Huang was an important composer and musician in 1930s. He graduated from Oberlin College and Yale Conservatory of Music, once taught at Shanghai Hujiang University, and trained many excellent musicians. Mr. Huang Zi, the child of Huang Zi's wife, was allowed to study psychology at Oberlin University, Ohio, USA at the official fee of 1924, and obtained a bachelor of arts degree two years later. During his study, he met a female student from China, who was also studying piano. Her name was Hu Yongfu. They were like-minded, and soon established a love relationship. The following year, Hu Yongfu first returned to Huang Zi, but unfortunately he died of a heart attack. Huang Zi got the bad news, such as the thunder, and suffered an extremely heavy mental blow. On February 24th, Huang Zi and Ms. Wang Yinian got married in Shanghai Oriental Hotel. Huang Yanpei delivered a congratulatory message. The eldest son: Huang Deyin, professor and doctoral supervisor of Shanghai Jiaotong University; Eldest daughter: Huang Huiyin, senior engineer, former director of quality department of China Institute of Radio Communication. From 1958 to 1965, teaching in Tsinghua University Radio Department; * * *: Professor Huang of Shanghai Conservatory of Music, retired former principal of the High School Attached to Shanghai Conservatory of Music. How to evaluate Huang as a famous composer, music theorist and educator in modern China, and the first professional composer to teach professional composition techniques and music theory comprehensively and systematically? He made an indelible contribution to the establishment of professional music institutions in China. Today, many accomplished musicians on both sides of the Taiwan Strait come from Huang Zi. In his short career of 34 years before his death, he created many excellent music works and music works. Throughout Huang Zi's life, his achievements in music creation and music education are brilliant, setting a brilliant example for future generations. His contribution and influence on the development of modern music culture in China has gone far beyond the limitation of time and space. As long as we respect history, which is a tradition, and always look at the problem from the perspective of whether it is conducive to the accumulation of national culture, we will make a choice. With the weakening of political factors such as the first political standard and more triggering from the object ontology in the aesthetic process, Huang Zi's contribution and influence will become increasingly prominent. With the deepening of people's understanding, his value will be further discovered and affirmed by future generations, and it will be forever. Zhao Yuanren's evaluation of Huang Zi: Huang Zi's melody is smooth; Huang Zi's harmony is mostly as simple as his; The advantage of him (Huang Zi) is that he always does what he looks like, he is always decent and always sings well. I once called him the most singing composer in modern China. For this reason, I agree that students studying composition now should spend at least a small part of their time studying Schubert and Brahms and paying attention to Huang Zi's music. (Zhao Yuanren's "Huang Zi's Music for the May 9th Music Festival") Liu Xuean, a famous composer in China: As a teacher, although Huang Zi is usually a man of few words, he is modest, kind, approachable and persuasive in tutoring students and cultivating music education in China, which makes everyone feel more cordial. Although he is a professor, he has never been a good teacher, and he never gets tired of people. On the contrary, he talks about Kan Kan, enlightening questions, guiding the situation and broadening his mind. Not only talking and laughing, but also tirelessly teaching people. Tian Han praised: Huang is the most youthful musician, and his motivation to learn music is for the nation-state. Qian Renkang: Huang Zi is a master in the history of China music creation in this century.