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The Original and Brief Introduction of Peacock Flying Southeast
Preface: Liu, the wife of a petty official in Lujiang Prefecture, was sent by Zhong Qing's mother and vowed not to marry. His family forced him to drown. When Zhong Qing heard about it, he hanged himself in the courtyard tree. When people hurt them, it is a poem.

Peacocks fly southeast and wander for five miles.

"At the age of thirteen, I can weave, and at the age of fourteen, I can learn to tailor. Fifteen plays and sixteen poems. Seventeen years old is the wife of a gentleman, and her heart is often bitter and sad. Since you are a government official and loyal to the festival, your concubine is guarding an empty room. It is often rare to meet each other, and chickens crow into the plane, and there is no peace every night. It's too late for adults to break five horses in three days. If you don't knit late, your wife will have a hard time! I can't bear to be driven away, but there's nothing I can do. It can be clean in vain and can go back in time. "

When the officials heard this, they said to their grandmother in class, "My son lost his property, but I am glad to have this woman back. Make a bed with each other and be friends with each other. Working together for two or three years is not long. There is no deviation in female lines, why not thick? "

The grandmother said to the official, "He Nai is too small! This woman is rude and makes her own decisions. I have been angry for a long time, so you can't be free! The master has a virtuous woman, her name is Qin Luofu. Poor man, my mother prayed for you. Send it here quickly, and be careful not to stay! "

The prefect knelt down and told him, "Fu Weiqi, grandmother. If you give this woman today, you'll never get it again! "

Hearing this, the grandmother was furious with the mallet bed: "This boy is fearless and dares to help women! I have lost my gratitude and will not agree! "

The officials were silent, then bowed and went home. Speaking of a bride, I choked up: "I didn't drive your mother away, but I forced my grandmother." Qing has temporarily returned to China, and I will report to the government today. When it is returned soon, it will be welcomed. Remember this and be careful not to go against my words. "

The bride telephoned a government official: "Don't repeat our differences. In the past, when Chu Yang was old, Xie Jia came to your door. Do you dare to teach yourself specially after serving the public? I work hard day and night, and I am lonely and bitter. It is said that it is innocent and has great support; It's even more urgent, so why talk about it! I have an embroidered waist, which makes me radiant. Red Luo Fu fights the account, and the four corners hang sachets; Box curtains are sixty or seventy, with blue ropes. Things are different, and all kinds are inside. People are despicable and not enough to welcome future generations. They were left behind for no reason. Always for comfort, never forget for a long time! "

The cock crows outside, and the bride's makeup is neat. Embroider my skirt, everything is four or five. My feet are on tiptoe and my head is shining. If the waist is flowing, you will smell the bright moon. Refers to the root of onion, with dani in its mouth. Chinese odyssey with thin steps.

Worship my mother in class. She is angry. "When I was a daughter, I was born in the wild. There is no lesson in this. I am ashamed of your family. I am driven by my mother's money. I miss my mother at home today and work at home. " But I said goodbye to my sister-in-law, and tears fell on my beads. "When the bride first came, her sister-in-law began to help the bed; I was fired today, and my sister-in-law is as long as me. I support my husband diligently, so that I can help myself. On the seventh and ninth day, don't forget to play. " Going out and getting on the bus, I shed more than a hundred tears.

The official horse is in front, and the bride's car is behind. He Dian Dian is faint, at the intersection of Juhui Avenue. When they got off the bus, they bowed their heads together and whispered, "I swear I won't part, I will go home temporarily." I'm going to the mansion now and I'll return it soon. Swear that the sky will not be negative! "

The bride called the official: "I feel sorry for you!" " If you see the record, I hope you will come soon. You are a rock, and my concubine is a reed. Puwei line is like silk, but the rock does not move. I have my own father and brother, and my sexual behavior is violent. I'm afraid I can't do what I want to do, but I'll blow up my arm. "Easy, two of a kind.

Getting started and going home, there is no face in advancing and retreating. Grandma clapped her hands and went home without any plans: "Thirteen will teach you to knit a sweater, fourteen will cut clothes, fifteen will play the piano, sixteen will know etiquette, and seventeen will send you to get married, which shows that you are faithful. What crime did you commit today, going home without saying hello? " Lan Zhi was ashamed of his mother: "I am really innocent." Mother collapsed.

After returning to China for more than ten days, the county magistrate sent the media. Yunyousaburo, chinese odyssey. At the beginning of 189, he made many words to make talents.

Mother said to A Nv, "You can answer."

A Nv replied tearfully, "When Lanzhi first came, officials met Ding Ning and vowed to leave. Today, this is an invasion of love, and I'm afraid it's not surprising. I can break the letter, which is more important. "

Mother white matchmaker: "I am poor. With this daughter, I can only go back to my hometown." Can you be a husband if you can't bear to be a woman? Fortunately, I can ask a wide range of questions, but I can't agree. "

The matchmaker went for a few days and asked Cheng to return it, saying that there was an orchid daughter and a eunuch. The cloud has the fifth lang, and Jiao Yi is unmarried. The delivery is a matchmaker, and the main book is fluent in language. Let's just say, the prefect has this order, and he wants to set the righteousness, so he is sent to your door.

Grandma thanked the matchmaker: "Women swear first, how dare grandma speak!" " "

My brother got wind of it, but he was very upset. She said to Mei, "Why don't you plan on it?" ! Marry a government official first, then a husband. Is Thailand as glorious as heaven and earth? If you don't marry Yi Langti, do you want any rhyme? "

Lan Zhi looked up and replied, "Truth is as good as my brother's words. Xie Jiafujun, return the door. Dispose of it according to your brother's wishes, then you have to do it yourself! Although it is important to government officials, the canal will never be missed. If you make a promise, you can get married. "

The matchmaker got out of bed. Nuo Nuo Fur. Back to Bai Fujun: "The official is on a mission, and his words are very life-threatening." Fu Jun was very happy to hear that. Reopen the book according to the calendar, which is convenient for Liuhe to correspond this month. Ji Liang has been 30 days, and now he is 27 years old, so you can get married. Pay attention to the speed of speech, such as floating clouds. Green finch, white stork boat, four-cornered dragon. Graceful with the wind, golden car jade as the wheel. A wandering green horse with tassels and a golden saddle. The money is 3 million, all of which are covered with moss. 300 variegated horses, and the salmon in Jiaoguangcheng is precious. Although there are four or five hundred people, they are under the county seat.

Grandma said to A Nv, "I have received a letter from the government. I will come to see you tomorrow. Why not make clothes? Don't do anything! "

A Nv was silent, covered her mouth with a towel and cried, tears falling down like diarrhea. Move my glass sofa and put it under the front window. Hold a knife ruler in your left hand and a silk in your right. Embroidered skirt in the morning, light clothes at night. I want to die, I want to go out and cry.

When the officials heard about this change, they temporarily went back on vacation. In less than two or three miles, kurama's worries were eliminated. The bride knew the sound of horses, and she tiptoed to meet them. Looking at each other from afar, I know we are old friends. I raised my hand and patted the saddle, sighed, and my heart ached: "Since you left me, there has been no one. The fruit is not as good as the first wish, not for you. I have my own parents, and I am forced to be my brother. I should respond to others, what can you expect! "

The official said to the bride, "He Qing will move high! The rock is thick and can die for a thousand years; Puwei sewed for a while, and then it was overnight. Green wins the sky, I go to the grave alone! "

The bride said to the official, "What do you mean? Also persecuted, so is your concubine. Meeting in the grave does not violate today's words! " Hold hands, go their separate ways and go home. Do you hate living and dying? Farewell to this world, never complete!

When the officials got home, they all went to the class to worship their grandmother: "It's very cold today, with the cold wind destroying trees and severe frost. Today, the child is invisible, and the mother is behind. If you can't install it well, don't blame ghosts and gods Life is like Nanshan stone, and the four bodies are healthy and straight! "

Grandma heard this, tears fell down: "You are a big family, you are an official in the cabinet. Be careful not to die for a woman, how thin your feelings are! The master has a virtuous daughter, elegant and elegant. My mother is looking for you, and she will be in danger. "

The officials bowed again, sighed in the empty room and made a plan. Turning to the room, I gradually realized that I was worried about speculation.

On this day, cows and horses hissed and the bride walked into Lu Qing. Lonely people will settle down after the dying dusk. I am doomed to die today, and my soul will go to the body and stay forever! Take off your silk shoes and lift yourself to the pool.

When officials heard about it, they knew they would be separated. Wandering under the courtyard tree, hanging from the southeast branch.

The two families asked to be buried together, next to Huashan Mountain. Pine and cypress are planted in the east and west, and phoenix trees are planted in the left and right. Branches cover each other and leaves communicate with each other. There are two birds in the forest, calling themselves Yuanyang. Raise your head and sing to each other, reaching the fifth watch every night. Pedestrians stop to listen, widows hesitate. Thank you, future generations, and don't forget to be careful. Introduction Peacock Flying Southeast is the first long narrative poem in the history of China literature, which Shen Guiyu called "the first long poem in ancient and modern times". Therefore, it is also called the longest narrative poem in the ancient history of China, and it is one of the glorious poems in the ancient folk literature of China. Peacock Flying Southeast and Mulan Ci in the Southern and Northern Dynasties are also called "Yuefu and Narrative Poetry". Later Peacock Flying Southeast, Mulan Poem and Wei Zhuang's Poem of Fu Qin in the Tang Dynasty were called "Three Wonders of Yuefu", which were adapted from a marriage tragedy that occurred in Lujiang County during the reign of Emperor Xian in the Eastern Han Dynasty (the county was a prefecture, and Hui County in Qian 'an at the end of the Han Dynasty was in Anhui Province). Peacock Flying to the Southeast was first seen in Xu Ling (507-583) of Chen State in the Southern Dynasties, Volume I, Poems for Wife. Miscellaneous Songs contains Yuefu poems, formerly known as Jiao Zhongqing's Wife. Now the first sentence of this poem is generally used as the title. Peacock Flying Southeast was originally a folk creation in Jian 'an period, which may be revised by later generations in the long-term circulation process. The two protagonists in the story "Peacock Flying Southeast" have won the admiration of scholars of all ages for their constancy in love. The graveyard of the protagonist is in front of the grain depot in Xiaoshi Town, Huaining County, Anhui Province. After being transformed by later generations, it became a scenic spot for tourists to mourn for free. In order to shoot related TV, a "Peacock Southeast Flying Film and Television Base" was built in a small town, and this little-known town began to become famous overseas. Now, this poem is engraved on the stone window of the corridor of Jiao Zhongqing Liu Lanzhi Cemetery, a small town in Huaining County, Anhui Province. Its charming charm is mainly manifested in:

First, the plot is tortuous and ups and downs. At the beginning of the story, the author sets a sharp contradiction: Liu Lanzhi and Jiao Zhongqing, who are clever and clever, have deep feelings, but they can't get their mother-in-law's permission, so they have to go home. In this kind of conflict, Zhong Qing hoped to ease the contradiction, so he appealed in every way, but the contradiction did not ease at all, but was scolded by his mother. Zhong Qing was forced to let Lan Zhi go home temporarily. When saying goodbye, the two agreed not to be negative. When Lan Zhi came home, her mother was shocked to see her daughter coming uninvited. After Lan Zhi's explanation, she understood, but soon, the magistrate and the magistrate proposed to her son one after another, and Lan Zhi refused them one by one. But in order to climb to the top, his brother pushed him step by step, further intensifying the contradiction. Lan Zhi was forced to choose to allow marriage, but in fact he was ready to fight to the death. Zhong Qing heard the news and asked Lan Zhi. Lan Zhi told the truth, made a promise and agreed to meet in the underworld. On their wedding night, Lan Zhi threw himself into the river and Zhong Qing hanged himself under the tree. They pushed the contradiction to the peak by fighting to death, and finally the two families were buried together. After the burial, both of them became birds to warn the world. Second, the narrative double-line alternation, meticulous and compact, adopts the way of double-line alternating promotion. The first clue revolves around the family contradiction between Jiao Liu and his family. Love for mother is the first conflict between Jiao's domineering and love's weakness. Lan Zhi's resignation is the second conflict between Jiao Mu's ruthlessness and Lan Zhi's struggle. Lan Zhi's refusal to marry is the third conflict between Lan Zhi's loyalty and his brother's vanity. The separation of Zhong Qing from her mother is the fourth conflict between Jiao's stubbornness and Zhong Qing's keeping his promise. These four conflicts were actually a struggle between persecution and anti-persecution, which intensified until both of them were martyred. The second clue revolves around the unswerving love between Lan Zhi and Zhong Qing. This clue is based on the above contradictions and conflicts. The first time was when Zhong Qing broke up with Lan Zhi after her mother failed, which reflected their deep love. The second time, after Lan Zhi resigned from Shiva, she bid farewell to Zhong Qing and expressed their sincere and firm feelings. The third time is Lan Zhi's farewell to Zhong Qing after refusing marriage, which depicts their life-and-death love. These two clues develop alternately, completing the narrative of the story and the interpretation of the fate of the characters completely and compactly. In addition, the structure echoes. For example, the metaphor of Pu's surrounding rock, which appeared twice on different occasions, deepened readers' understanding of Liu Jiao's love and loyalty. Another example is Lan Zhi's concern about his younger brother's "violent sex" and Jiao Mu's "beauty of the master", which are also hidden and cared for in the poem, showing the meticulous structure. Third, the theme is profound and profound, with a wide range of implications. From the perspective of Lan Zhi and Zhong Qing, this is a character tragedy. Lan Zhi is not only beautiful and kind, but also soft on the outside and hard on the inside, so when she faces her bossy mother-in-law, her violent brother will never give in. Zhong Qing's bureaucratic family, accompanied by his mother's arrogance since childhood, developed a weak and incompetent character, so when he faced his mother's bullying, it decided that he could not actively strive for the happiness of marriage. From the perspective of Jiao Mu and Liu Xiong, this is a social tragedy. In the Eastern Han Dynasty, where a hundred schools of thought were ousted and Confucianism was the only one, the "filial piety" in Confucian classics served as a solid dam to defend feudal ethics and maintain the authority of feudal parents. Therefore, Jiao Mu can treat her daughter-in-law with a high-handed policy, while Mr. Liu Can intimidates Lan Zhi in a bullying way, pushing them to the grave of marriage. From this point of view, feudal paternalism and feudal ethics essentially acted as executioners to kill them, which not only destroyed the happy marriage, but also killed the kind and simple nature. Judging from the deaths of Lan Zhi and Zhong Qing, the story has a mythical color, and people have a strong desire to pursue love freedom and a happy and beautiful life. The preface to the poem says, "Liu, the wife of Zhong Qing, a petty official in Lujiang House, was sent by Zhong Qing's mother and vowed not to marry. His family forced him to die without water. When Qing heard about it, he hanged himself in the courtyard tree. When a person is injured, it is poetry. " This is a sad song based on facts and shaped by chanting. Among them, the death of the protagonist and, on the surface, is the result of the persecution of the fierce and snobbish Mr. Liu. In fact, Jiao Mu and Liu Xiong were also victims of feudal ethics. Because of Jiao Mu and Mr. Liu's original intention, they didn't want to kill their sons and sisters. This can be seen from the regret that "the two families seek to be buried together" after the death of Liu and Jiao. -Although this is their belated recognition and blessing for Liu Lanzhi, it is also their undying love for Jiao Zhongqing. Although their subjective starting point is self-interest, they also have the desire to unify the lifelong happiness of their loved ones with their own interests. Jiao Xiong wants to find a balanced green space between himself and the interests of harmony. However, they did not succeed. Here, the problem is profound: after all, Liu Lanzhi and Jiao Zhongqing were killed directly by their hands. Jiao Mu and Mr. Liu also became accomplices of feudal ethics. This kind of social force, which is independent of individual will, is an inevitable reflection of the evil nature of the feudal system at that time.

Liu Jiao's death was inevitable at that time. Because they face only two choices: either give in to Jiao Liumu Xiong and break their love vows; Or defend their love vows with death. Liu Hejiao can't rebel at will. The third possibility. Because the social conditions they live in are not their own choice, but they were established and inherited in the past. The deaths of Liu and Jiao were caused by external pressure, but also by internal reasons. The reason is that their own thoughts can't get rid of the feudal thoughts that dominated at that time. The Book of Rites is the core memorial of life, which points out: "Women have seven ways to go: disobeying their parents, not having children, whoring, jealousy, illness, talkativeness and stealing." Jiao Mu persecuted Liu Lanzhi with his first article. The Book of Rites also stipulates: "A son is a good wife, and his parents are unhappy." Jiao Mu ruled Jiao Zhongqing with filial piety. After Liu Lanzhi returned to her family, she was also bullied by paternalism. So are Liu Lanzhi and Jiao Zhongqing fundamentally opposed to these feudal dogmas? No. What Liu Hejiao argued repeatedly was that they did not violate these feudal norms. Their understanding has to be limited by the times. And Jiao Xiong believe that only by adhering to these feudal dogmas can we truly guarantee the happiness of ourselves and our loved ones. Obviously, under the social conditions at that time, Jiao Mu and Liu were strong and doomed to be weak. They were not in the May 4th period when the store of Confucius was overthrown, but in the late Eastern Han Dynasty, when the landlord class in China was still promising and the feudal system was still rising. The struggle between Liu Lanzhi and Jiao Zhongqing is only an unconscious and hopeless conflict between their own reasonable human requirements and feudal ethics that violate these requirements. Therefore, their death is the inevitable requirement of history and the product of this requirement. Their death is an indictment of the evil nature of feudal morality. The limitation of ideology cannot change or deny its objective role in practice. Liu Lanzhi and Jiao Zhongqing were worthy of being the early rebels of feudal ethics, because they did not succumb to feudal ethics. Death and submission are the destruction of feudal ethics. But this is the destruction of two different natures. If they give in, then although their bodies are still alive, their souls and their love ideals no longer exist. However, death shows their struggle for the ideal of love, conforms to the inevitability of historical development, wins the sympathy and respect of future generations, and becomes the spiritual inspiration for future generations to crush feudal shackles. Therefore, the death of Liu and Jiao broke through the narrow scope of individuals and families, which has great typical significance and exposed extremely common social problems. The great ideological value of Peacock Flying Southeast lies in its family tragedy of Liu Lanzhi and Jiao Zhongqing's double suicide, which vividly exposes the early cannibalism in China feudal society, enthusiastically praises Liu Lanzhi and Jiao Zhongqing's rebellious spirit of being loyal to love and resisting oppression, and directly entrusts the people with their ardent yearning for freedom of love and marriage. The greatest artistic achievement of Peacock Flying Southeast is to create a distinctive character image through the dialogue of individual characters. The whole poem "has a total of 1,785 words, which is the first long poem in ancient and modern times." Rainy ideas, repeated, in Chinese miscellaneous about a dozen people, and each Xiao Qisheng, not chemical pen "("Ancient Poetry Source "Volume 4, notes). Throughout the conversation, we can see Liu Lanzhi's different attitudes and tone towards Zhong Qing, Jiao Mu, sister-in-law, brother and mother. It is in this difference that she can feel her industrious, kind, oppressed and rebellious character. Similarly, in Jiao Zhongqing's words on various occasions, we can also feel his honest and weak but developing character, loyal to love, discerning right from wrong but being forced by his mother. In the poem, before Lan Zhi and Zhong Qing died, Lan Zhi pretended to agree to remarry. After Zhong Qing saw Lan Zhi, he went home to say goodbye to his mother. Their words at this moment are very suitable for their respective identities and situations. Chen Ruoming's Selected Ancient Poems of Caijitang once made such a detailed analysis: "Lan Zhi is not a white mother, but a white mother, a woman is a mother, and a son is a mother. It feels different. A woman who follows her husband is also afraid that her mother will be on guard. Her mother has a brother, but she can die. Son or wife, which is more important than mother? And what is mother's death, can it be white? With the dead, love also. Don't let each other down. Women pay with death, so don't they die with peace of mind? When you were together, the mother regretted it and welcomed her daughter, but it is still possible that both of them are not dead. However, Tara refuses to welcome a woman. She can't die. Therefore, there is a difference in the words of white mother. Today, the child has made it clear in four words. Today, cold is like a rock, unknown so. I'm also afraid that my mother will think it's against me. If the official is a white mother and the mother is unguarded, then this woman will be gone for a long time. He won't die tomorrow, but what is it to die alone today? However, it is not necessary to say that this resentment is true. So, I answered with the boss's daughter to comfort her. However, government officials are all white mothers, and it is not said that women will change their fitness. They refuse to change if they don't say that women want to die, and welcome women. If they show their true feelings, they will stop me from dying. "Imagine that if Lan Zhi said she would die, this weak woman would be bound by violence and forced to get married. The analysis of the above quotations shows that the situation in Chongqing is naturally different from that in Lange. Another example: "I have been angry for a long time, how can you be free?" "My child is fearless. How dare he help that woman?" Here, we can see Jiao Mu's arrogance: "Why don't you plan? "Marry a government official first, and then marry a husband. Is Thailand as glorious as heaven and earth? Don't marry Yi Langti, want He Yun? " This shows Mr. Liu's snobbery. Even the short conversations of matchmakers, government officials and other minor figures are in line with their identity and characteristics. In poetry, the concise description of characters' behavior is helpful to the vividness of images; Exquisite lyrical interludes enhance the charm of the works. "When the chickens crow outside, the bride's makeup is very strict. I embroider a skirt, and everything is four or five ways ",writing the ambivalence when leaving Jiao's family. She wants to get up at dawn, which shows her determination not to live in Jiao's house. Strict makeup is her protest and demonstration of focusing on her mother. When dressing up, everything is mixed, showing her delicate psychology of loving Jiao Zhongqing and reluctant to leave. "When I said goodbye to my sister-in-law, tears rolled down her eyes." Sister-in-law is not easy to get along with, and Lan Zhi has a harmonious relationship with her sister-in-law, which shows that she understands etiquette and is easy to get along with. This is in contrast to the burnt wood. Besides, Lan Zhi's stubbornness can also be seen when she gave up her mother's tears and her sister-in-law's tears. The same is true of Jiao Zhongqing's image description. He sent Lan Zhi to the entrance of the road, "dismounted and got into the car, and bowed their heads and whispered together", showing a true feeling. I heard that Lan Zhi was going to get married, and "it will take two or three miles to get rid of kurama's sorrow". In the poem, the sadness of the horse set off his intense inner pain. Before he died, he sighed in the empty room and moved to the house. He was still taking care of his mother. Here, he becomes more and more honest and kind. In the whole poem, there are some action descriptions similar to the above. Although there is not much pen and ink, it is very essence. When Lan Zhi died, he turned his back and "took off his skirt and silk shoes and lifted himself to the pool"; When Zhong Qing died, he took care of his mother, "wandering under the courtyard tree and hanging the southeast branches." These different action details are suitable for their respective personalities and situations. The same mother, Jiao Mu, became furious after hitting the bed. When Liu Mu saw Lan Zhi coming home, she was both surprised and gentle, which is very vivid for describing her character. Lyric interlude is less than action description, but it is also a successful pen. When Lan Zhi and Zhong Qing broke up for the first time, the author couldn't help sighing, adding a tragic atmosphere. "Life is death, hate is that", which makes the finishing point and arouses people's concern and sympathy for what happened to Liu. Even at the end of the poem, there is a strong lyric meaning, full of the author's sympathy and expectation. These natural and seamless lyric interludes play a wonderful role in shaping the characters and increase the emotional color of the whole poem.

It is particularly noteworthy that the use of metaphor and romance in this poem has played a very important role in shaping the image. The author's feelings and ideological tendencies are clearly expressed through this artistic method. At the beginning of the poem, "Peacock flies southeast, drifting for five miles" is a technique of "Xing", which is used to arouse harmonious love and decorate the atmosphere of the whole article. In the last paragraph, in the cemetery where Liu Hejiao was buried together, the branches and leaves of pine, cypress and phoenix trees were hidden, and Yuanyang sang all night. This not only symbolizes the immortality of Jiao Liu and his wife, but also symbolizes their eternal grief and accusation. From the realistic double-burial portrait to the portrait of a pine, cypress and mandarin duck symbolizing eternal love and happiness, it shows the people's belief that freedom and happiness will inevitably come in the future. This is the romantic development of Liu Jiao's image, shining with incomparable ideal brilliance, which makes the whole poem have a qualitative leap.

Peacock Flying Southeast has a complete, compact and fine structure. The organization of the plot adopts the way of double-line alternating promotion. Among them, a clue is between Jiao Fu and Jiao Xiong. This is a struggle between persecution and anti-persecution. It was the first conflict, and Zhong Qing asked his mother for a passage, depicting Jiao Mu's domineering and Zhong Qing's weakness. Lan Zhi's resignation from Shiva is the second conflict, which reflects the cruelty of Jiaomu and the struggle of Lan Zhi. Lan Zhi's refusal to marry is the third conflict between Lan Zhi and his brother, which highlights Lan Zhi's precious and loyal character and his brother's meanness. Zhong Qing bid farewell to her mother and wrote down her stubbornness and Zhong Qing's commitment. These four conflicts intensified every time, until they were both double suicide. Especially the protagonist Lan Zhi, her resolute struggle influenced and decided Zhong Qing's attitude and struggle.

The emotional entanglement between Lan Zhi and Zhong Qing is based on the above contradictions and conflicts. The first paragraph of Langer's complaint shows her trust in Zhong Qing and explains the background of the contradiction. Zhong Qing's failure to find his mother and Liu's departure from Jiao reflected Zhong Qing's tender feelings. After the second conflict with Lan Zhi, Zhong Qing's farewell fully expressed the sincere feelings between husband and wife. Lan Zhi's refusal to marry in the third conflict, Zhong Qing's resentment, Lan Zhi's confession and their farewell vividly depict eternal love. It can be seen that the above two clues are mutually causal and develop alternately, completing the narrative of the story and the interpretation of the fate of the characters. The fine structure of this poem is also reflected in the echo. "Selected Poems of Cai Jitang" once pointed out: "Any long story must be taken care of frequently, otherwise it will be rambling. The article is like thirteen weaves. I'm going to Yamen today. Rocks and chickens crow at cows and horses, and the silence before and after is all care. However, it is best to use it from the beginning without leaving a trace. It is a deified person. " The metaphor of Pu Weiyan, which appeared twice in different occasions in the poem, really deepened the readers' understanding of Liu Jiao and his wife's love loyalty, and also strengthened their sense of integration when reading this work. In addition, Lan Zhi's concern about his younger brother's "violent behavior" and Jiao Mu's "master's beauty" are also hidden and cared for in his poems, showing fine structure and meticulous poetic thinking.

The structural characteristics of fine needle thread in Peacock Flying Southeast are due to simple and appropriate tailoring. The stories of Liu Lanzhi and Jiao Zhongqing are complicated. If they are not cut and concentrated, they will be scattered and unorganized. Shen Deqian, a poetry critic in Qing Dynasty, commented in The Source of Ancient Poetry: "Poetry is more expensive than tailoring. If we start with the situation of the two families, how can we be sad at the end? Is it unnecessary and procrastinating? So I'm done in a word or two. There are deletions in a long poem. " The viewpoint in Selected Poems of Cai Jitang goes deeper: "When two families heard of their death, they panicked and regretted each other, so something was bound to happen. However, if you write again, it will drag on. So ask for burial directly, the situation is tight, but you know there is no idle talk from beginning to end. Don't write about the family situation of the previous two families, and don't pay attention to their family situation. After that, I won't write two robberies, and I don't care about this. People who can write about God without predicates are not idle. If it is indispensable, if it has nothing to do with the person you like, it is idle. The cutting method can also be realized here. " It is these so-called indispensable but irrelevant materials that make people fall into the wrong path of cutting. In fact, some seemingly indispensable materials are not necessarily the most important materials, nor are they necessarily the materials that need pen and ink most. Some just need a little explanation, such as the family situation of the two families in the poem, the grief and regret after the death of their families and so on. Here, the key is to grasp the "favorite" in the poem, select and sort out the poetry material, and highlight the main clues and feelings.

The handling of the details in the poem is excellent. Zhong Qing failed to invite his mother, Liu Jiao's farewell, Lan Zhi's wife's resignation, the satrap's wedding reception, etc. , are colorful paragraphs. These paragraphs are directly related to the key content of Liu Jiao's love tragedy in the whole poem, and play an extremely important role in shaping the characters, venting the emotions and showing the meaning of the problem. Even better, this kind of thick brushwork and heavy color plays a rich role in the basic style of the whole poem, which makes the whole description have a dense rhythm and moderate speed. Shen Deqian's comment is insightful: "If a long poem becomes dull, it has no color. In the middle, there is also a philandering, which makes readers see things in a blur. For example, when the bride goes out,' I have embroidered Luo' is a joke. After the satrap chooses a day,' the bluebird and white stork boat' is also a joke. "