Lee, ten years ago, Hua Dan was definitely in charge. But she had to leave the stage. Li doesn't want to talk about this past, but in her artistic career, this is a hurdle that can't be crossed anyway.

I think the reason why Li chose to leave the stage in the rising stage of his acting career was because of the cultural background that the society faced at that time. In 2004, Xi was carrying out cultural system reform. Xi Qinqiang Theatre Co., Ltd. integrated Wuyi Troupe and Shanyou Society into Sanyi Society and Yi Sushe. The most direct result of the restructuring is that a group of famous actors from the two major troupes withdrew from the first-line performances. In this process, the interests of all parties compete with each other, and it is difficult to reach a balance point.

At the moment when Li's personal performance skills were the most skillful, she was completely excluded from the competition, just like some other excellent Shaanxi opera actors, thus basically leaving the Shaanxi opera stage for which she fought, which was a great loss for the Shaanxi opera community. It turns out that Yi Sushe has produced many famous actors in recent years. The retirement of the key actor Li can be said to be a fatal blow to the right, and the only backbone of Xiao School has completely stepped down from the front desk.

Second, although Li's singing skills are unparalleled, her social network is not as powerful as others. Coupled with the influence of the world, people with relatively weak network resources and social resources will naturally suffer. Therefore, it is not surprising that she left the Shaanxi opera stage after Li left.

Although Li left the stage she loved for ten years, she never stopped inheriting and developing the art of Shaanxi Opera. It is unimaginable for everyone to use folk power to rescue, protect and inherit a drama that can almost be traced back to ancient times.