193 1 year, worked as a set designer in tianyi film company. 1933, he directed his first film, Bai Jinlong, and began his directing career. In the same year, he directed the drama film Gone with the Wind; After that, he directed the drama film "Fei Xu"; In addition, he directed the drama film A Female Star starring Hu Shan and Yu Guang.
1937 The drama film "Flowers Bloom with Wealth" directed by kloc was released; In the same year, he directed the drama film "Ice Tie Lian". 1938 Directed the war movie After the Fire co-starring Bai Yan, Li Qing and Dun Lo; In the same year, he co-directed the drama film Money, which tells the story of people grabbing wealth by hook or by crook.
1940, the war film "Little Guangdong" directed by him was released. 194 1 year, he directed the drama film Roar of the Nation starring Zhang Ying, Feng Feng and Wang Ying. 1945 directed the drama The Expendables, starring Harper, Jian Kang and Wang Jue.
1947, after War of Resistance against Japanese Aggression's victory, Tang returned to Shanghai and directed the drama film "Spring Dreams in China" which exposed the corrupt rule of the Kuomintang. In the same year, he directed the drama film Sue. 1949, the drama film Vientiane Update directed by him was released.
1949, joined Shanghai Film Studio after the founding of the People's Republic of China; In the same year, the drama film "Lovelorn" directed by him was released. 195 1 directed the drama film "Happy Victory", which was adapted from Li Yang's novel "The Return of Heroes". 1952 co-directed the war movie "Northern War" with Yin Cheng, starring Chen Ge and Feng Zhe.
1954 directed the war film "Reconnaissance of the River" co-starring Sun Daolin and Li Lingjun, and won the first prize of excellent film of the Ministry of Culture. 1955 Co-directed the drama film "Raging the Sea" with Wang Bin. From 65438 to 0956, he directed the film Battle of the Desert, which co-starred Xiying Wen, Bird and Yuping Wei. From 65438 to 0957, he directed the drama "The City that Never Sleeps" starring Sun Daolin and Liu Fei.
1959, the drama film "Iron Blood Family" directed by him was released. 1963 directed the drama film "The Story of Sun Bo" starring Meng and Zhao Mao, adapted from the novel of the same name; On May 1 day, the drama Red Sun directed by him was released, starring Zhang Fa, Gao Bo and Shuhuang Zhong. 1976 Directed the drama film The Unforgettable War, which was adapted from Sun's novel The Grain Purchase Team.
1977 co-directed a drama film "Motherland, Mother" with Zhang Huijun, starring Nikumutu, Tana and Yi Ruohu. From 65438 to 0979, the drama film Aurelian, directed by Zhong, won the Excellent Film Award of the Ministry of Culture.
198 1 directed the revolutionary war film Nanchang Uprising, which co-starred by Chang Liguo and others. The film was adapted from the drama August 1st Storm and told the historical story of Nanchang Uprising launched by 1927, Zhu De and He Long.
From 65438 to 0983, he directed the biographical film Liao, for which he won the Best Director Award in the 5th Golden Rooster Award. 1988, the drama film "Wild Snow" directed by him was released. In September, 2004, he won the lifetime achievement award of the 24th Golden Rooster Award of China Film.
Personal life 1944 Tang and Lan met. Later, they got married. 1947, Lan gave birth to Tang Muli. 1949, Lan gave birth to Tang Muhai. 2065438+2002 65438+1October 2 1, Tang died in Shanghai; In order to remember and mourn Tang, an online memorial hall was established. Lan died in 20 14.
The time of the main works directed by the director.
name
1988 model
Primitive snow
Movie 1983
Liao.
Movie 198 1 year
Nanchang Uprising
Movie 1979
Aurelian.
Movie 1977
Motherland, mother
Movie 1976
memorable battle
Movie 1963
The story of the boatswain, the movie Red Sun.
Movie 1959
Steel family
Movie 1957
a city with lights turned on all night -- a big city with gay night life
Movie 1956
Fight in the desert
Movie 1955
Qingqi in the rough sea
Movie 1954
Scouts crossed the river.
Movie 1952
The war between the south and the north
Movie 195 1 year
victorious reunion
Movie 1949
Lost Love
Movie 1948
all things take on a new look
Movie 1947
Su jifeng
The movie "Dream in Heaven"
Movie 1945
Dare to die guard
Movies 194 1 year
The roar of the nation
Movie 1940
Xiao Guangdong
Movie 1938
Shanghai behind the fire line
The movie Money at Work
Movie 1937
Ice love
The movie "Flowers Bloom with Wealth"
Movie 1933
Bai Jinlong.
The movie Gone with the Wind
The movie "flying catkins"
The movie "A Female Star"
Type of time and name of screenplay works 1933 "Flying Flour" movie character evaluation Tang has always been good at shooting military movies, especially at depicting human feelings and humanity in the war environment, softening the cruelty and hardness of war with human emotions and hearts (Xinmin Evening News review). The so-called insight is self-contained. Tang's films don't follow the path of "hitting the water halfway, stopping the boat and not flying", and his artistic creation has always been quite satisfactory and never deviated from the main channel. He always follows closely the times situation (social mainstream spirit) and times form (film art innovation) of film creation. At the same time, he adhered to the spiritual position of national justice and realistic film aesthetic style, and his works stood the test of history and market and formed his own artistic temperament. From the perspective of narrative structure, the creative mode of military movies in Tang Dynasty can be summarized as follows: First, it is based on realistic aesthetic principles and highly integrated with historical records, artistic forms and genre innovations. Secondly, the macro perspective does not deviate from the mainstream political line of a specific era, and the micro perspective can maximize the particularity and diversity of movie characters. Third, the film's scheduling of war scenes can not only completely reproduce the cruel and true side of the battlefield, but also never fall into one-dimensional violent display; It can not only show the hardship of the war, but also convey the optimistic and strong will to struggle. Fourthly, the narrative of Tang's military films often follows the logic of frustration from childhood to counterattack, and finally the weak wins the strong (contemporary film review).