Ye Luxi, female, from Nanxiong, Guangdong. In the 23rd year of the Republic of China (1934- 1992), when I was studying in Nanyang Advanced Business School, I loved art and took an active part in the left-wing amateur drama activities in Shanghai. The following year, she became the main actress of Ye Luxi's Home (5 pieces) led by the Shanghai Left-wing Drama Association and the Amateur Dramatists Association, and participated in performances such as An Imperial Envoy, Thunderstorm, Wu Zetian, Street Storm by Yang Hansheng, Nocturnal Cup by Yu Ling and Final Victory by Tian Han. , and launched a publicity campaign in War of Resistance against Japanese Aggression. In the spring of 1933, she participated in the drama activities of the New China Drama Club. The following autumn, he arrived in Hong Kong, ready to set up the Hong Kong and Kowloon Women's Association under the leadership of the the Communist Party of China (CPC) Hong Kong and Macao Working Committee, and served as its chairman. In February, 36, Ye attended the China in Hongkong. The following year, he worked as a traffic policeman in Hong Kong and Shanghai. In the early days of liberation, Ye served as the head of the Cultural and Entertainment Section of the Municipal Federation of Trade Unions, and then successively transferred to the positions of Minister of Culture and Education of the Preparatory Committee of the Shanghai Federation of Literary and Art Unions, Chief of Literature and Art of the Municipal Cultural Bureau, Chief of Culture of Changning District, and Vice President of the District Art School. Throughout the 1950s, Ye was in charge of cultural work at the grassroots level. 196 1 year, Ye transferred to Shanghai Theatre Academy to participate in the preparatory work of the director department and served as the head teacher of the drama director class. After the establishment of the director's department, she served as the director of the office of the department and the head of the general party branch of the department. Although she lost the opportunity to return to the stage again and again, she did not complain and devoted her love of drama to the cultivation of students. In order to make up for the shortage of teachers in the initial stage, she visited almost all directors and experts and scholars in stage art in Shanghai and invited them to teach in the department. As a class teacher, Ye leads students to go deep into rural life in the suburbs, and works as a director in a local troupe. In the countryside, she lives and works with farmers. In order to guide students' internship, she also compiled two sets of teaching materials, the director's conception and the director's explanation of "The Wind and Cloud of the Mountain Country". During the "Cultural Revolution", Ye became the key criticism object of drama academy and was deprived of all political rights. After crushing Jiang Qing's counter-revolutionary group, she strongly demanded to work again, gladly became the director of the nursery of the Theatre Academy, and managed the nursery in a short time. After the establishment of the director department is restored, he will return to the department to participate in the leadership work. 1936, she married Zhao Dan, a little star of a star film company. During the period of War of Resistance against Japanese Aggression, Zhao Dan joined the national salvation drama team, and 1939 was captured by Sheng in Xinjiang and died after being misinformed. Ye Luxi remarried with playwright Du Xuan.