He has been engaged in painting and calligraphy creation and teaching for a long time. Calligraphy is good at Weibei, Li, Xing and cursive. He is simple, elegant and unique in style. He has participated in dozens of international and national famous exhibitions in the United States, Japan and South Korea, and his works have been collected and engraved by many museums and memorial halls. Invited by China Youth of the Central Committee of the Communist Youth League, he wrote a long-term serial of 100 famous sayings.

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Monographs written by Professor Zhang Jinliang.

Zhangming arrangement

0 1. Supplement to the Book History Society, Henan Fine Arts Publishing House, 1998, 1 edition;

02. A Probe into the History of Calligraphy in Ming Dynasty (won the third prize of the second China Calligraphy Lanting Award and Theory Award), Times Literature and Art Publishing House, June 2003, 1 edition;

03. Zhang Jinliang's Calligraphy Collection, China Culture Publishing House, July 2006, 1 version;

04. Research on Folk Book Selection System in Ming Dynasty (won the third China Lanting Calligraphy Award and the first prize of Theory Award), Shanghai Painting and Calligraphy Publishing House, 1, 2008;

05. The book "Historical Society" is supplemented, Jilin Literature and History Publishing House, 65438+February 2008, 1 edition.

The paper written by Professor Zhang Jinliang.

Zhangming arrangement

0 1. On the audio-visual teaching of calligraphy, published in the 2nd edition of Calligraphy Newspaper, No.32, August 1987.

02. On Wang Quchang's Calligraphy (Paper of Zhejiang Modern Calligraphy History Seminar +099 1 September, Hangzhou, Zhejiang)

03. The comparative theory of "Two Stones" (Wang Duo International Calligraphy Seminar Exchange Paper1Luoyang, Henan Province, June, 1993) is contained in the Collected Works of Wang Duo-Papers of Wang Duo International Calligraphy Seminar, pp. 275-285; It is also published in Zhang Jinliang's Supplement and Appendix to the Conference on Continuing Book History, Henan Fine Arts Publishing House, 1998, 1 Edition, pp. 237-248.

04. Difficult Beauty —— A Study of Huang Daozhou's Calligraphy (Selected Papers of China Calligraphy and Painting Exhibition, Tianjin, 1994).

05. Looking at the development of calligraphy in the Ming Dynasty from the perspective of cultural phenomena (exchange paper of the '95 International Symposium on Calligraphy History 1995 Beijing) is contained in Supplement and Appendix to the Conference on Continuing Book History in Zhang Jinliang, Henan Fine Arts Publishing House, 1998, 1 203-265438.

06. The Conference on the History of Books and the Conference on the Continuation of the History of Books was published in Calligraphy Newspaper 65438+July 3 1,1No.3 1996 (No.629 in total), 3rd edition.

07. On Liu Yong's Calligraphy Research 1996 No.6 (total No.74th series), p. 90- 103.

08. Analysis of Calligraphy Fashion in Past Dynasties-Discussion with the Editor-in-Chief of Panorama of Calligraphy Culture in China ('96 China Calligraphy Criticism Annual Meeting Paper 65438+ Zhangjiajie, Hunan, September, 0996), published in Calligraphy Research 1997, No.75, No.58-KLOC-0.

09. Xiyong's Charm of the Six Dynasties —— On Kang Youwei's Calligraphy Art (paper of Kang Youwei's International Symposium on Calligraphy, 1997, Guangzhou, Guangdong) was published in the 4th issue of Friends of Calligraphy,No. 1997, page 2 1-24; It is also included in Proceedings of Kang Youwei's International Calligraphy Seminar, Calligraphy Art Publishing House, 1, 12, pp. 26-30.

10. "How much do you know about the book Ming Dynasty" was published in the third edition of Calligraphy Newspaper on April 23,No. 1997.

1 1. For the discussion with Mr. Li Wencai, see Calligraphy No.3, 1997, pp.2-3.

12. Zhuang The Revelation of Storytelling was published on July 9, 1997 in the 28th issue of the 3rd edition of Calligraphy Newspaper.

13. Comparative Study of Calligraphy Art between Lu and Sha Menghai, published in' 97 Sha Menghai Calligraphy Seminar, Hangzhou University Press, 1 edition, 169- 174; Calligraphy newspaper 65438+3rd edition No.35 August 27, 0997 3rd edition No.36 September 3; Another issue is Lu Research, Xiling Press, June 2008,No. 1 issue,No. 168- 175.

14. A glimpse of the calligraphy of the top scholar in Ming Dynasty was published in the 70th issue of China Calligraphy and Painting Newspaper.

15. Essays of the Three Sages of Modern Cursive Calligraphy (Exchange Papers of the Second National Symposium on Modern Calligraphy 1997, Ningbo, Zhejiang Province) was published in Modern Calligraphy Research-Proceedings of the Second National Symposium on Modern Calligraphy, Anhui Fine Arts Publishing House, 1997, p./kloc.

16. From Pavilion Style to Calligraphy, it was published in China Calligraphy and Painting Newspaper 1997.

17. Speech at the National Symposium of Young Calligraphy Theorists, China Calligraphy No.3, 1998, p.6.

18. An Interview with Mr. Zhang was published in 1 May 4, 998,No. 18 andNo.1.

19. Talking about the Fine Waist of the King of Chu was published in the 20th issue of Calligraphy,No. 1998,No. 18.

20. Also on "Yi" and "Da" were published in Calligraphy Newspaper, No.33 1998 and 1 edition.

2 1. On the History of Calligraphy was published in the 45th issue of Calligraphy Newspaper, 3rd edition, 1998,165438+1October 9th.

22. The interpretation of the exhibition was published in Calligraphy Newspaper,No. 1998,No. 1 65438+123 October, No.471edition.

23. The definition of "Association" is published in Calligraphy Newspaper 1998 12.7 No.49 1 Edition.

24. On the Beauty of "Neutralization" in Calligraphy, No.6, 1998, pp.45-46; Also published in Meditation on Beauty-Aesthetics, Shanghai Calligraphy and Painting Publishing House, 1, 1, 2008, pp. 273-276.

25. "Talking about" Chinese Book Sheren "and" Taige Style "was published in the 3rd edition of Calligraphy Newspaper on March 29th,No. 1999.

26. On Feng Fang contains Calligraphy Research 1999 No.2 (No.88 in total), pp. 50-66.

27. A Study on the History of Continuing Books contains China Calligraphy No.4, 1999, pp. 33-35.

28. Non-Wumen School of Calligraphy appeared in Calligraphy Newspaper, 3rd edition,No. 1999, April 26th.

29. "The Call of the Times-Suit both refined and popular tastes" contains calligraphy, No.5, 1999, pp.6-8; Also published in Meditation on Beauty-Criticism, Shanghai Calligraphy and Painting Publishing House, 1, 1, 2008, pp. 269-272.

30. The judges' interpretation was published in Calligraphy Newspaper, No.29,No. 1999,No. 1 edition.

3 1. "From Calligraphy History to Calligraphy History Research" (Jia Zhu Calligraphy Seminar Paper 1999 Suzhou, Jiangsu)

32. From turbid to clear-looking forward to calligraphy in the new century was published in Calligraphy Newspaper, No.4, 2000 1.

33. Notes on Century Book Circle is published in Calligraphy Newspaper, 2nd issue, 3rd edition, 2000, and Calligraphy Newspaper, 3rd issue, 3rd edition, 2000.

34. On June 29th, 2000, No.48, the 3rd edition of Calligraphy Guide published "A Study on the Epitaph of Zhong Sun" (selected papers from the National Symposium on Official Letters). It was published in Selected Works of Gaomi Literature and History compiled by gaomi city Literature and History Committee of CPPCC on June 5-438+ 10, 2002, pp. 478-488.

35. The Collection of Calligraphy Education edited by Yu Zhiyuan and Luan Chuanyi contains a Brief Introduction to Calligraphy Education in Ming Dynasty. Dalian Publishing House, June, 2000,No. 115-120.

36. "A modest gentleman humbles himself to the pasture" is published in Youth Calligraphy Newspaper.

37. "Advocacy of Calligraphy in Ming Dynasty —— A Research Method of Calligraphy History" (won the second prize of the Fifth National Calligraphy Symposium) is contained in the Proceedings of the Fifth National Calligraphy Symposium, Hebei Education Press, 1, 2000, pp. 295-305.

38. On the Staging of Calligraphy in Ming Dynasty was published in Calligraphy Newspaper, No.3 10 and No.6/kloc-0 in 2000.

39. On the Influence of Calligraphy in Ming Dynasty on Society (Proceedings of the International Symposium on Calligraphy History, Hangzhou, Zhejiang, 2000), Proceedings of the International Symposium on Calligraphy History in China, Xilang Press, 1, 2000, pp. 257-266; China's Calligraphy, No.2, 200 1, pp.22-24 (excerpt); Also published in Calligraphy Research No.5, 200 1 (total No.1 103 series), pp.84-98..

40. The Two Sides of Jie Jin's Calligraphy was published in the 3rd edition of the 25th issue of Calligraphy Newspaper in June 65438+February 65438+1October 2000.

4 1. Youth Calligraphy Newspaper (200 1) published "Two Ways of Art and Taoism-A Review of the Exhibition of Ten Young Calligraphers in Xuzhou"

42. "Your" Northeast Wind "was published in the second edition of the fourth issue of Calligraphy Newspaper 200 1 1 22.

43. A discussion on Cong Wenjun's calligraphy system is contained in Calligraphy Guide, 3rd edition, July 28th 1 1, July 29th 18.

44. Improve calligraphy higher education and promote the construction of calligraphy discipline —— Professor Cong Wenjun talks about the enrollment of master students, doctoral students and postdoctoral students majoring in calligraphy in Jilin University and related issues, published in Calligraphy Newspaper, No.30, July 23, 2006, No.5438+0, No.1 1 edition; It was also published in July 1, No.29, 8th edition of Calligraphy Guide.

45. On Mispointing and the Development of Calligraphy, Calligraphy Research No.4, 200 1 (total No.1 102), pp. 79-92.

46. "Jumeicheng Grand View-A Review of the Essence of the National Library of China" was published by calligraphy,No. 1,No. 30-3 1, 2002.

47. The writing of Letter from Tang Erniang has not been influenced by Japanese. Calligraphy, No.3, 2002, p.41.

48. Learn from the past and learn from the present-On Mr. Cong Wenjun's Calligraphy Art was published in Friends of Calligraphy, No.4, 2002, pp. 22-24.

49. "Starting with" Restricted Exit of Works "was published in Lanting Supplement, 6th edition,No. 12, March 25th, 2002, Calligraphy Newspaper.

50. On Cao Zhang was published in the 2nd edition of the 22nd issue of Calligraphy Newspaper on June 3rd, 2002.

5 1. "Two Issues Concerning the Evaluation of Trilogy Calligraphy in the Early Ming Dynasty", in Calligraphy Review,No. 1 (July 2002), pp. 5-9.

52. The History of Continuing Books is a record of Pei Wenzhai's calligraphy and painting spectrum, which was published in the fifth issue of Ancient Books Research in September 2002, pp. 78-82.

53. "On the Style of Popular Calligraphy" is contained in "Proceedings of 2 1 Century Calligraphy Tianjin Forum", Tianjin People's Fine Arts Publishing House, 1 Edition, September 2002, pp. 66-69.

54. Collection of Centennial Commemoration of Jin's Birthday Collected in the Lost Articles of Continued Book History Society in Siku Edition, Jilin University Press, 1, 2002, pp. 229-237; It was also published in Calligraphy Research, No.3, 2003 (the total number 1 13), page 98- 105.

55. Calligraphy says "Qing",No. 12, p. 13- 15, 2002.

56. Zi 'ang Zanxue Temple was published in No.4 (No.943 in total) of Calligraphy Newspaper on October 27th, 2003/KLOC-0.

57. The latest work Er Fu was published in the second edition of the Supplement to Preface to Lanting Collection, and the eighth issue of Calligraphy Newspaper on February 24, 2003.

58. Talking about cursive script contains Calligraphy, No.2, 2003, People Say Cursive Script (below), pp.29-32..

59. Gaomi Song, the light of Gaomi history and civilization, was published in May 2003 16, No.95, 8th edition of Gaomi Daily.

60. "Bringing order out of chaos and opening up the HarmonyOS system —— Comment on Cong Wenjun's Pre-Qin and Pre-Qin Calligraphy History in China", published in Calligraphy Newspaper, 3rd edition, No.21issue on May 26th, 2003.

6 1. A textual research on Hong Wu's copy of the Book History Society, published in Literature, No.3, July 2003, pp. 220-230. It was also published in Essays on Tao Studies, Zhejiang People's Publishing House, August 2006, 1, pp. 475-465.

62. Textual research on Zhang Tianjun's Handmaiden's Good Book, in Calligraphy Series No.4, 2003, pp. 95-96.

63. Textual Research on the Calligraphy Affairs of the Imperial Court in the Early Years of Yongle in Ming Dynasty, Collected Works in Commemoration of the 20th Anniversary of the Establishment of the Institute of Ancient Books of Jilin University, Jilin Literature and History Publishing House,1February 2003, pp. 395-403.

64. A Study on Calligraphy in White Sands,No. 1, 2004 (totalNo. 1 17), pp. 70-84; It is also published in the Collection of Studies on Lingnan Calligraphy, Guangdong People's Publishing House, 1 June, p. 146- 154.

65. Research on Library Management in Ming Dynasty (won the second prize of the Sixth National Calligraphy Symposium) was published in the Proceedings of the Sixth National Calligraphy Symposium, Henan Fine Arts Publishing House, April 2004, 1 edition, 155- 172 pages; It was also published in Calligraphy Research, No.3, 2004 (the total number 1 19), page 94- 1 19.

66. Talk about Yunlin-A Brief History of Calligraphy in Ming Dynasty was published in Calligraphy Newspaper, No.9, 3rd edition, March 2004, 1.

67. Calligraphy Review by Huating Calligrapher in Ming Dynasty,No. 1,No. 14-22, 2004.

68. Textual research on court calligraphy in the early years of Yongle was published in Calligraphy Series No.4, 2004, p.35-41.

69. Wen Zhiming, an old man from Wumen, Calligraphy of China, No.6, 2004, pp. 27-28.

70. "Name" and "Expensive": two categories of calligraphy criticism in Ming Dynasty, in Calligraphy and Painting World,No. 1 2005, pp. 80-82.

7 1. Study on Nan 'an Style, South Road Style and Plum Blossom Style, in China Calligraphy, No.2, 2005, pp.43-45; It is also published in On Calligraphy in the North, China Social Publishing House, June 2006 1 edition, p. 1- 18.

72. "On Zhang Hai" contains "The Realization of Creativity-A Collection of Comments on Zhang Hai's Calligraphy Art", Henan Fine Arts Publishing House, April 2005 1, pp. 34-47; And Zhang Hai's Introduction to Zhang Hai's Calligraphy.

73. A Brilliant Pen on the Chest —— On Mr. Cong Wenjun's Calligraphy Art was published in Calligraphy and Painting, No.5, 2005, page 8-1/.

74. Textual research on Shen Du's "Jing Zhai Zhen" in Ming Dynasty, Historical Relics of China, No.6, 2005, pp. 80-85; Also published in China Calligraphy and Painting, No.3, 2006, pp. 37-38.

75. On the Calligraphy of Wang Shibei —— A Comparative Study with the Stele of Steamed Buns, published in Research on the Stone Carving Calligraphy of the Kings of Northern Dynasties and Sixteen Countries, Jilin Literature and History Publishing House, 1 01-165438.

76. A study of Wu, a master of calligraphy, is contained in the manuscript of northern calligraphy, China Social Publishing House,No. 1, 19-36, 2006.

77. Contemporary calligraphy should become a symbol of modern civilization, Proceedings of the Forum on Contemporary Literature and Art in 2005, China Federation of Literary and Art Circles Press, 1 edition, 65438+February 2006, pp. 396-400.

78. The Book of True Prime Minister Liu Tongxun contains Gaomi's humanistic natural heritage, No.3 (No.5 in total) in 2007, p.1-14.

79. Textual Research on the Name of Kanglizi Mountain, in Research on Ancient Books Arrangement, No.4, July 2007, pp.3-6.

80. Ming Tuo's Preface to Lanting Collection Preface to Lanting Collection, the first Lanting Forum of China Book Circle, China Academy of Fine Arts Press, 1, 16-38, 2007.

8 1. Colorful Northeast Calligraphy was published in Jilin Daily 13 edition of Northeast Wind Weekly on February 6, 2007.

82. A Study of Zhu Fukan's Calligraphy, Collected Works of Zhu Fukan's Art Studies, Shanghai Calligraphy and Painting Publishing House, 1, 65438+February 2007, pp. 44-50.

83. Zheng's Life and Writings is published in Gaomi Humanities and Natural Heritage,No. 1 (No.6 in total), pp. 47-50.

84. A Study on the Imperial Seal of the Ming Dynasty, China Historical Relics, No.5, 2008, pp. 26-37.

85. A Study of Court Calligraphy in Ming Dynasty, Proceedings of the International Symposium on Calligraphy History in Ming and Qing Dynasties, Shanghai Ancient Books Publishing House, July 2008, 1, 15-32.

86. Study on Calligraphy Style in Ming Dynasty, China Calligraphy,No. 1 1, pp. 43-46, 2008.

87. The sea rises, the moon rises-on the historical position and practical significance of Wang Quchang Cao Zhang, in Proceedings of the International Symposium on Calligraphy in Shanghai, Shanghai Calligraphy and Painting Publishing House, 1, 65438+February 2008, pp. 333-339.

88. "On Zhang Gaiqin's Calligraphy" contains "Collection of Contemporary Masterpieces of China Art Museum Calligraphy Volume Zhang Gaiqin", Hebei Education Press, 2008,No. 12, pp. 78-79.

89. On Contemporary Cursive Calligraphy contains Calligraphy and Painting Art,No. 1 issue, 29-32, 2009.

90. A Study on the Compilers of Yongle Grand Ceremony contains documents with the numbers 1, 1, 128- 138.

9 1. On the Composition of Bronze Inscriptions in the Yin and Shang Dynasties, China CalligraphyNo. 1, 2009, pp. 42-49.

92. A Textual Research on Mrs. Huan's Good Books is published in Research on the Arrangement of Ancient Books, No.5, September 2009, pp. 72-75.

93. The Art of Calligraphy and Painting, No.5, 2009, on page 4 1-45, published a new theory that "a good mirror does not write, and a good author does not learn".

94. Books are different —— On Huang Tingjian's books, in Calligraphy Series No.3, 2009, pp.69-77; It is also included in Proceedings of the Academic Seminar to Commemorate the 960th Anniversary of Huang Tingjian's Birth,No. 1, August 2009, pp. 538-550.

95. Three Treatises on Tang Xue contains Calligraphy and Painting Art, No.3, 20 10, pp. 62-69.

96. "Innovation from Tradition, Grasping Yourself in Fashion" was published in Jilin Daily, 8th edition, April 10.

97. The study of Shu in the Ming Dynasty ("Please trace back to its origin" —— the paper of the international symposium on the study of ancient calligraphy creation, Nanjing, Jiangsu, 65438+February 2009) was published in Calligraphy NewspaperNo. 19 in May 2065.

98. On Some Problems Easily Neglected in the Research Methods of Calligraphy History, China Calligraphy, No.8, 20 10, p. 97.

99. A column inscription is not the original work of Huang Tingjian. It was published in Calligraphy Newspaper, 22nd edition, 20 10, and also in Calligraphy, No.20 10, pp. 33-35.

Preface and Postscript of Professor Zhang Jinliang's Works

Zhangming arrangement

0 1. Zhao Shengquan explores the mysterious stone sequence. China Federation of Literary and Art Circles Press, 1, 2008.

02. Preface of "A Study on Thirty-five Cases of Chen Chengyan House", Jilin Literature and History Publishing House, 65438+February 2008, 1 edition.

03. Chronological Preface of Ji Liang Zhang Zhao, Jilin Literature and History Publishing House, 1 Edition, February 2008.

04. Preface to Zhao's Study on Hanshan Broom, Jilin Literature and History Publishing House, 65438+February 2008, 1 edition.

05. Preface to Zhao Mengfu Zhang Ming's Calligraphy Research, Jilin Literature and History Publishing House, 65438+February 2008, 1 edition.

06. Preface to the Study of the Calligraphy of the adherents of Zhang Han in the Late Ming Dynasty, Jilin Literature and History Publishing House, 65438+February 2008 1.

07. Xu Wenping's Preface to Chuzhou Calligraphy in Past Dynasties, Zhejiang Ancient Books Publishing House, May 2008, 1 edition.

08. Illustration Preface of Calligraphy History, Shandong Fine Arts Publishing House, 1 1 Edition, 2009.

09. Preface to Sun Chu's painting.

10. The Dragon in the Book-Seventeen Posts Jilin Literature and History Publishing House