Since then, I have often heard that Jiang Xue participated in exhibitions and won prizes. He is full of cursive brushstrokes and is full of interest. Generally speaking, he attacked the post in order to achieve a continuous trend. He also learned from the Qing dynasty to break the post with a tablet and take advantage of the stone, so his style was initially formed. Last year, Xue Xue took a hundred books to the cucumber garden. If he wants to publish a book collection, please evaluate them one by one. He was told to be arrogant and charming and to remain plain and elegant. A few months later,
There is a cloud in Sun Shu Pu: Beginners learn distribution, but seek fairness, knowing fairness and seeking danger, which can avoid danger and restore fairness. Books are old after the meeting. Today's Xuehe book is full of dangers, such as the boldness of using a pen, the strange use of words, the waves of layout and the impulse of emotions. The so-called risk, like the paper on the east slope, is as clear as plain. However, fairness and danger, plainness and brilliance all interact, not just from youth to old age, but covering a year. The same is true of its circulation law. In other words, people get old at meetings, which is not the case. However, when they are in a meeting, they will go through the process from fairness to danger, then to fairness and back and forth, and only when they know that fairness is extremely dangerous and plain is extremely brilliant.
Learning Jiang needs to find a new way, so where is the new way? Xinyue is not new in ancient times. Charming people who learn languages are not new. They can innovate from ancient times and reach the meeting. Compared with those who can attend the meeting, they will be able to form their own families, and then they will be real freshmen. Why did you learn Jiang?
Xinsi is in the cucumber garden in January.
(Author: Professor of Nanjing Art Institute, director of China Calligraphers Association, member of academic committee, member of discipline appraisal group of the State Council Academic Degrees Committee)
On the evaluation of Huang;
Huang is one of the many independent and accomplished disciples of Huangmen. I know his book first. I remember that at the 4th National Youth Exhibition in Zaozhuang, Shandong Province, he won a 7-foot cursive script in the main hall, which won the appreciation of most judges, including myself. His cursive script at that time had already added something to the imitation. Although it is a small step, it may be a thunder pool for some students who can only imitate the truth. They may not know that what a talented teacher wants to see most is a valuable rebellious spirit, which is called "promising".
I only met Jiang Xue once. He showed me some recent photos and asked me for advice. Of all the things that can be done, I think cursive script is the best. Perhaps his love for music and the excitement caused by passion can be found at the bottom of his pen. There is a flag that still leaves a deep impression on people, and it should be a masterpiece in his heart. I don't know if I will accept it. If you give up, it seems that it is not enough to reflect the highest realm of cursive script.
His new book cursive script is still far ahead of other works. He has a stronger sense of change-Huang's style has faded out, but he can feel the pulse of Huang Gu and Huang Shizhai-and he is still a member of the Huang family after all.
(Author: Professor of Jinan University, member of the Academic Committee of China Calligraphers Association)
Turn many departments into a stage (Chen Jinchun)
Although the high-speed transmission of information makes the regional style less and less obvious, Mr. Huang, who moved to Jinling from eastern Anhui, has opened the distance from the beautiful and elegant ancient city of Nanjing with his unique personal style.
Huang is the second king of cursive script, and he also devoted himself to the study of calligraphy in Song and Ming Dynasties. The oblique opening and closing of the word structure and the ups and downs of the composition show Huang's bold and unconstrained artistic pursuit. But what really established his personal style was his handling of thread quality, which was round, soft, solid and blunt, showing Huang's thread-making ability. Huang seems to want to find a new way from the brushwork system of the two kings. He followed Mr. Huang Dun for many years, and also learned from Lu Gong, Song Sijia and Wang Juesi. Therefore, when grasping the style of writing, he did not stop at taking pictures of a certain family, but on the verve and artistic conception. His line quality is as pale and astringent as Lu Gong's manuscript, but he wants to get close to the Song people. Wang Duo's influence seems to be reflected in the openness of the situation and the left-right tilt of the structure. This kind of comprehensive grasp, which is divorced from traditional values and integrates many teachers, is probably Mr. Huang's pursuit!
I met Huang under Mr. Huang Dun's chair six years ago. He wants to move from Anhui to Ning and asked me to find him a new house. I introduced my bedroom neighbor Hui Xianju to him. Unexpectedly, the transaction of several hundred thousand yuan was finalized in two hours, which shows the free and easy place of Huang. Since then, I have a like-minded, kind and loyal friend around me.
Chen Jinchun (Secretary-General of the Book Association of the Ministry of Communications)
You are catching the moon in winter.
Writing Spring and Autumn in Love Ink (Yellow)
-After viewing Huang, "Chuzhou Poetry"
In the golden autumn, Mr. Wang asked his friend to send him a beautifully bound Selected Poems of Huangchuzhou, which he read by hand and realized with his life.
This Book of Songs is a collection of Jiang Xue's calligraphy in recent years, and it is also his deep attachment to his hometown of Lai 'an. I was lucky enough to come to Jiang Xue's hometown twice, where the folk customs are simple, the calligraphy is fragrant and the humanities are gathered. On that land, Ouyang Xiu in the Song Dynasty wrote Zuiweng Pavilion, and Wu in the Qing Dynasty wrote The Scholars, all of which are world-famous. Today's Jiang Xue, with deep affection for his hometown, writes like a pen, turns the excellent sentences of the sages into calligraphy chapters, creates excellent calligraphy works with affection and heart, and gives a sincere gift to the people in his hometown.
"Why Taoyuan is my hometown". Although my hometown is not rich, my hometown is like my mother. She is deeply rooted in everyone's heart.
Jiang Xue has endless attachment to his hometown from the heart. Taking calligraphy as the carrier, he wrote his deep affection for his hometown with different brushwork, style and form, and conveyed a calligrapher's care and love for his hometown.
Jiang Xue, who lives in Jinling, is quiet and modest. In Nanjing, the ancient capital of the Six Dynasties, he took his time and kept absorbing: running bookstores, visiting famous teachers, watching exhibitions and working diligently, but he gained a lot in a few days. He goes to school every day and goes to the swimming pool every day, accumulating and enriching. Up to now, it has maintained a simple and authentic state, the local accent has not changed, but calligraphy has made great progress.
Jiang Xue has a solid foundation in fine arts and Chinese studies and has been engaged in calligraphy teaching for a long time. Out of his love for art, he studied calligraphy with Professor Huang Dun of Nanjing Art Institute and made great progress in learning ginger.
Jiang Xue is a diligent and influential calligrapher. His calligraphy works have been selected into the National Book Fair for more than ten times and won many awards. Calligraphy Newspaper, China Calligraphy and Calligraphy Guide successively introduced his achievements in calligraphy. He also published Huang Calligraphy Collection and Poems of Huang and Chuzhou.
Liu Xizai's "Outline of Books" says that pen and ink depend entirely on people's temperament. If you are a rational person, you will be the first person in the book. Jiang Xue is a rational person. Judging from his persistence and investment in calligraphy art, he will continue to climb higher and achieve better results on the road of calligraphy art!
Huang (Professor, Nanjing University)
Elegant yellow-Later, when I first met Huang, I was deeply impressed by my long flowing hair. Look at the yellow words, there is a faint gust of wind, the words move with the wind, as elegant as his long hair, and the words are just like his four words. I found a different interpretation in him.
Huang belongs to the kind of person who lives in a secluded village and doesn't show his face. He spent half his life in a small place like Lai 'an, Anhui Province, and silently wrote his words. The tree wants to be quiet, but the wind will not stop. A gust of wind blew him to Nanjing. In recent years, we have had more opportunities to contact. Although our residence is not far from my home, we don't often meet. There are always more opportunities to see words than people. I received his new collection of works not long ago, but the words with ink fragrance are still so elegant.
Elegance is the key word for me to interpret Huang and his calligraphy. It seems that there is no more accurate word to express it at the moment. His calligraphy is rooted in the tradition of calligraphy. He has been in contact with calligraphy classics for many years and has a profound grasp of the tradition of calligraphy. His calligraphy is good at cursive script and also involves seal script. The styles of several calligraphy styles are gradually unified, which is the truest embodiment of his feelings and the performance of his calligraphy style towards maturity. He pays attention to brushwork, straight and enjoyable, and sometimes ups and downs. He attaches importance to structure, strives for correctness in many risks, and shows strange gestures every time. Judging from the breath of his works, there is a great sense of fluidity on the bookish paper, which is full of his creative passion and shows his skillful skills in pen and ink control. The flow in his calligraphy is not smooth, but expected to appear. Smooth and heavy, dangerous and elegant. The crooked trend of the words creates a floating posture, which makes people feel that his pen is full of wind and swaying like a bamboo shadow. Because his pen is thick, it floats but not floats, and because he pays attention to the cultivation outside the words, it is free and easy but not wild. I haven't talked with him deeply about calligraphy, which is the direct impression left by his calligraphy works, and this impression is extremely profound.
(Jin Dan: Associate Professor, Doctor of Calligraphy, Nanjing Art Institute)
Unity of style-Huang Xue's calligraphy feels more expensive.
Mr. Huang sent a collection of his calligraphy works-Selected Poems of Huangchuzhou. After reading it once, I have a new feeling about his calligraphy.
I think the maturity of calligrapher's art should be after 45 years old. Before that, it was the stage of laying the foundation. Then it is the stage of gradually shaping the style of calligraphy, that is, the stage of establishing its own artistic characteristics. So most calligraphers are late bloomers. Mr. Huang's calligraphy style was determined earlier. His previous works, the award-winning works of the fourth China Youth Exhibition, are not much different from the current style, on the surface. But one thing is different, that is, the connotation of words is richer, more flavorful and more flavorful. Through his works, I saw the unity of various calligraphy styles in his works.
In my opinion, the consistency of Mr. Huang's various calligraphy styles is very similar to He. He's calligraphy style, whether official script, regular script, running script or seal script, is simple and clumsy. He can recognize He Ji Shao's handwriting at a glance. He writes all kinds of calligraphy styles in one way, so his spirit and inner strokes are the same and extremely harmonious except for the different structures of various calligraphy styles. So is Huang. No matter what kind of calligraphy style, he always uses his surging cursive brushwork, so we can feel the unity of style when we look at his official script, regular script, seal script and cursive script. It's not easy. It requires calligraphers to have a very solid traditional kung fu and a good pen and ink skills. Calligraphers are also required to have their own aesthetics, not to follow the customs and not to catch up with "fashion".
In fact, it is sometimes dangerous to stick to your own style alone. If it is broken, it will "crust". Once crusted, there is no room for further development. I can only write my own handwriting all year round, and the more I write, the more familiar I become-more and more vulgar, and even some good things I used to lose. There are not a few such calligraphers, for example, some people who became famous earlier in the 1980 s ended up writing worse and worse. The reason is that it is not attached. For example, the works created by calligraphers are like a pool of clear water. If this pool is flowing water-water with a source, then this pool will always be clear and fresh; If it is stagnant water-water without a source, or there used to be a source but now it is gone, then the pool will become more and more turbid until it stinks and dries up. Temporary stickers are like flowing water from the source. Only by constantly learning what you need from ancient classics can your works become active flowing water. The best example of this "flowing water from the source" is Wang Duo's practice of creating and realizing day by day.
This is what I saw from Mr. Huang's portfolio. He took Huang Tingjian's cursive script as the object of taking the method, which was the foundation of his foothold. Judging from the continuous progress and enrichment of his works, he is very diligent. I want to combine temporary pasting with the creation of Rainbow duo, otherwise, how can he keep his own style and "make a new day"? If we hadn't "made great efforts to go in" and made thorough "stupid" efforts, we wouldn't have such a unified style, and we might have been crusted long ago.
Mr. Huang's feeling about calligraphy comes from his collection of works. As for how he posts and creates, I don't know, so I can only feel something according to my own feelings, or more accurately, "speculation."
—— Selected from Calligraphy Newspaper
Comments on Huang, Secretary of CPC Chuzhou Municipal Committee: Selected Poems of Huang Chuzhou edited and published by Lai 'an County People's Government met with readers. It is probably the first time that China's traditional calligraphy art has been used to write poems praising Chuzhou, which is a precious spiritual food dedicated by Lai 'an County People's Government to promote Chuzhou's traditional culture.
Chuzhou is located in the east of Anhui, just across the river from Nanjing, the ancient capital of the Six Dynasties. Its unique geographical location and humanistic environment have attracted many literati to chant for it. Wei, a great poet in the Tang Dynasty, is famous for his pastoral poems, leaving behind his masterpieces, such as Xixi Chuzhou, Lawyer Su Yongyang, Love from Chuanjiao Mountain, and Old Friends of Liangzhou in Huaishang. Ouyang Xiu, a great writer in the Song Dynasty and a punctual person in Chuzhou, is the author of such famous articles as Zuiweng Pavilion, Fengle Pavilion, Fengle Spring Tour Pavilion and Yongyang Snow. Zhu Yuanzhang, the founding emperor of the Ming Dynasty, was born in Fengyang, Chuzhou. His Journey to Fengyang by Wen Bin, a mentor, expressed his infinite nostalgia for his hometown landscape. Wu was a native of Quanjiao in Qing Dynasty, and his satirical novel The Scholars was praised by later generations as the masterpiece of China's classical novels. Of course, there are many ancient poems about Chuzhou, and the list is endless.
Mr. Huang is from Lai 'an County, our city. He is a powerful calligrapher after China's reform and development. He studied at Nanjing University of the Arts and studied under Professor Huang Dun, a doctoral supervisor and a member of the discipline evaluation group of the State Council Academic Degrees Committee. As early as the late 1980s and early 1990s, his calligraphy works were frequently selected and won prizes in national book fairs, which were treasured by Zhongnanhai. He can do all kinds of things, such as standing, grass, official and seal, and his skill is profound. The style of the book is natural and unrestrained without losing the rigor of the statutes, classical without lack of publicity. Now, although he lives in Nanjing, he loves the hot land of Chuzhou, which raised him. His poems about Chuzhou are a perfect match.
At present, the provincial party committee has put forward the eastward development strategy, and Chuzhou has ushered in a rare development opportunity. The rapid development of economy is inseparable from the prosperity of culture, and the prosperity of culture also inevitably requires the rapid development of economy. We expect more and better cultural products to come out.
June 5438, 2005+10 month
(Author: Secretary of the CPC Chuzhou Municipal Committee, Secretary-General of the Standing Committee of Anhui Provincial People's Congress, member of the government party group and party secretary Wang Guocai)
Borrowing the past and opening up the present-reading Huang's books and reciting Chuzhou's poems: Brother Jiang Xue and I have known each other for nearly 20 years, and we often talk about art and books together. Brother Jiang Xue respects teachers, loves friends and is kind to others. His persistent pursuit of calligraphy infected me.
Five years ago, he published the Collection of Yellow Calligraphy, and recently he published a new work, Poems of Yellow Poetry and Chuzhou Poetry. Looking at dozens of his new works, they are refreshing, pleasing and moving like the crescent moon hanging at the beginning of the bath: the mouth is as thin as entering Lan Zhi's room, and the fragrance is overflowing, and the smell turns pale.
Jiang Xue brothers did not follow the trend of the times, but took a road of adhering to tradition. His works not only have the superb charm of the "two kings", but also have the unrestrained ups and downs of Minnan dialect, and more importantly, Wang Dangsi is free and easy. It shows the beauty of classicality, romance and change.
Nowadays, impetuousness and quick success are still prevalent in the book world. The Jiang Xue brothers were unmoved. It is really commendable that he can firmly believe, persist in tradition and study with the greatest courage. We have reason to believe that he will make greater achievements on the road of borrowing the past and opening up the present.
(Zhou, Deputy Secretary General of Jiangsu Youth Book Association)
Comment on Huang Calligraphy —— He graduated from Chuzhou Normal University, majoring in fine arts, and from Bengbu Institute of Education, majoring in Chinese, and then went to Nanjing Institute of Art to study calligraphy, which is the high foot of Professor Huang Dun. It is rare to see a subset of the three majors merged into one. I think his rapid development in calligraphy is related to his original art and China background.
Judging from the photos of his works, he is a versatile person with complete forms: main hall, couplets, four screens, banners, fans, and album pages. He can pick up eighteen kinds of martial arts, and his writing style is quite mature and sophisticated.
This reminds me of the long screen he won at the 6th China Youth Exhibition in 1995, and I feel the words are a little thin. This work has obviously changed, much rougher, more imposing and looks more emboldened, especially the four screens. "Five Ancient Poems" and nave's "Meng Haoran was pregnant as early as on the Han River" are both vigorous. Small sectors are also written casually. It can be seen that over the years, Huang has worked hard at the edge of the ink pool, learned from others, and kept writing, and made such great progress.
(Author: curator of Jiangsu Provincial Art Museum, national first-class artist, director of China Calligraphers Association)