated in the Shandong Fine Arts Exhibition.
1984 22-year-old studying in Shandong Art Institute, majoring in fine arts teachers.
1985 won the first-class scholarship at the age of 23 and was rated as "three good students".
1986 After graduating at the age of 24, he went to work in Art editor and worked in the magazine Shandong Agricultural Knowledge.
1987 at the age of 26, he created the Chinese painting "Spring" and participated in the China Modern Painting and Calligraphy Exhibition held during the 24th Seoul Olympic Games.
27-year-old 1989 wrote a paper "On the Stone Relief of the Han Dynasty in Twin Cities".
1990The 28-year paper "Study on Stone Relief in the Han Dynasty in Shuangcheng" was published in Qilu Art Park No.65438 +0990 No.65438 +0. He was invited to participate in the "First Symposium on Art Theory in Shandong Province" organized by Shandong Artists Association, and submitted and was invited to preach the paper "Problems, Times and Tasks-Reflections on the Art Situation in Shandong Province".
199 1 29 years old entered the art history department of the Central Academy of Fine Arts.
1992' s 30-year-old translation "Sketch Art of lucien Floyd" was published in the third issue of World Art (co-translated with Qiao Wei).
1993,31year-old, he created meticulous illustrations of Water Margin for Beijing Publishing House. Eight articles, Theoretical Background Analysis of Shi Tao's Painting Quotations, were published in Art Research No.2 1993. Participated in the' 93 International Symposium on Han Dynasty Stone Relief (Brick) in Nanyang, China, and was invited to give a lecture on the paper "Study on the Evolution of Visual Morphology of Han Dynasty Stone Relief in Nanyang".
1994 The 32-year-old thesis "Study on the Evolution of Visual Forms of Han Painting in Nanyang by Stages" was published in the second issue of Art Research1994. The article "Summary of 93 China Nanyang Han Dynasty Stone Relief (Brick) International Symposium" was published in the second issue of Art Research 1994. The paper "Developing on the Modern Basis —— A Preliminary Summary of Lu Chen's Teaching Thought" (co-authored with Zhang Qian) was published in the second issue of Meiyuan 1994; The thesis "Study on the Evolution of Visual Forms in the Portraits of Sulu, Henan, Anhui and Han Dynasties by Stages" graduated with a master's degree in defense literature; Graduate department of China Academy of Fine Arts, majoring in fine arts.
33-year-old, 1995, writing his graduation thesis "Review of Western Art History Research".
34 years old, graduated from Kloc-0/996, doctor of fine arts; The paper "Interpretation and Standards of Art Criticism" was published in Art Watch1996.1; The paper Breakthrough in the Study of Western Art History was published in Art Watch 1996 12.
1997 The Art of1996: Revival of Realism was published in Guangming Daily, aged 35 +0997. The paper "Study on the Evolution of Visual Morphology of Portraits of Sulu, Henan, Anhui and Han Dynasties by Stages" was published in the second issue of the Journal of Archaeology, 1997. The paper Review of Western Art History was published in Art Research, Hubei Changjiang Literature and Art Publishing House,1997; The paper "Two Trends of Contemporary Western Art History Research: New Art History and Feminist Art History" was published in World Art19971; The paper "Research on the History of Modern Western Formalism Art" was published in Meiyuan (1997) and China Painting (co-authored with Gao Yiqing, Guangxi Education Press, 1997).
36-year-old, 1998 planned and held the exhibition "Revelation of China Contemporary Art in Twenty Years" (Beijing Working People's Cultural Palace); Editor-in-chief "Revelation of China Contemporary Art in Twenty Years" (Culture and Art Press,1998); China's gaudy art was published in Contemporary Art 1998 15 (Hunan Fine Arts Publishing House).
1999 37-year-old editor-in-chief of China cultural pictorial magazine; Establish an academic project "China Fine Arts Today".
In 2000, at the age of 38, he published the monograph Review of Western Art History (Heilongjiang Fine Arts Publishing House, 2000); Published the monograph "Comparison of Methodology of Chinese and Western Art History" (Hebei Fine Arts Publishing House, 2000); The article "Three Operating Mechanisms and Characteristics of China Fine Arts at Present" was published in China Reading Newspaper (15, March 2000), and was reprinted by Rong Baozhai in the third issue of 2000 and Art Newspaper respectively. The article "Standards and Truth" was published in the 6th issue of Meiyuan in 2000.
200 1 year, 39 years old, deputy editor of Art Watch magazine; Editor-in-Chief of Woodcut Family (Hubei Fine Arts Publishing House, 200 1).
In 2002, at the age of 40, he was the editor-in-chief of China Fine Arts Today (Volumes I and II) (Beijing Press, Beijing Fine Arts Photography Press, 2002); Editor-in-Chief of Five Series of China Fine Arts Today (International Culture Publishing Company, 2002); Interview with Guo Xiaochuan, editor-in-chief of China Fine Arts Decade, published in Publication Reference, No.8, 2002. In 2003, at the age of 4/kloc-0, he planned to hold the 2003 China Art Exhibition (Beijing China Millennium Monument, Beijing); Editor-in-chief of China Fine Arts Today (exhibition volume) (Beijing Press, Beijing Fine Arts Photography Press, 2003) Interview with Guo Xiaochuan, the planner of the series of China Fine Arts Today, was published in the second issue of China Fine Arts in 2003 and the fourth issue in 2003.
In 2004, at the age of 42, he was the executive editor of Chinese Business magazine. The article "Investment in Contemporary Art" was published in "China Art Today" (China Publishing Company, 2004).
In 2005, the 43-year-old article "What makes Picasso so charming: Rereading Picasso's Humanitarian Spirit" was published in the sixth issue of Pictorial in 2005. In 2005, the seventh issue of Pictorial published the article "How Art Becomes Rich-An Open Discussion on a Hidden Rule". The article "Western Perspectives and China Ideals" was published in "Social Transformation and Artistic Evolution: Proceedings of the Seminar to Commemorate the 40th Anniversary of China Art Museum" edited by China Art Museum, and published by China Federation of Literary and Art Circles Press in 2005. Editor-in-chief of China Fine Arts Today (the third series) (Golden Edition Electronic Publishing House, 2005); Interview with Guo Xiaochuan: Making Friends with Picasso was published in Beijing Youth Weekly on May 8, 2005.
In 2006, at the age of 44, she planned and held the 2006 China Art Exhibition (China Art Museum, Beijing); Editor-in-Chief of China Fine Arts Today (4th Series) (Hebei Fine Arts Publishing House, 2006).
In 2007, the 45-year-old article "How Time Has Passed: The Decline of a Paradigm" was published in Farmers and Farmers' Collection and Invitation Exhibition of China Art Museum, edited by China Art Museum (Baihua Literature and Art Publishing House, 2007).
In 2008, at the age of 46, she published a collection of paintings "Ogawa Landscape" (China International Book Publishing House, 2008); In particular, Random Thoughts on Reading Guo Xiaochuan's Paintings (written by Shao Dazhen) was published in the second issue of Rong Baozhai in 2008. The special introduction "Random Thoughts on Reading Xiao Chuan's Paintings" (by Shao Dazhen) was published in the 4th issue of Art Market in 2008. An exclusive interview with "The Curator is the Director of Art Film-Recording Curator Guo Xiaochuan" was published in Youth Reference in 2008.40014.100101001005 Interview with Curator: Wandering between Art and Market, published in Beijing Daily, 2008165438+1October 28th; On February 7th, 2008, Beijing Daily published an exclusive interview with China's four-step reform and opening-up of contemporary art in the past 30 years.
In 2009, the 47-year-old special introduction "Qian Fan Run Through My Leisure-Reading Guo Xiaochuan's New Chinese Painting" (by Zhang Qian) was published in the third issue of Rong Baozhai in 2009. People's Fine Arts Publishing House published a collection of paintings by Guo Xiaochuan, a famous contemporary artist. Literature and History Publishing House published Guo Xiaochuan's collected works.
In 20/0/0, at the age of 48, Kloc prepared, invested and edited China Pictorial Art Today (bimonthly) (in cooperation with Jiangsu Fine Arts Publishing House).
20 1 1 year, aged 49, wrote How Critics Practice and Cultivate Their Duties (excerpt), published in China Art Museum).
Established Suifeng Art Museum in Jinbaohui, Jinbao Street, Beijing, and planned and organized the water-poor Yun Qi-Du Dakai ink and wash exhibition.
50-year-old 2065438+2002 Planned and organized "Lin Yi Qing Yin-Shao Dazhen, Shuitian Chinese Painting Exhibition" (Suifeng Art Museum)
April/KOOC-0/4 Planning and organizing "20/KOOC-0/2 New Realistic Oil Painting Exhibition" (China Art Museum)
Editor-in-Chief of 20 12 New Realistic Oil Painting (published by Jiangsu Fine Arts Publishing House)
The article Contemporary Art: Various Styles and Themes Meet Various Needs was published in Beijing Daily on September 12.
Planning and organizing a seminar on "Sacrificing the banner of fine arts to create a national treasure in the new era-on the protective development of precious materials" (Suifeng Art Museum, Beijing)
Planning and organizing "Compromise and Anti-Element-Invitational Exhibition of Works by Shao Dazhen, Shui Tianzhong, Shang Yang, Du Dakai and Tian Liming" (Suifeng Art Museum)
20 13 years, 5 1 year-old, published a paper in Art and Investment, and created a series of jade landscape works.
20 14 years, aged 52, editor-in-chief of Cuiping Peng Ying: Creation and Research of Emerald Landscape (published by Jiangsu Fine Arts Publishing House).
165438+1October16 Tsinghua University Academy of Fine Arts held "Cuiping Peng Ying-Guo Xiaochuan, Youchangming Emerald Landscape Exhibition" (Beijing Planning Exhibition Hall).
The article "The Ink Sense of Jade Landscape" was published in the 20th edition of Beijing Daily on February 5th, 20 14.