Dramas: Story of the Wall, Xiao Guxian, Death of Buxian, Widow's Dream of Wang Lao, Private Visit of Liu, Open the Coffin for Autopsy, Qin Family Garden, Mourning, and Soul Off.
Single head: the new version of Sister Wang Sifu, the new version of Red Moon Dream, the dream of the king of the daughter country, and the wedding of Mu.
Excerpts from the play: Cup Return, Sprinkling Water before Horse, Breaking Back, Pig Eight Rings Arch the Ground, Watching Flowers in the West Chamber, Writing in the West Chamber, Listening to the Piano in the West Chamber and Sawing the Blue Bridge in the Cylinder.
Little hat: Happy New Year, two-way door, south lover, north lover, Qingshui River.
Embroidered lanterns, embroidered lanterns, cabbage pulling, Zhang Sheng visiting temples and sisters.
Watch yangko, visit the West Lake, fly kites, pick cotton and embroider the Eight Immortals.
Send a meal to Princess Chai, praise the Harbin people, turn over after the Ninth Movement, and win a well.
Play with five tables of money, be fascinated by placer gold, watch lovers, swing, pick cotton, and despise cards.
Hold a duet.
On the afternoon of February 28th, five famous duets were included in the list of the second batch of representative inheritors of national intangible cultural heritage projects in the Great Hall of the People in Beijing. Zhao Xiaobo, a 36-year-old duet actor from the People's Art Theatre in Helen City, our province, won the highest honor of "National Intangible Cultural Heritage" for Heilongjiang with her excellent and solid singing skills. As the youngest inheritor, her name is as famous as Li Xiuyuan, Wang Zhongtang, Zhao Benshan and Shi Guiqin. On March 1 day, a Japanese newspaper reporter interviewed Zhao Xiaobo exclusively, walked into this female inheritor who was obsessed with the art of duet, and unveiled her little-known "handkerchief life". ...
■ Poor family, stealing school.
"The actors that two people become come from bitter backgrounds" ... behind their unique skills, there are unknown hardships and efforts ",Zhao Xiaobo choked several times when talking about their hardships. Zhao Xiaobo, who grew up in Yushu, Jilin, is an out-and-out rural baby. She said: "I have always liked duets since I was a child. I remember crying every time I heard Feng Kui's wife sell it. At that time, the tickets for the rural duet were only 1 cent, and my family still looked down upon it. "17 years old, Zhao Xiaobo was sent by his parents to Sihe Town, Yushu, Jilin Province to learn to sing, but he took advantage of his parents to learn duet." At that time, my family was very poor, so I wanted to earn more money and help my family early. "
Despite the opposition of his parents and villagers, Zhao Xiaobo resolutely made a fire, cooked and learned drama with more than 10 students in a simple school building. ...
At that time, she was 17 years old and her bones had basically grown up. Physical difficulties are the biggest. "One minute on stage, ten years off stage", many of Zhao Xiaobo's unique skills are "bad injuries". She bent down and broke her leg. She gets up every morning and practices all day, her waist flashing and her feet twisting.
■ Settle in black land
The duo were divided into the South School and the North School, which is commonly known in the industry as "south by waves and north by singing". The northern duet is represented by Heilongjiang, and the songs they sing are mostly traditional and long-playing, while the southern duet is represented by Liaoning, which pays attention to performance and imitation and belongs to minor. From the beginning, Zhao Xiaobo practiced the solid singing skills of the Northern School duo. Zhao Xiaobo said: "The pure northern duet pays attention to singing skills. I remember the third sentence was out of tune for several days when I was learning The West Chamber. The teacher can't teach once, but I still can't teach twice. I was so anxious to slap myself and practice all night. "
Six months later, Zhao Xiaobo came to the stage to perform. At that time, the two performers were small troupes, and there was no fixed performance place. To walk from one village to another to perform, in jargon, it was to stop. Zhao Xiaobo is becoming more and more famous in this small troupe. 1996 was enrolled by the People's Art Theatre in Helen City, our province. In this black land, Zhao Xiaobo stayed for more than ten years. Her newly edited drama, love, making money, etc. , participated in local opera performances in Heilongjiang Province. 1998, she was invited to give a special performance of Quyuan Miscellaneous Talk on CCTV and a week-long performance in Taiwan Province Province, which was very popular. Insiders commented that she has become a new generation leader of the North School.
■ Do not advocate "Benshan" road.
Errenzhuan has a broad mass base in the three northeastern provinces, but in recent years, Errenzhuan, represented by Zhao Benshan, has become more and more popular, and the level of creation and performance of Errenzhuan in our province has gradually fallen behind other two provinces. What is the difference?
Zhao Xiaobo said: "There used to be an old saying,' It's better to teach a play than to reward ten places'. Not everyone wants to learn the unique skills of two old artists. But now, if you want to teach people, you don't want to learn. That's because' old artists are not as good as young people's songs' and they never teach or learn. Actors and creators are generally older and there are few successors. There is also a shortage of new scripts, and some good talents of two-person transfer have also flowed out. "
In the interview, Zhao Xiaobo said with regret several times: "In recent years, many pure and excellent talents in Heilongjiang have been forced to go to' Liu Laogen' for their livelihood, and sang a little drama of two people turning to the South School. This is the regret of two people turning to the North School!" Zhao Xiaobo said: "The selection of the inheritors of Errenzhuan into the national intangible cultural heritage list is the recognition of Errenzhuan. Since 2003, the small troupe I run has been losing money every year. To tell the truth, if I go out to perform, the cost will be very high, but I don't want these children who want to learn drama to learn the south. I want them to take the road of the North School, and let them transfer to Heilongjiang to carry forward. Losing is better than losing, and losing is worth it. "