Tong likes painting since he was a child. He came to Beijing with the dream of being a painter. He was lucky enough to know Qi, a meticulous flower-and-bird painter, and worshipped him as a teacher. Tong Wei Yao studied painting, and he was very diligent. He often paints day and night, and Qi is very strict with his disciples. When sketching, pencils are not allowed, only carbon strokes are used, and you can finish drawing at one time without modification. Under the strict guidance of the teacher, Tong's meticulous peony has made rapid progress.

After laying a solid foundation, children are faced with the choice of development direction. Tong thought for himself and consulted his friends' opinions. He felt that Plum Blossom had pride and was not afraid of the cold. And his own life experience makes him prefer plum blossom. Tong decided to take plum blossom as a breakthrough. After the direction was determined, Tong began to study the growth process and painting method of plum blossom. He has never painted plum blossoms before, so he began to buy books to read, learn the techniques of other painters and absorb the advantages of others. When winter came, he went to sketch, observed the types and forms of plum blossoms, gradually transformed them into his own style, and then made some innovations. Children find their own way in posters, and plum blossoms proudly bloom in the heavy snow. Hongmei, Zimei, Bai Mei ...

Open his picture, vivid posture, towering vitality, floating in front of us, as if that fragrance came to us. Suddenly I feel very calm and refreshed, which makes people feel out of the troubles of the world.

A picture of Merlin he painted looks chaotic, and the level of scrutiny is extremely clear. Its flowers are like rouge, sparse or dense, positive or lateral, or in bud or in full bloom. The flowers are graceful and exquisite, and Leng Yan is beautiful. It gives people a kind of Yushu in a smoke cage, with a mysterious and dreamy feeling of fragrance, as if they were in it.

20 10 studied with Wu Jinliang, a famous national ceremony painter in China, and Tao Bo, a top peony painter, and made a qualitative leap in painting skills.

Mr. Tong is not only a master of painting plum blossoms, but also a master of painting peony. He is very distinctive and lively. In the ups and downs of the branch melody, he showed the elegant temperament of peony, rich but not arrogant, noble but not arrogant.

Children know very well that inheriting tradition and recreating, publicizing unique personality, is the "soul" of a work, and it will have its own style. Without its own style, works of art have no vitality.

Tong is determined to paint plums and sharpen his character. "Bao Jianfeng comes from sharpening, and plum blossom fragrance comes from bitter cold." Through the careful guidance and unremitting efforts of many teachers and their love for their own painting career, his works have been recognized by many peers and experts, and have also been favored by collectors at home and abroad and appreciated and loved by the central authorities.