Bai Juyi, Wang Wei and Gao Shi are all poets in the Tang Dynasty.
Zheng Sixiao, Song Dynasty
Ma Zhiyuan, Yuan Dynasty
The collection of poems "History of the Heart" is the collection of poems by which writer in which period?
The History of Mind in the Song Dynasty was written by Zheng Sixiao, a poet, painter and adherent of the Southern Song Dynasty (word Sonan, 124 1, the first year of Chunyou in the Southern Song Dynasty-
13 18, five years after Yuan Yanchou), with a total of 250 poems. In his poems, Zheng Sixiao is unique.
Standing on the position of a Confucian scholar, he expressed his deep sorrow and indignation at the destruction of the country and family. He angrily condemned the Mongolian invaders.
The atrocities in Jiangnan expressed the noble character of never cooperating with foreign rulers. The preface and some notes of this poem.
In the past, Zheng Sixiao exposed the cruel national oppression of the Han people in the south of the Yangtze River by the rulers of the Yuan Dynasty. As we all know, there are
In the historical records from the late Southern Song Dynasty to the early Yuan Dynasty, we can hardly see the specific records of the Yuan Dynasty ruling Jiangnan.
What Zheng Sixiao saw and heard after the death of the Southern Song Dynasty is very valuable.
The history of mind is a book with magical color. This was written by Zheng Sixiao in secret, but after the book was finished, it was written by him.
Wrap the envelope in an iron box and seal the paper outside the book;
Dasong's world is infinite.
Man of iron Sutra of the Great Song Dynasty
The cover of Deyou's ninth Buddha's birthday
As soon as this book comes out, everything will be fine.
Internal Book: Zheng Sixiao, an orphan of the Great Song Dynasty, paid an audience.
The year of Deyou was 1283, when Song had been dead for four years. Zheng Sixiao sealed the Tiexin and buried it in Suzhou Chengtian Temple.
Inner well, more than 350 years later, in the eleventh year of Chongzhen in the late Ming Dynasty (1638), monks dug wells by mistake.
This book was published many times in the six years before the Ming Dynasty.
In the early and middle Qing Dynasty, some scholars questioned the authenticity of this book and thought it was a fake book, but most people close to this book thought it was pure learning.
The author's point of view is wrong, especially Yu Jiaxi, a famous historian of Peking University, who refuted the right and wrong of the Qing Dynasty and considered the history of the heart.
True and credible. Recently, bucai has read the history of psychology and Mr. Zheng Suonan's "99 Books" three times in a row, and the letter is calligraphy.
The words blood and tears are true and can be learned, but what the Qing people pretend to say is also clear.
Which dynasty did the ancient poets love orchids most?
Tang and song dynasties
Orchid is a famous traditional flower in China, which is well-known at home and abroad for its unique flower posture and leaf art. People like simple, elegant, quiet and clean style, and advocate loyalty, honesty, simplicity and tenacity, and orchid is the perfect combination of this style and sentiment. As early as the Book of Songs, there was an orchid hymn of "Tao Yifang Huan Xi, a scholar and a woman", which made the orchid a symbol of "auspiciousness and friendship". Throughout the ages, Confucius, Qu Yuan, Li Shimin, Li Bai, Su Shi, Li Qingzhao, Zheng Banqiao, Lu Xun, Zhu De, Chen Yi, Zhang Xueliang and many other literati chanted, painted and wrote orchids. Orchid has become a symbol that people use to cultivate self-cultivation, express their feelings, mark their hearts and shape their personality, and sublimate into orchid culture with far-reaching implications. In the language of Confucius' family, "Lan Zhi was born in a deep forest, not without people. Xiu De, a gentleman, is not the same as changing religion because of poverty. Fran should be the king's vanilla. " Praise that noble quality of orchids. General Zhang Xueliang once wrote a poem of praise, "A true gentleman in a flower has a strange and elegant charm". Marshal Zhu De has long said earnestly, "If orchids enter the homes of ordinary people, the civilization at this time will be even more impressive." Orchids are elegant in appearance, thick in leaves, flying like butterflies, lively and elegant in shape and full of fragrance. They are known as "the best fragrance in the world" and "gentlemen in flowers", and they have become the objects described by literati in past dynasties. They love orchids and cultivate orchids, or recite poems and compose poems, or draw pictures and paintings, which have left us many stories. Celebrities are always crazy about orchids and have always been praised by literati. Confucius was the first celebrity who loved orchids. The Yuefu poem reads: "Confucius returned to Shandong and hid in the valley. When he saw the fragrant orchid alone, he sighed at the sun and said,' At that time, it was a king's fragrance, but now he is alone with the grass', so he stopped to help the piano and wrote a song "Lan Yi Fu". He praised Lan's character: "Born in a deep valley, he is not fragrant because of no one, and a gentleman, Xiu De, does not change his faith because of poverty", and further applied it to his lifestyle. Confucius said, "If you stay with good people and stay in Lan Zhi's room for a long time without smelling its fragrance, you will be afraid of it. "
The patriotic poet Qu Yuan not only planted and wore orchids, but also compared himself with Whelan. In Lisao, he wrote about orchids many times: "The green leaves are green, Xiang Feifei is green, and the green leaves are purple", "I am not only nine peas of orchids, but also a 100-acre tree". These famous sentences are widely spread, which makes the word "LAN" synonymous with "gentleman", "virtue", "beauty" and "beauty", and therefore makes "Lan" leave its own botany and become a colorful cultural symbol.
Tao Yuanming, a poet in the Eastern Jin Dynasty, loved orchids. He abandoned his official post and returned to his hometown to collect chrysanthemums and raise orchids. He wrote a poem about orchids: "orchids are born in the vestibule, and they are fragrant and wait for the breeze, and the wind dies." See you later. "
Li Shimin was the first emperor in China who loved orchids. He often looks at orchids in Xanadu, and writes the poem Lanfang: "aster tataricus l. f. is in spring, and Meilan is beautiful. The pavilion is light in color, concise and fluttering. The sun shines on the uneven shadow, and the wind is heavy and fragrant. It must be a gentleman's discount, Perry Xiang. "
Wang Wei, a poet in the Tang Dynasty, was fascinated by orchids and accumulated quite rich experience. Han Manlu said, "Wang Wei Chu Lan has cultivated beautiful stones with yellow magnetism and flourished in his prime." It pioneered the cultivation of orchids in porcelain pots.
Du Mu, a poet in Tang Dynasty, loved orchids. According to legend, he spent a lot of silver to cultivate orchids and built a large-scale orchid garden. At that time, he wrote many excellent works of Yong Lan. Su Zhe's poem "Two Rhymes Answer People's Orchids" says: "Orchids are shy in spring and full of fragrance. An inch of heart must protect itself, and a hundred feet is long and loose. " In the poems of chanting orchids, I entrusted my ideals. Su Shi's poems about orchids are novel: "Chunlan is like a beauty, and she is not ashamed to give herself." When I smell the wind and smell the fragrance, I can't see the canopy. "I compare Chunlan to a noble beauty, constantly emitting fragrance in the valley, revealing the poet's pursuit of nobility.
Huang Tingjian, a poet and calligrapher in Song Dynasty, was good at potted orchids and invented the method of cultivating orchids with sand and stones. He said: "Orchids are overgrown, and when planted with sand and stones, they will flourish, and when planted with soup and tea, they will be fragrant." His "Youfang Pavilion" classifies Whelan for the first time: "Writing for a flower is fragrant; A bunch of five or seven flowers is not fragrant enough. " What he called "Hui" has also been adopted by the contemporary plant world.
Zhu, a philosopher and poet in Song Dynasty, loved orchids very much. He wrote many poems about orchids. His poem Qiu Lan said, "Qiu Lan is full of fragrance. I miss my son's empty study and it makes me feel sad. " In the poem "Lan", I chanted: "Plant four or five stems, which are too close to the bottom of the curtain. It is not necessarily a breeze, and it is fragrant to the end of the Qing Dynasty. " He has studied orchids for a long time. He said in Dialectics of Chu Ci: "Generally speaking, the so-called vanilla in ancient times must be fragrant and dry, so it can be cut." ......
In which dynasty did China's calligraphy and painting originate?
After painting and calligraphy, the painter should add a cymbal seal in addition to his signature to show that the painting and calligraphy are indeed his own. But because the book is painted with a bell, it is difficult to test at the beginning. What is certain is that the paintings and calligraphy of Wei, Jin, Southern and Northern Dynasties have no imprint, and the imprint is used to cover the mud. I only saw seals in calligraphy in the Tang Dynasty, but not in painting at present. For example, there is a seal on the word "Ji" at the end of Sun's Preface to Book Spectrum, but it is hard to argue. I wonder if this is Sun Shi's own seal. There are more seals on paintings and calligraphy in Song Dynasty than in Tang Dynasty. The book has the seals of Su Shi, Huang Tingjian, Mi Fei, Wang, Wu Ju and Zhao. Guo, Wen Tong, Zhao Lingrang, Yang Wuxia, Zhao et al. There are seals on paintings and calligraphy since the Yuan and Ming Dynasties, but Ni Zan's works after middle age have no seals, only in Lu Jishan's Copy and Postscript (at the age of 42), Shuizhuju (at the age of 43) and Little Mangosteen Tree. Ming Dong Qichang painted cymbals and cymbals. It is said that all his proud strokes are unmarked. At the same time, in the content of seals, the Ming dynasty also had new development compared with the previous generation. Since the early Ming Dynasty, in addition to the name and font seals, there have been more and more idle chapters in the book circle, such as Elvis Presley's Game Handwriting, Yao Shou's T-shaped seal of Xia Zibi Moon Weng, Wen Zhiming's mid-term Stop the Clouds Pavilion, Tang Yin's The First Scholar in the South of the Yangtze River, and Xie Yuan in Nanjing, etc. What is striking is that some professional painters in court painting, under the influence of literati painters and calligraphers, began to pay attention to the elegance of writing and pen and ink. They not only have considerable accomplishment in literature and calligraphy, but also attach great importance to the use of seals, especially the engraving of leisure chapters. Such as the "spontaneous" position at the beginning of the week. Guo Kui's "Fragrant Jade Dew" and his "Green Mountains and Green Waters" have no titles, but only the seals of "Chinese Tongyin" and "Fragrant Jade Dew". Zhuo Di's Picture of Xiucun has a long seal of "Qing Yue Zhai" at the beginning, and the next paragraph of the picture has three seals of "Praising a Good Family", "Drinking in a Drunk Place" and "Fengchi Qingqu". Some authors' seals are engraved with titles or other written contents enshrined by the court, from which we can know the identity of the authors. Emperors of the Ming Dynasty also often awarded books to their ministers. For example, when Xuande was proclaimed, Sun solemnly wrote a book on flowers, birds and cordyceps. Before the book was opened, there was a seal of "Kongtong Site" on the tree, on which the word "Qin Ci" was written. When Hongzhi kicked off the "painting champion" when it was printed, Xiaozong called Zhong an "old fairy on earth", so Zhong carved this sentence into a casual chapter. When Zheng De gave Zhu Rui a "handful of firewood" for book printing, Zhu Rui named himself a handful of firewood. All the above situations became popular in the court and became a common practice, forming a remarkable feature in the imprint of painters and calligraphers in the Ming Dynasty.
The use of seals in paintings and calligraphy in Qing Dynasty was more common than that in Ming Dynasty. After the middle of Qing dynasty, almost all styles were printed together, and few of them were not printed with cymbals. It is ok for a painter to sign a calligraphy and painting without a signature, but he can't stamp it without a cymbal.
Most of the calligraphy is carved in the middle of the line, and a few people put the "first" seal before and after the first line. There are fewer letters printed in the clock. In the Northern Song Dynasty, people were obsessed with dates, and then with names. In the Ming Dynasty, there was a book with a white passbook, which was called "Vice Contract", with a "name thorn" (single post) in front, and the writer sealed the name between the "name thorn" and the "Vice Contract".
Most of the parts engraved on the painting with inscriptions are engraved under the inscriptions, and the word "beginning" is also printed. There is another seal in front of the hand scroll, and the hanging shaft and album are stamped with "pledge angle" at the left and right corners; Money-free hand-rolled cymbals are in the front and back of the picture, hanging shafts or picture book trees are in the lower left corner and the lower right corner, and there are cymbals instead of money in the upper gap.
For other long scrolls of calligraphy and painting, more than two pieces of paper must be connected together, and the author often sews up the paper and seals it. This is called riding seam sealing, but it is not absolute, and some are not.
The authenticity of the writer's seal shows the reliability of calligraphy and painting. The reliable way to identify the writer's seal is to check. How to check? First, take the seal that has been identified as true as a template, and check it with the seal to be identified from the aspects of seal size, seal cutting method, twists and turns of strokes, fat, thin, white or Zhu Wenlai. If it is exactly the same as the template, it is true, and it is not uncomfortable at all. If there is any discrepancy, it is false. However, this inspection method has different attitudes and principles.
As mentioned above, few paintings and calligraphy works before the Song Dynasty were stamped with the painter's own seal, and most painters did not stamp their own seals on their works. The characters on the seal are mostly small seal script, and the printed shapes are rectangle, square, circle, ellipse, gourd shape and so on. It was not until the Song Dynasty that strange Zhong Ding shapes appeared. Judging from the effect of strokes printed by seals in Tang and Song Dynasties, most of the printed materials are copper, teeth and jade, and a small amount are other materials. The materials of copper, tooth and jade are hard, so most of the printed strokes are dull, smooth and dull. ......
I would rather have fallen flowers on the branches, but whose poem is in the north wind?
"It is better to die with incense on the branches than blowing in the north wind" from Zheng Sixiao's "Cold Chrysanthemum"
Hanju
Dynasty: Song Dynasty
Author: Zheng Sixiao
Flowers can't bloom, and independent fences are not poor.
It is better to hold incense in the branches and wait for death than to blow it into the north wind.
translate
You are open in autumn and never associate with flowers. Alone by the sparse fence, your sentiment and interest have not diminished. I would rather die in the branches than in the cold north wind!
Brief introduction of the author
Zheng Sixiao (1241~1318), a poet and painter, was born in Lianjiang (now Fujian). Originally unknown, it was renamed after the death of Song Dynasty, because it was a part of Zhao in Song Dynasty. Recalling the word Weng means not forgetting the old country; No.3 is in the south, sitting and lying down every day, facing south and north. He also claimed to be a descendant of the giant mountain, a poet in Ding Jing, a savage in Sanwai and an old lady in Sanwai. I once tried to give up my life in business school to become knowledgeable. When the Yuan army invaded the south, it offered a defense strategy to the court, which was not adopted. The guest lived in Wuxia and sent the food to Guobao Temple. Zheng Sixiao was good at making orchids, and spent less money on Xiao Ye, which showed that the land in Song Dynasty was plundered. There are poems such as History of Mind, Works of Mr. Zheng Suonan, Poems of One Hundred and Twenty Pictures by Weng Suonan, etc.
Who are the famous painters since ancient times? What are their dynasties, masterpieces and styles?
◎ Sui, Tang and Five Dynasties
Dong Wei Wu Daozi Yan
Zhan Ziqian, Zhang Xuanzhou, imitating Dai Yi, Han Huang and Li Sheng.
Li Sixun Li Zhaodao Lu Lizhen Lengjia Sun Wei Han Gan
Dong Xuweixian's literary works in Ganzhou
Guhong Zhongguan Customs Clearance Xiuhuang Jing Quan Ruan Haogao
SmithKline
In the song dynasty
Chen Juzhong Gui Hu Huang Ju Cai Hui Jia Chong Shigu Li Anzhong
Li Chengdi Li Li Gonglin Song Litang Li Zanhua
Min Lin Chun Liu Songnian Ma Hezhi Marin Ma Yuan
Mi Youren Su Hanchen Su Shi Chang Fa Wang Juzheng Wang Ning
Wang Ye Wang Ximeng Wentong
Wu Zongyuan Xia Yong Xiagui
Fan Kuan Xiao Zhao Xu Daoning Xu Di Xu Gong Yu Yan Ciping
Yan is second only to Yan, Wen Gui, Yang Wu, Feng and Zhang Zeduan.
Zhao Boju Zhao Bosu Zhao Chang Zhao Daheng Zhao Bing Zhao Wa
Zhao Kui and Zhao Ling let Gong Mengjian Liang Shilei.
Zhu Guo Zhongshu
During the Yuan Dynasty
Cao Baizhi Li Rongjin Lishihang Road Luo Guangzhi Chuanmawan
Ni Zanqian Ren Xu An Ren Mao Sun Junze Chen Lin.
Tang Wangmian Wang Yuan Peng Zhen
Hui Yang Weizhen Yao Zhangzhangwo
Zhao Zhuyuan Derungao Gu 'an
Li Yan, Ke, Huang and Guan Daosheng
During the Ming dynasty
Bianjing Zhaodu Dujinfu Valley Justice Lan Liying is at
Lin Liang Liu Jue Road Lu Ji knows you Lu Yuan Chen Daofu.
Through the ages, Ying Shao Mishen Shi Chong Shen Zhou Sheng Ye Mao.
Song Sun Sun Hongshou Tang Yin
Wang Guxiang, Wen Bo Ren, etc.
Wen Zhiming Wu Jiru Xia Changxie
Zhang Zuozeng Chen Zhou Jia Sui
Zhou Zhimin Cui Zizhong Dai Jinding Dong Yunpeng Qichang
During the Qing dynasty
Gao Gao Qipei xianggong ren xian hong Hua Yan Huang ding
Huang Shen Jiang Tingxi Jiao Bingzhen Cheng Jinnong Tingbiao
Li and Li trout are cold and beautiful in Lang Shining.
Luo Mucheng is hiring Ma Yuanyu Mei Qing Minzhen.
Pu Hua Gan Du Ren Ren Xiong Ren Xun Shen Yiquan
Dai Shiding flew to Wang Hui
Wang Wang Shishen Yuan Qi Fan Yin
Wu, Xigang Xie Sun
Xu Gu Jin Yang Ye Xin in Zhi Ding and Xu Dan Yuan Jiang.
Yun Shou Ping Cha Shibiao Zhang Yin Zhang Zongcang Zhao Qianzhi
Zheng Xie's record has become bigger.
tall
Contemporary painter
Wang Yingchun Wang Peidong Wang Chengxi Wang Mingming
Wang Wenfang Wang Tongren Du Xixiang Chang Bao Li
Master Guo Yanfu Liu Guofu Shu Jianxin
Zhao Peng, Yang Lizhou, Liu Chunhua, Lacker.
Xie Xiaojun Wang Lianfen
Yanglin Narcissus Sun Xiaobin He Caicheng
Miao Zaixin Jia Deke, Xia Ying, Zhao Qiuping and Qi Baishi (1864- 1957), a native of Xiangtan, Hunan Province, was a master of Chinese painting in the 20th century, one of the top ten painters in the 20th century and a world cultural celebrity. Representative works such as Shrimp, Crab, Peony, Morning Glory, Frog Rings Ten Miles Out of the Mountain Spring, etc.
Zhang Daqian (1899 ~ 1983) and 1899 (twenty-five years of Guangxu in Qing Dynasty) were born in May of 10 (the first day of the fourth lunar month), and were born in a scholarly family in Tang Yan Bay, Xiangbizui, Li Anliang, a suburb of Neijiang County, Sichuan Province. He is the most legendary master of Chinese painting in China in the 20th century. Representative works include Sanzang in Wuzhong, Shi Tao's Landscape, Mei Qing's Landscape, and Maolin Station in Ju Ran.
Lin Fengmian (1900— 199 1) is a modern painter and art educator. Representative work "The Sea"
Guan Shanyue was originally named Guan Zepei, a modern painter in China. Masterpieces: Jialing River Wharf, Autumn of Minjiang River, Frozen Yellow River and Qi. ......
Pinyin version of Zheng Sixiao's poem "Painting Chrysanthemums"?
Dynasty: Song Dynasty
Author: Zheng Sixiao
Original text:
Flowers can't bloom, and independent fences are not poor.
It is better to hold incense in the branches and wait for death than to blow it into the north wind.
Hello, I'm good, hello.
This is a good example.
Poems about chrysanthemums should include poems of poets and dynasties.
Cold chrysanthemum/colorful chrysanthemum (Dynasty: Song Dynasty)
Author: Zheng Sixiao
Flowers can't bloom, and independent fences are not poor.
It is better to die holding incense in the branches than to be blown down in the north wind.
Chrysanthemum Dynasty: Tang Dynasty
Author: Yuan Zhen
In autumn, the bushes, like Taoist priests, are more and more inclined around the fence.
It's not that chrysanthemums are favored among flowers, but that this flower is even more flowerless.
Chrysanthemum Dynasty: Ming Dynasty
Author: Tang Yin
Original text:
When the garden vomited in the secluded bushes of three paths, Xuanshuang fell into the blue sky all night.
How many people have not returned to the end of the world, looking at the autumn wind through the fence.
List famous painters and calligraphers in Tang, Song, Yuan, Ming and Qing dynasties.
the Tang Dynasty
calligrapher
1. Wang Xizhi (303-361year), word, number Lian (dān), is Preface to Lanting Collection.
2. Ou Yangxun (557-64 1), Han nationality, was born in Linxiang, Tanzhou (now Changsha, Hunan), and his masterpiece is The Inscription of Liquan in Jiucheng Palace.
3. Yan Zhenqing (709-785) was an outstanding calligrapher and a great patriot in the Tang Dynasty. Han nationality, word, Langya filial piety (now Zhuman Village, Fei County, Linyi City). Masterpiece "Fighting for Seats"
4. Liu Gongquan (778-865), the last great calligrapher in the Tang Dynasty, was born in Jingzhao Garden (now Yaoxian County, Shaanxi Province). magnum opus
painter
1. Han Kun (723 ~ 787) was a painter in the Tang Dynasty in China. The words are too strong. A native of Chang 'an (now Xi, Shaanxi Province), his masterpiece is Five Cattle Map.
2. Zhang Xuan, a native of Jingzhao (now Xi 'an, Shaanxi), was born and died in an unknown year. Representative works include "The Lady of the State of Guo You Chun Tu" and "The Map of Tao Ren".
3. Zhou Fang. One is Xuan Jing, and the other is Zhonglang. Jingzhao (now Xi City, Shaanxi Province) was born. The year of birth and death is unknown. The representative work Wan Fan Tu is Mrs Wan Fan Tu, also known as Mrs Christine Tu.
4. Yan: (60 1-673) was born in Yongzhou, Tang Dynasty. Son of Yan Pi, painter of Sui Dynasty, and brother of Yan Lide. Masterpiece "Kings of Past Dynasties"
5. Wu Daozi (about 686 ~ 760) was later renamed Daoxuan, and was honored as Wu Sheng, a native of Yangzhai (now Yuxian County, Henan Province). The masterpiece "Golden Bridge Map"
Song dynasty
calligrapher
1. Cai Xiang (10 12- 1067), Han nationality, whose real name is Mo Jun, was originally from Dongan Village, Fengtai Township, Xianyou, and later moved to Cai 'an Village, Putian. The representative work "Collected Works of Cai Zhong Hui in Song Dynasty"
2. Su Shi (1037 ~1kloc-0/0/) Zi Zhan, Er Su Dongpo, whose name is He Zhong, is called "Dongpo Jushi", which is his masterpiece Niannujiao Chibi Nostalgia.
3. Huang Tingjian (1045- 1 105), whose real name was Fuweng, also known as Huang, was born in Fenning, Hongzhou (now Xiushui, Jiangxi). His representative works are Poems of Song Fengge and Poems of Fu Bo Temple.
4. Mi Fei (1051~1107) was a calligrapher, painter and painting theorist in the Northern Song Dynasty. First named Kun, later changed to Fu, the word stamp, Xiangyang lay man, Haiyue Mountain people and so on. Originally from Wuwei County, Anhui Province, he moved to Xiangyang, Hubei Province and lived in Runzhou (now Zhenjiang, Jiangsu Province) for a long time. The masterpiece Yan Tie
painter
1: Julie, date of birth and death is unknown. Painter of Southern Song Dynasty, a native of Hebei, once worked in Xuanhe Painting Academy, and later resumed his post in Shaoxing Painting Academy. He is gifted with Di Gong Lang and a gold belt, and is good at painting landscapes and figures, especially mule classes and rollover. He studied under the "LiGuo" school, and his pen and ink were clear and meticulous, depicting the layout and making the best use of it. Masterpiece: Vortex Map of Western Hills
2. Zheng Sixiao (AD/KOOC-0/24/KOOC-0/-/KOOC-0/8,/KOOC-0/238-/KOOC-0/5,/KOOC-0/2). 6- 1283) painter in the late song dynasty and early yuan dynasty. Yi Weng, a native of Fuzhou, Fujian. After the death of the Song Dynasty, he lived in seclusion in Pingjiang (now Suzhou, Jiangsu Province), and he must sit in the south, calling himself the south, to show that he did not forget the Song room. Draw more Chinese cymbidium, not roots, and send feelings. Representative work: map of Moran
3: Zhao, the year of birth and death is unknown. Song imperial clan, word. Official to Xiangzhou Observer. At one time, Dan Qing was famous for being good at making geese, European herons and Xitang Zhu Ting, and some poets also thought about it. The landscape figures are elegant and impressive. Masterpiece: Small Scenery of Xiangxiang
4. Zhao AD 1 199-? Southern Song Dynasty painter. Zi Ziyin, a native of Haiyan, Zhejiang, is the son of Mao XI. Born in a poor family, Li Zongbaoqing was a scholar in the second year (AD 1226). He has been a scholar in Huzhou, transferred to Simu, the magistrate of Zhuji, and managed Zuotang. Good at painting plum, bamboo, orchid and stone, especially daffodils, delicate and elegant, good at calligraphy and also writing poems. The collection of poems includes Edited Works of Zhai Yi. Masterpiece: Three Friends in Cold Year.
the Yuan Dynasty
calligrapher
1. Zhao Mengfu (1254-1322), a native of Huzhou, Zhejiang Province, was one of the most outstanding painters in Yuan Dynasty, and had a wide influence in the history of painting and calligraphy in China. Masterpiece Tao Te Ching
2. Xianyushu (1257- 1302) is called Ji Bo, also known as "Sleepy Mountain Man", and also known as "Hidden Official in the Tiger Forest" and "Send the Old Man Directly". Dr Guan Taichang, a native of Yuyang (now Beijing), Hebei Province, now lives in Hangzhou. Representative works include the Tang poetry Zanda Zi Shi and Cursive Script.
painter
1. Huang was a painter and painter in China in the Yuan Dynasty, and he was also one of them. Formerly known as Lu Jian, also known as Jing Jian. Due to the adoption of the Huang family in Yongjia, Zhejiang Province, it was renamed Zi Jiu, named Yifeng, Yifeng Taoist, Dachi Taoist and Jingxi Old Man. Masterpiece "Ya Dan Yushu Map Axis"
2. Zhenwu (1280— 1354), a Meihua Taoist, was named Gui Zhong. ......