In the process of helping a paraplegic girl, Qin Nan got an inspiration from her: a person who is not afraid of wrestling will live better if he has the courage to stand up. She felt that she couldn't live as before, so she decided to take her son abroad in winter and winter. At that time, rumors spread everywhere, and contradictions broke out between Gao and his mother. Mother can't accept this cruel reality. Although Gao Zhihua was surprised, he found himself deeply in love with Qin Nan. He is determined to break through the fetters of feudal thought and help Qin Nan move towards a new life. Qin Nan was finally moved by Gao Zhihua's sincerity, and she poured out her frustrations to Gao Zhihua. It turns out that Qin Nan's father was put in the bullpen during the ten-year catastrophe, and Qin Nan went to Huaibei to jump the queue. In their collective household of educated youth, there is a male classmate Meng Bin, and she belongs to Black Seven. Their common destiny brought them together. When Qin Nan was pregnant for three months, Meng Bin went through the immigration formalities because his father was in Canada and never came back. Qin Nan had to move his registered permanent residence to his uncle's house in Suzhou and gave birth to a child. Qin Nan opened the floodgates of feelings for Gao Zhihua. In the bright sunshine, they completely got rid of the shadow of the past and moved towards a new life.
Actor's Note about Qin Nan Gong Xue: Self-employed person who set up tailor's booth.
Brief introduction of Zhang Tie-Lin Gao Zhihua: Self-employed persons who set up stalls to repair cars.
Gao Mu Wang Pin Xiaoyun Yin Xin Profile: Jian Xiao's sister, self-employed stamp engraver.
Introduction to Qin's father: Teacher.
Meta introduction: Gao Zhihua's sister
Introduction to Dong Dong Fang Chao: Qin Nan's son
Aunt Zhou introduced: Qin Nan and Gao Zhihua's neighbors are self-employed wonton sellers.
Introduction of Uncle Jiangshan: Uncle Qin Nan.
Aunt Wang Wei: Qin Nan's aunt.
Brief introduction of Xiao Jianyang's peace: Gao Zhihua's friend and Qin Nan's comrade-in-arms when he jumped the queue.
Xue, introduction: Aunt Zhou's son.
Introduction to Aunt Yang Yutian: Neighbors of Qin Nan
Introduce Wang Weiping Meng Bin: Dongdong's biological father.
Li Ming? Head nurse? Brief introduction of Chen Xiaoyin's music rhyme: Mao Mao's girlfriend
Producer, director Bai Shen, assistant director Liao Ruiqun, screenwriter Bai Shen, Zhu Dian, Zheng Binghui, photographer, Ji Hongsheng (assistant photographer), Jiang (assistant photographer), soundtrack, editing Tang Yulong props, art design Jin Yufen, Qiu Yuan (assistant art) fashion design Zhu Peizhen, music design Le Guofeng, lighting Xue Fuming, recording Feng Deyao and editing Ke Shanshu. Role introduction Qin Nan
Gong Xue, an actress, is a well-educated, polite and introverted girl. She set up a tailor's stall in an alley. Because of the influence of the Cultural Revolution, life has taken a detour, so she always shows indifference and melancholy in front of people, but she is full of enthusiasm, seemingly gentle and weak, but in fact she is strong and resilient, humble and easy-going, and at the same time she is very self-respecting. She is tenacious and self-reliant in difficulties, and at the same time warms people less fortunate than herself with her friendship and support.
Gao Zhihua
Zhang Tie-Lin, an actor, is a self-employed. He runs a car repair booth. He is honest, simple and helpful, and believes that life will be enriched day by day as long as he works hard. When Qin Nan was in trouble, he warmly invited her to set up a stall beside his own booth, and he had a sincere feeling for Qin Nan sooner or later. Although he hesitated and wavered in the face of the customary forces from family and society, he quickly regained his firmness, bravely overcame resistance and pursued the happiness of love.
Takagi
Mother of actress Wang Pin Gao Zhihua. I love my son very much, and I also like the quiet and modest Qin Nan, so I am eager to fix them up. But when she learned that Qin Nan was an unmarried mother and had a five-year-old son, she was bound by secular ideas and began to prevent her son from associating with Qin Nan.
Xiaoyun
Actor Yin Xin Gao Zhihua and Qin Nan's mutual friend Jian Xiao's sister. She lost her mother in the Cultural Revolution and was paralyzed by polio. However, she is physically disabled and optimistic. With the help of the street, she got a license, carved a seal at home and made her own living. Her spirit of optimism and self-improvement infected Qin Nan, making Qin Nan determined to get out of the old shadow and bravely pursue a happy life.
Behind-the-scenes tidbits In order to create a good mother image, Gong Xue specially observed how her sister got along with her little nephew. She also had dinner with Fang Chao, who played Dongdong, slept with him, told him stories, bought gifts, and cultivated "mother-child" feelings. Although the clothes made by the crew for Qin Nan and Gao Zhihua were "old" at first, Bai Shen still felt "new", so it was useless. Finally, Qin Nan wore Gong Xue's own old clothes in the film, and Gao Zhihua's clothes were washed and faded from the clothing warehouse. After the film was released, some people thought that Xiaoyun's prototype was Zhang Haidi. Actually, the script was written at the end of 198 1 March, when Zhang Haidi's deeds had not been announced. In fact, in order to avoid suspicion, after the film was completed in September 1983, the director deliberately deleted a lot of Xiaoyun's words. Award-winning record Award-winning time Award-winning result 1984 4th1Golden Lion Award of the 1st Venice Film Festival, Best Feature Film Award of the Ministry of Culture 1983 "Under the Bridge" Award-winning Best Actress Gong Xue Award-winning Best Actress Gong Xue of the 7th Popular Film Hundred Flowers Award Award-winning behind-the-scenes production and creative background.
Since the downfall of the Gang of Four, Bai deeply felt that the younger generation was devastated by turmoil. At the same time, some people think that the ten-year turmoil has brought many negative factors to young people's thoughts and thoughts, saying that young people at that time were a "hopeless generation", and Bai Shen firmly opposes this view. Shanghai Sanguantang Bridge is very close to Baijia. Every day on his way to work, he passes through the old residential area under the bridge, where there are many unemployed young people and self-employed people who jump the queue back to the city. After getting familiar with those young people, he found that they have many valuable qualities. Therefore, he thinks that the youth in China are promising and promising. So he presided over the creation of Under the Bridge, hoping to encourage young people to overcome difficulties and create a better future? .
originality
Bai Shen wanted the film to show ordinary people in life, so he decided to adopt a simple directing technique, and put forward the general creative principle to the film crew: "Tell a true story in a simple and simple way" and put forward three "no trace": no trace of director, no trace of photography and no trace of performance. In order to do this, he asked the creative staff of the film crew to take Sanguantangqiao as the creative base, conduct in-depth interviews and collect video materials. In order to realize the realism in the picture, Bai Shen asked photography to pursue unpretentious beauty. All traces of the studio should be eliminated indoors and integrated with the real scene. Don't put it where you can't set the mirror position. Even if the interior of the set film can be removed, it should be shot as a real scene to avoid the falsehood caused by the camera position. Clothing color also requires simplicity, not flashy.
It was suggested that Bai Shen arrange some young men and women with long hair, bell-bottoms and flowered shirts in the film to show the sense of the times, but he didn't adopt it. He believes that life is rich and complicated, and how to discard the false from the true is a problem of film aesthetics. Therefore, in the choice of materials, he resolutely abandoned those things that were not necessary for life, bizarre and negative, because they could not express the sense of the times and were not beautiful.
Role-building
Gong Xue didn't like the role of Qin Nan after reading the script. He rejected Qin Nan's illegitimate behavior and self-employed status, and even tried to persuade Director Bai Shen to cancel the plot of "Qin Nan has an illegitimate child", but he didn't say it. She adapted several short plays, trying to "legalize" this disgraceful plot, but did not get the support of the director. Seeing Gong Xue's resistance to this role, director Bai Shen talked with her about the meaning of the script and characters, which helped Gong Xue understand the theme of the film. At the same time, in order to find the feeling of being a self-employed, Gong Xue visited sewing stalls in Li Anyun and Wuyuan Road for many times, observed the words and deeds of young stall owners, and gradually understood the hardships of their work and life and the discrimination they suffered. This deepened her understanding of the role of Qin Nan and reversed her view of Qin Nan.
The film evaluation is based on simple style, which shows the director's skillful skills, solid accomplishment and profound skill in editing, directing and performing, in the unified mobilization and application of film means such as photography, editing, sound and color, in the excavation of theme, in the creation of environment and atmosphere, and in-depth portrayal of characters' personality and mental outlook. Pay special attention to appropriate restrictions, who is artistic. The internal and external movements of the performance should be closed as soon as possible, so as to avoid the trick being too full and explicit, leaving a lasting appeal. The technique is concise, implicit and economical. The clips and lens groups are also clean. Throughout the film, the performance, art, photography and audio departments have unified styles, and the content and form are integrated and extremely harmonious.
The disadvantage is that when dealing with external characters such as Gao, Xiao Yun, it has not become an organic part of the real environment where the hero and heroine live, but has become a prop and "megaphone" within reach. The director's artistic intention is too strong and artificial. Instead of connecting all parts of life as a whole and putting them on the screen completely through proper artistic treatment, we constantly add secondary plots and characters after setting the main characters and stories to meet the needs of the plot, resulting in the fracture of the artistic structure and partial separation, giving people a sense of incompleteness, which makes this originally good work of art look a bit unsightly in some places. (Comments by Zhong You, a professor at Central South University)