Under the influence and guidance of his wife Zeng Yaozong, a professor at Tokyo Women's University of Fine Arts in Japan, his artistic talent was stimulated, and at the same time, his good artistic sensitivity and overall grasping ability were cultivated. Later, I was lucky enough to learn from Professor sakharov, a Russian oil painting master, and receive systematic oil painting skills training strictly. Qi Guangfan's painting style is exquisite and rigorous, with developed painting skills, strong observation and capture, keen grasp of color and light, and meticulous performance. The existing major works include Frog Spring, Shanghai Cabin, Abandoned Kiln, A Scene in Yanming Lake, Wu Zhifeng, A Scene in Southern Anhui, Three Brothers and so on.
Qi Guangfan is one of the few outstanding oil painters who have received extremely strict orthodox education and training in the history of contemporary oil painting. His painting style is exquisite and rigorous, his painting skills are proficient, his observation and capture are extremely strong, his grasp of color and light is keen, and his performance is meticulous. He skillfully combined the macro-control talent of an oriental with the precise realistic skills of westerners, and wrote a series of pure and natural sounds with enthusiasm without reservation, washing the human soul. Qi Guangfan, born in Heilongjiang Province in 1930s, was influenced and guided by his wife Zeng Yaozong, a professor at Tokyo Women's University of Fine Arts in Japan, and cultivated his good artistic sensitivity and overall grasping ability. Later, he was lucky enough to be trained by Professor sakharov, a Russian oil painter, and received systematic oil painting skills. Therefore, Qi Guangfan graduated from Harbin Academy of Fine Arts with excellent results. When he was in his twenties, he published his works in newspapers and magazines one after another, which attracted the attention of his peers. However, due to well-known reasons, this talented and overworked artist stumbled and remained silent all his life. Today, when we are lucky enough to reread his extraordinary works, we still don't know where Qi Guangfan finally went, except that he left Shenzhen in the late 1990s. At that time, he had cancer.
Perhaps it is for this reason that no matter which one of his works we read, we seem to find the Canon as his theme.
There is a clear spring in his painting, but it comes from a dark cave, and the joy that gushes out is just a lucky escape (frog spring); His landscape is clear and bright, but it is always as wild as the earth hundreds of millions of years ago (A Scene in Yanming Lake); Even in the bustling city, the gray of magnificent buildings inexplicably floats to the sky (Shanghai Xiaojing); Finally, I saw the morning light of Huangshan Mountain, but its highlight was far less than the dense silence of fog (Wu Zhifeng), not to mention the bleak abandoned kiln and the scene in southern Anhui.
The higher an artist's level, the more typical his generalization and sensibility to the world will be. Although Qi Guangfan tried his best to jump into the arms of Mother Earth, eager to rely on and entrust him, the wordless earth seemed to be unable to give him anything except to appreciate his natural beauty, even if it was beautiful, it was full of entanglements.
What shocked us most was probably the three brothers and sisters. The gloomy sky is the main theme of Qi Guangfan, the broad horizon is pushed to an unexpectedly low level, and the death of life lingers in wait for the opportunity. Just as we reluctantly wanted to avoid him, when he was concerned, three pairs of eyes suddenly caught our sight: my brother, who was only a teenager and had a heavy burden of life prematurely, squinted his confused eyes, which seemed to have passed away. My younger brother, who is less than ten years old, is just sensible and his bright eyes are still stubborn, but we are worried about how long he can last; Leaning on her back, my little sister's innocent eyes directly turned into unbearable sadness. I believe that the painter must have shed endless tears in his heart for these three eyes. People all over the world share the same fate, but in his decades as a painter, Qi Guangfan fully knew that these three brothers and sisters had no future, so he could only hold deep sympathy, instinctively picked up a brush and tried his best to give them the greatest care and grief. In addition to washing away your soul,
When people are alive, it is best not to do art. The artist's emotional path will become more delicate and rich, and the journey of art boat will become heavier and heavier. Life is endless, but it is really timid, and it is "difficult to move, sentimental." Lonely and rebellious travel will achieve the iron law of art, but also doomed the ups and downs of artists. Perhaps, this logic can also be changed (the picture shows Qi Guangfan's works) (the article is selected from: Shenzhen Antique City No.48)
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