Phantom of the Opera (also known as Phantom of the Opera)
Leadership performance:
Joel schumacher joel schumacher
Main performance:
Minnie Driver Minnie Driver simon callow simon callow Xi 'an Haines Ciarán Hinds miranda richardson miranda richardson Amy Rosam Amy Rosen David Arnel David Arnel Imogen Bain Paul Brooke
Show:
June 5, 2004 to February 4, 2004 (USA) More regions
Region:
USA and UK (Location)
To white:
English, French and Italian
Rating:
7. Details of110 (8524 votes)
Color:
(written) in black and white
Voice:
SDDS dolby digital company
Length:
143 minutes
Category type:
Plot love music
Grading:
Germany: 6 Australia: PG Argentina: 13 Norway: 1 1 USA: PG- 13 Switzerland: 12 Singapore: PG Finland: K-1UK:.
Introduction:
It tells the story of a disfigured musical genius. Butler, the ghost of the Opera House, often haunts the catacombs of the Paris Opera House and often comes out to make a scene. When he fell in love with the lovely young actress Christine, the Opera Ghost decided to spare no effort to make Christine a dazzling star.
However, a young viscount in Lu Hua fell in love at first sight after seeing Christine's performance. Christine has a good impression of Lu Hua, too. They fell in love and secretly engaged. Later, the ghost of the opera house who knew the truth was furious. His strong desire for control and love for Christine made him feel cheated. So between two lovers and an opera ghost, the complicated relationship and strong feelings completely changed the fate of the three of them. ...
2.
As early as that year, when sarah brightman was andrew lloyd webber's wife, her beautiful soprano gave Weber a lot of inspiration, and sarah brightman, by virtue of her performance in Phantom of the Opera, made her an eternal Christine in and out of the play, known as the "chief actress".
Then if this version of Phantom of the Opera wants to succeed in music, the most important thing is the lead singer behind the music. Director joel schumachumqcher thinks this story should be about the enlightenment of love and sex, and the younger the actor, the more convincing he should be. Finally, emmy rossum, who was only 16 years old, played the role of Christine, gerard butler played the role of Phantom of the Opera, and Raul was played by Broadway star Patrick Wilson.
Weber is very clever. He left the position of director to joel schumachumqcher, who still supervised the whole process and rearranged the orchestral score of the film. He also wrote a new song "LearnToBeLonely" to compare the sadness that "Phantom of the Opera" will remain lonely all its life. In music creation, Weber used surrealism and the treatment of alienated voices to make the dark and mysterious Paris Opera House look unpredictable. This gorgeous and exciting auditory enjoyment is not only Christine, but also a little fantasy hidden in many people's hearts.
Webb asked his old partner Nigel Wright to cooperate with Simon, the music director, to produce the film version of Phantom of the Opera, and the 28-member orchestra played the music part of the film. In order to record the final version of the film, I even personally selected members of the London Philharmonic Orchestra. Christine's innocence is sweet and charming in emmy rossum's performance, and her fresh and beautiful voice is even more touching. Emmy Rosen was trained by metropolitan opera at the age of seven. She expressed her love from childhood to gratitude for music, her cruel hatred for the Phantom of the Opera after being confused by its mystery, and even her pity for seeing its true face. Gerard butler is a rock tenor and patrick Wilson is the chief student of Broadway musicals in the United States. Their musical magic with the heroine has become a heavy chip for the success of this soundtrack.
Due to financial reasons, the soundtrack of the movie version is to evaluate with the soundtrack group whether it needs to be replayed, re-recorded or even re-recorded after Weber has seen the sample edited by joel schumachumqcher for the first time. Weber added a new song of 15 minutes to the soundtrack album to describe the childhood of the Phantom of the Opera, Christine's carriage ride to his father's grave and Raul's return to the cemetery. This changed the original style of stage music to some extent. In this change, sometimes an epiphany, sometimes eclectic.
That's it. It may be appropriate for Weber to use notes that blend old and new. He found a long-lost rainbow in fireflies and broken shadows. This film in 2004 seems to have returned to the beginning of the sound era. A timbre, a voice, seems to be a sentence. With their own relatively independent information, they achieved this magnificent chapter of original music and jointly supported the revival of narrative style of Broadway musicals. Strictly speaking, the phantom represents the freedom and choice of love, which may also be a technical consideration, because it is free, simple and diverse.