Pictures of Wang Xizhi's exquisite calligraphy works
Preface to Lanting was called Preface to Linjiang in Jin Dynasty, and later generations also called Preface to Xiu, Preface to Tie and Preface to Lanting, with 28 lines and 324 words. According to legend, on March 3rd, the 9th year of Yonghe in the Eastern Jin Dynasty (AD 353), the sky was clear and calm, and Wang Xizhi and Xie. Facing the beautiful scenery and friends, Wang Xizhi wrote this article on impulse with cocoon paper and moustache pen? Charming, healthy, less beautiful? After Wang Xizhi returned to China, he rewrote the preface dozens of times, which was not as good as the original, so he attached great importance to it himself and handed it over to future generations for collection and use by his seventh son, Sun Zhi. He has no children and no daughters, and he keeps the eloquence of his disciples. Li Shimin, Emperor Taizong, loved Wang Xizhi's calligraphy and tried his best to get the Preface to Lanting. Often? Sitting on the edge of the seat watching day and night? . In the tenth year of Zhenguan (AD 636), calligraphers such as Feng Chengsu, Yu Shinan and Chu Suiliang were asked to copy ten copies and give them to the recent ministers. After his death, the original works were brought to Zhaoling as funerary objects. So far, we can't see the original work of Preface to Lanting, but only the first-class copy of Tang Dynasty. The most authentic copy of the Tang Dynasty is Feng Chengsu's copy, because the year number of Tang Zhongzong Li Xian is printed before and after the post? Dragon? Half a letter, so it's also called? Ryuben? . Guo Tianci said? The dragon brushwork is elegant, the ink color is brilliant, beautiful and fascinating. .
High definition pictures of Wang Xizhi's calligraphy works
Preface to the Lanting Pavilion is colorful, patchwork and ever-changing. It is full of songs and twenty posts. What? All words have different postures, and none of them are the same. With a pen, the center is bone, and the edge pen is beautiful. Sometimes it contains storage, and sometimes it is sharp. Especially the composition, from beginning to end, looking down at the pen, open and transparent, disconnected and connected, vivid and natural and unrestrained, so Dong Qichang said in "Essays on Painting Zen Rooms" in the late Ming Dynasty. The preface to Lanting written by the right army is the first in ancient and modern times, and its words are all reflected, big or small, all in the law, so it also has divinity. ? The most precious thing is, from "Preface to Lanting"? Not excited or not excited? His style includes the author's skillful pen and ink skills, profound traditional skills, extensive cultural accomplishment and noble artistic sentiment.
Related to Wang Xizhi's Qian Tuo