China calligrapher of the Eastern Han Dynasty. The word boying. Dunhuang Jiuquan (now Jiuquan, Gansu) people. Zhang Zhi is good at cursive Cao Zhang. He changed the ancient cursive calligraphy of distinguishing characters and dividing strokes into a new writing style, which was original and influential at that time and was known as the sage of grass. Now there is no ink handed down from generation to generation, and only his August post is included in the Chunhua Pavilion post in the Northern Song Dynasty.

2. Cai Yong

Cai Yong, whose real name is Berger, was born in Chenliu (now Chenliu Town, Kaifeng City, Henan Province) and was a calligrapher in the Eastern Han Dynasty. Emperor Ling ordered workers to repair the Hongdu Department (known as Hongdu in the Eastern Han Dynasty, where imperial books were collected), and craftsmen used brooms to sweep white powder to write on the wall. Cai Yong was inspired by this and created the Book of Flying Whites. This style of writing, which is a simple sketch, seems to be written with a dry pen, and it is a unique style. Zhang Tang Huaiguan commented on Cai Yong's "Flying White Book" in the preface, saying that "flying white is wonderful and moving".

3. Liu Desheng

The word Junsi, a native of Yingchuan (now Yuzhou City), was a famous calligrapher when Emperor Huan and Emperor Ling were both emperors in the Eastern Han Dynasty. The founder of Yan Shu's calligraphy, because he created a "running script" font between regular script and cursive script, was called "the originator of running script" by later generations. Although Desheng's calligraphy is a new creation, its handwriting is beautiful, graceful and graceful, so simple, the strokes are concise, the circle is hidden in the square, the calligraphy is dense, and it is very smart. It was listed as a "wonderful flower" by later generations and was unique at that time.

4. Zhong You (you)

During the Three Kingdoms period, Cao Wei was a famous calligrapher, who was good at calligraphy, learned from others, and became a family of his own, especially Li and Kai. If books fly in the sea, cranes jump in the sky. Later generations commented that he was fascinated by his official career, which was very exciting. He and the great calligrapher Zhao Hu called him "Hu Fei Zhongshou". Also known as "Zhong Wang" with the King of Jinxi. Zhong You's calligraphy is simple and elegant, with alternating font sizes, rigorous and meticulous overall layout, and has made great achievements in past dynasties' comments.

5. Zhao Hu

The word Kongming was born in Yingchuan (now Yuzhou, Henan). China was a hermit and calligrapher in the Three Kingdoms period. In calligraphy, Zhao Hu learned from Liu Desheng, bringing forth the old and bringing forth the new, and pushed the running script to a new height. So it is as famous as Zhong You, another calligrapher in the Three Kingdoms period.

"The bell is small, but Hu Jiahao lets it go", which is also called ""by the world. Zhao Hu's running script calligraphy was widely admired by the literati at that time, so that "faithful traces, moving to see the model" became an example for people to learn and copy.

6. Wang Xizhi

The calligrapher of the Eastern Jin Dynasty was called the Book Saint. Wang Xizhi's representative works include: Huang Tingjing in Regular Script, On Le Yi, Seventeen Guas in Cursive Script, Gua for Aunt in Running Script, Gua for Quick Snow Clear, Gua for Funeral, Preface to Lanting Collection, Gua for the First Month, etc. Among them, Preface to Lanting Collection is highly praised by calligraphers of all ages and is known as "the best running script in the world". Wang Jian is good at following the laws of Li, Cao, Kai and Xing, carefully studying the shape, imitating the shape with his heart, learning from others' strengths, preparing everything in one furnace, getting rid of the style of writing in Han and Wei Dynasties, and becoming a family of his own, which has far-reaching influence. His calligraphy is peaceful and natural, and his brushwork is euphemistic and subtle, graceful and graceful. The world often uses Cao Zhi's Ode to the Goddess of Luo: "If you are amazed, if you are graceful, if you are in Youlong, you will be glorious and autumn, and Hua Mao will be spring pine. It seems that if the moon is covered by light clouds, it will float like the wind flowing back to snow. " Praise the beauty of Wang Xizhi's calligraphy.

7. Wang Xianzhi

The seventh son of Wang Xizhi. It is famous for its running script and cursive script. Wang Xianzhi studied calligraphy with his father Xi as a child, and also studied Zhang Zhi. Calligraphy is excellent, especially cursive script, which dares to innovate and has made outstanding contributions to modern calligraphy and cursive script since Wei and Jin Dynasties. Known as a "little saint" in the history of calligraphy, he is also called "two kings" with his father.

8. Zhang Xu

Wu (now Suzhou, Jiangsu) was a native of the Tang Dynasty, and cursive calligraphy was the highest. He himself is proud of inheriting the tradition of "two kings" and writes very well. On the other hand, he imitated Zhang Zhi's cursive art and created a unique and unpredictable weed, which shocked the world.

9. Yan Zhenqing

China Tang Dynasty calligrapher, his regular script is contrary to the calligraphy style of the early Tang Dynasty, but with the pen of seal script, it turns thin into hard, plump into vigorous, with broad structure, magnificent momentum, strong bones and awe-inspiring, dignified and dignified. His running script is rich and vigorous, and this style also reflects the prosperous style of the Tang Dynasty empire, which conforms to his noble personality and is a typical example of the perfect combination of calligraphy beauty and personality beauty. His calligraphy style is called "Yan Ti", which is also called "Yan Liu" with Liu Gongquan, and has the reputation of "Yan Liu Jin Gu". Yan Zhenqing's brushwork is even and hidden, just inside and warm outside, and his writing is tortuous, round and powerful.

10.liu Gongquan

A famous calligrapher in the Tang Dynasty, whose books are rigorous in structure and sharp in brushwork, such as fortitude, emphasis on bone strength and attractive and vigorous style, can be compared with Yan Zhenqing's vigorous and graceful style, and is praised by later generations as Yan Liujin. From the characteristics of Chinese characters, Wang Xizhi, a beginner, and Yan Zhenqing, a later teacher, are both famous for their thinness and strength. The regular script they wrote is attractive, and the running script and regular script are the most exquisite.

1 1 Ou Yangxun

As a native of Sui and Tang Dynasties, his calligraphy achievements were mainly regular script, with bold brushwork and unique structure, which was later called "European style". Originated from Han Li, he is vigorous, rigorous in statutes, sees danger in peacetime, elegant in composition, interspersed with brushstrokes and properly arranged.

12. Sun Guoting

Calligraphers in the Tang Dynasty in China were famous for cursive writing, especially for using pens, which made people curious. He is also good at copying ancient posts, and it is often difficult to distinguish between true and false.

13. Yu Shinan

In the early Tang Dynasty, calligraphers paid equal attention to rigidity and softness, and their calligraphy was vigorous and powerful. His handwriting is round, soft outside and firm inside, dense and beautiful.

14. Yukime

Painter and calligrapher of Tang Dynasty in China. Its calligraphy is characterized by "beautiful structure" and "charming skin and flesh", and it is described as "the wind scares the garden flowers and the snow stirs the mountains and cypresses", which is full of poetry and painting.

15. Chu Suiliang

A famous calligrapher in the Tang Dynasty, he is good at combining with European brushwork, and is more relaxed than his predecessors. In the book review of the Tang Dynasty, Chu Suiliang's ci was praised as "golden in words, smooth in lines, common in Wen Ya and beautiful in many aspects". Mi Fei, a great painter in the Song Dynasty, praised: "Nine dances are played, cranes and herons are full of courtyards, and jade sounds are loud and graceful" to show the font structure of Chu.

Have a strong personality charm

16. Li Yong

Calligraphers in the Tang Dynasty, the calligraphy personality is very obvious, the font is high on the left and low on the right, and the brushwork is vigorous, giving people a sense of danger. He advocated innovation, inheritance and development of ancient calligraphy.

17. Huai Su

Huai Su and Huai Su are outstanding calligraphers in the history of China. His cursive script is called "Crazy Grass", and his pen is round and powerful, making it go round and round, unrestrained and smooth, in one go. Huai Su's works, which are equally famous with Zhang Xu, have different styles, which can be roughly divided into three types: First, those that have not completely got rid of their predecessors' styles: Notre Dame, Fish-eating, Bitter Xun and Hidden Truth. Secondly, he has his own style skills, such as Pure Classics, Forty-two Chapters Classics, and Self-Narrative Posts (a standard Huai Su Book). Third, following a peaceful style of writing, such as a thousand words of grass, is quite different from his arrogant style of writing and completely changed, which can also be said to be his outstanding point.

18. Su Shi

A writer, painter and calligrapher in the Northern Song Dynasty, who is good at running script and regular script, can create new ideas, and his pen is ups and downs, which is childlike. Most of Su Shi's poems are quite plain and simple. Although the characteristics of left low and right high come from Li Beihai, Wang Yang's majestic spirit is his personal characteristic, just like his profound knowledge. The changes of Shenlong are unpredictable, and it is earth-shattering to occasionally show his handwritten Huangzhou cold food poems and posts. The color of brush and ink in calligraphy also changes with the change of poetic realm, ups and downs, extraordinary momentum and one go, reaching the almost perfect state of "both hands are smooth".

19. Huang tingjian

Huang Tingjian, a poet, poet and calligrapher in the Northern Song Dynasty, learned from others in calligraphy. His calligraphy has a compact structure and a wide periphery, and his pen is horizontal and vertical, such as shaking his hand. The biggest feature of his calligraphy is that he emphasizes "rhyme" and grace, and his writing is elegant, such as the breeze on the moon and the high rhyme of the book. Su Shu is still interesting, and Huang Shu is still charming; The yellow book has a vertical trend. Together with Su Shi, he pushed the humanistic spirit of calligraphy in Song Dynasty to the peak.

20. Mimi

China was a calligrapher, painter and painting theorist in the Northern Song Dynasty. Mi Fei's calligraphy inherited the tradition of "two kings" and made great efforts to become a master. Original works, cursive script, official script, seal script and calligraphy can all be written, especially cursive script. He calls himself a "writing brush figure", which means that he uses a pen quickly and vigorously, and tries his best to pursue the charm, boldness and strength of "pen" and nature. His calligraphy works, from poems to bamboo slips and inscriptions, are full of vitality and freshness, and have the momentum of a sword.

2 1. Cai Xiang

People in the Northern Song Dynasty were honest, honest, faithful, knowledgeable, and well-versed in calligraphy. Calligraphy is vigorous and dignified, simple and beautiful, and self-contained. When I exhibited Cai Xiang's calligraphy, I felt a spring breeze on my face, full of beautiful Wen Ya breath.

Evonne.

Evonne, the emperor of Song Huizong in the late Northern Song Dynasty, was politically fatuous and puzzled by Taoism, but his calligraphy was superb. His book, with clear handwriting, thin stippling, sage-like style and high spirits, is really out of touch.

23. Fresh baked

A famous calligrapher in the Yuan Dynasty, his calligraphy should be written by a calligrapher in the Tang Dynasty, and then traced back to the two kings in the Eastern Jin Dynasty. Solid foundation, good at hanging wrist writing, like to use wolf hair, emphasizing bone strength. His regular script is vigorous, round and vigorous, magnificent and without losing discipline. The running script is rigorous, full of real strength and natural. Cursive learning Huai Su, innovative, bold brushwork, great boldness of vision.

Zhao Mengfu.

Zhao Mengfu, a famous painter in Yuan Dynasty, admired Wang Xizhi and never changed his attitude. His works are delicate, vigorous and consistent, showing no signs of shrinking. His calligraphy and painting are very good, but his calligraphy is very good, especially his regular script and Cao Zhang.

Wen Zhiming.

Wen Zhiming, a painter, calligrapher and writer in Ming Dynasty, is a model of Bofei's calligraphy specialization. Wen Zhiming's calligraphy has his own attainments in seal script, official script, calligraphy and calligraphy. Especially good at running script and small letters, warm and beautiful, rigorous statutes and vivid ideas. Although there is no vigorous momentum, it has the charm of Jin and Tang calligraphy and has its own certain style. Small letters are euphemistic and slow-paced, which complements his painting style and is known as "the first in Ming Dynasty".

Dong Qichang.

The calligraphy of Dong Qichang, a famous painter and calligrapher in the late Ming Dynasty, can be said to be a collection of ancient methods. "Six styles" and "Eight styles" are all excellent works in his hands. At that time, it was "famous abroad, short in size, spread among the people, and competed with each other." (Biography of Wen Yuan in Ming Dynasty). At that time, all the literati learned from Dong Qichang's beauty and softness, and Dong Qichang was shrouded in the early Qing Dynasty. Dong Qichang's calligraphy has the highest attainments in cursive script, and his brushwork is accurate, and he can always keep a positive face. There are few stagnant and sluggish pens in his works; Ink is also very particular, dry and wet, wonderful; Simple and natural style, simple and peaceful, or related to his temperament, easy to understand Zen. Many of his works have grass between the lines, some have the meaning of Yan Zhenqing's frankness, and his posture has Mifei's side, while the layout is laid out in Yang Ningshi's carefree Shu Lang, which looks like Zhao Mengfu's charm, lightness and self-sufficiency

Zhu Yunming.

Ming dynasty people. The main points of his calligraphy appraisal are: alternating structure and size, slender fit, tape guidance and good density. Throughout the whole volume, the spirit is like flowing water, naturally flying, walking, sitting and lying down, and the posture is simple.

Chong Wang.

China calligrapher of Ming Dynasty. Small handwriting, especially good at cursive. His calligraphy imitated Yu Shinan and Wang Xianzhi at first, but later he expressed his ideas. His running script and cursive script are all against the unrestrained style of Ming Dynasty, with slow brushwork, paying more attention to the gains and losses of painting, and writing calmly with calm brushwork, forming an ancient and elegant style, which is ingenious, elegant and easy to escape. There is a quiet Shen Feng, which is unique to the Ming Dynasty.

Song Ke.

He was a famous calligrapher in the early Ming Dynasty, especially good at cursive writing. The cursive script is fluent and free, dancing like a flying sword, natural and unrestrained, which is very suitable for Song Ke's character of "Ren Xia makes qi"

30.Wei Xu

China was a painter and calligrapher in the Ming Dynasty, whose calligraphy was both Fiona Fang and harmony, light and heavy, and his pen and ink were vertical and horizontal. Seemingly wild and uninhibited, it actually implies order, which is followed by later calligraphers.

3 1. Wang Duo

Ministers, painters and calligraphers in the late Ming and early Qing Dynasties. Wang Duo is well-read, with works in poetry and prose. He was knowledgeable in ancient times and made great achievements in poetry, calligraphy and painting, especially calligraphy, which was called "Wang Duo" in the world. His calligraphy is as famous as Dong Qichang's, and he is known as "the king of South, East and North" in the late Ming Dynasty. His calligraphy is unconventional and relaxed, but it is full of free and easy and vigorous flowing. Wang Duo is good at cursive writing, and his brushwork is atmospheric, vigorous, free and easy, dripping with fun.

32. Jinnong

He was one of the eight eccentrics in Yangzhou in Qing Dynasty. Jinnong's calligraphy art is famous for its simplicity and massiness. He combines regular script brushwork, official script brushwork and seal script brushwork, and is unique. His stippling script is also grass. The long horizontal and vertical hooks are all in the shape of regular script, and the pen posture is often close to Wei Bei, which is particularly vigorous and graceful

Liu Yong.

The calligraphy of Liu Yong, a painter and calligrapher in the Qing Dynasty, looks smooth at first glance, but if it is wrapped in cotton, its bones and muscles are clear and strong under closer inspection. Liu Yong is good at small letters, and his characteristics can be seen from this work. The flying head fine print in his book has the grandeur of breaking big characters, the structure is not tight at all, and the stippling is clean and exquisite. In particular, the combination of weight and thinness, coupled with the occasional rubbing of cursive brushwork, makes the whole work vivid and interesting in large-scale effects.

34.beam

As a calligrapher in Qing Dynasty, he advocated not sticking to the methods of predecessors, and emphasized that he had his own ideas in his creation. Liang Shu is good at cursive script, with rigorous and steady words, quiet and smooth pen, peaceful and natural, free and easy. Gentle and elegant scroll breath often comes to my face.