As far as crosstalk performance is concerned, Jiang Kun's popularity is lower than that of Degang Guo and Miao Fu, but as far as calligraphy level is concerned, he is above them. If three people compare their calligraphy ability, Jiang Kun is the first, Degang Guo is the second and Miao Fu is the third.
Let's start with Jiang Kun.
It is also understandable that ordinary stars pay attention to other aspects because of their fame. However, judging from the current level of calligraphy in Jiang Kun, if you can't call it a calligrapher, at least it's not shameful to put it on a painting and calligraphy exhibition. Even if you can't see Jiang Kun's signature, tourists can't say that Jiang Kun's handwriting is not good.
Jiang Kun's calligraphy has been studied for many years, which is related to family education. Jiang Kun's father is Jiang Zuyu. Although he has been a people's teacher all his life, his calligraphy works are worth mentioning. Jiang Zuyu studied calligraphy since he was a child, and once studied under famous artists such as Wu, Zhu, and Zhu. He studied and wrote for more than 50 years before his death.
In 1980s, Jiang Zuyu participated in many exhibitions organized by Beijing Calligraphers Association and won prizes. He also held exhibitions in the Museum of Chinese Revolution (now the National Museum) and Tokyo, Japan. This is a rare opportunity for a calligraphy lover who is not well-known, from which we can see that his level is not low.
Under the influence of his father, Jiang Kun began to write in red when he was five years old. Judging from the current level of Jiang Kun, compared with his father's calligraphy attainments, it should be worse. Although there must be many people who want Jiang Kun's words instead of his father's works, most people know that this is more because of his fame than the calligraphy itself.
However, in any case, Jiang Kun's calligraphy is much better than that of Degang Guo and Miao Fu.
Degang Guo loves writing and painting, but it is hard to say that his level is very high. At best, his handwriting is unique, and it often looks playful. In particular, he loves to write happy content, and the font looks more lovely.
Although Degang Guo doesn't have much social intercourse at ordinary times, he often stays in the study to read and write, but he doesn't lay a good foundation for calligraphy as Jiang Kun did when he was a child, and writing is a craft job. Writing for enough years will definitely help to practice calligraphy.
Compared with Degang Guo and Jiang Kun, Miao Fu's calligraphy level should be the lowest, at least in the first two years. Miao Fu's calligraphy works are rarely exposed and should be rarely written. Occasionally show it in Weibo, and he says this is the level of painting red.
Look at Miao Fu's handwriting, it's really hard to say it's calligraphy. It is not as distinctive as Degang Guo's handwriting, nor as elegant as Jiang Kun's handwriting. It takes a long time to practice.
Generally speaking, it is definitely a good thing for crosstalk performers to write calligraphy after the performance, and there are indeed many people who have such hobbies, and some of them are really good at writing, such as Wang Qianxiang and Li Zengrui, whose calligraphy level is well-known in the phonology world.
For Jiang Kun, Degang Guo and Miao Fu, both performances and daily work are busy at ordinary times. It is a kind of rest to be able to write and draw in your spare time, and after all, calligraphy art also belongs to the art category. As for the level, there is no need to ask too much.
I'm Zheng Shoutou. Welcome attention. Artists in China have been practicing a traditional skill, such as piano, chess, calligraphy and painting, playing and plucking. On the one hand, art is interlinked to the extreme, and the effects of other stones can enrich the artist's means of expression and the realm of his works, and also cultivate his sentiment. Another factor has got rid of the humble position of artists in the past, that is, elegance and elegance. Artists in the old society were humble, and they used elegant skills to make friends.
Nowadays, in the new society, the status of artists has improved, almost reaching the highest stage in history. Among them, good and evil people are mixed up, some have real talents and practical knowledge, and some fish in troubled waters. But artists who have reached a certain level can also improve their artistic accomplishment by practicing traditional techniques.
Calligraphy and painting are the most common cultivation techniques. Jiang Kun, Degang Guo and Miao Fu, as the standard bearers of three generations of cross talk, all practiced calligraphy.
Jiang Kun was born in Beijing on 1950. His father's name is Jiang Zuyu. He is a teacher and a famous calligrapher in Dongcheng District of Beijing. His works have won many awards at home and abroad. Jiang Kun's family background was influenced by his father since childhood, and he also liked calligraphy. In calligraphy, he is equivalent to a doll's leg in phonology. He has been a teacher since he was a child and has a professional background. He copied Ou Yangxun's regular script and practiced hard for decades, so his calligraphy can be said to be.
Jiang Kun/Kloc-Chairman of the Music Association went to the countryside at the age of 0/8. After returning to Beijing, he worshipped at Ma Ji's door, creating a new way of crosstalk performance and shaping the glorious moment of crosstalk. His films are also very successful. For example, the golfer in Kyoto first contacted the Internet and founded Kunpeng Crosstalk Network. He has always been a pioneer leader. His calligraphy is rigorous, just like his life, upright, in the circle of folk art.
Degang Guo, 1973 was born in Tianjin and went to Beijing for development. After twenty years of persistence and hard work, he became the most successful actor in the commercial history of cross talk. He also practices calligraphy.
Words are like people, and artistic achievements can sometimes truly reflect a person's heart. Degang Guo's calligraphy has his own style. He was a teacher in phonology, but he became a monk halfway in calligraphy, just the opposite of Jiang Kun, so his basic skills were not solid. Degang Guo is very clever. He knows how to foster strengths and avoid weaknesses when performing cross talk, and he doesn't touch new cross talk or big stage, especially calligraphy. His calligraphy doesn't pay attention to sects, such as Yan Liu Ou Zhao, and there is no real grass seal. Just like the Beijing Opera he sang, it is not a sect and is not bound by rules. You can't use normal calligraphy norms to comment on his handwriting, which is full of unconstrained style.
Degang Guo's calligraphy is more about cultivating his own sentiment. Strictly speaking, it is not calligraphy, just like his cross talk, which is neither authentic traditional cross talk nor authentic new cross talk. It's more like a variety show if you don't watch it. Degang Guo's calligraphy achievement is inferior to that of Jiang Kun.
Miao Fu, 1982 from Tongchuan, Shaanxi Province, worked in Shaanxi Railway Bureau as an adult. In 2002, he was transferred to the Railway Art Troupe to sit in scientific cross talk. In 2007, Qingqu Society was founded. His works are very artistic and ideological. He became the leader of the younger generation of cross talk with his cross talk works such as "Knowing the Book and Understanding the Truth".
Miao Fu became a monk halfway, but he was very talented. He likes to write fan-shaped works. Judging from some fan-shaped works he published, calligraphy has a certain foundation and attainments. Although it is far from the level of calligraphers, it is also unsatisfactory as a calligrapher who became a monk halfway.
The calligraphy of Jiang Kun, Degang Guo and Miao Fu is not at the same level. Jiang Kun is a real calligrapher. He is also an artist who is out of the cross talk field. Degang Guo and Miao Fu's calligraphy is the nature of playing with tickets. If we comment on their calligraphy works, we are looking for shortcomings for Jiang Kun, but for Degang Guo and Miao Fu, we are looking for advantages, otherwise we don't know how to praise them.
The above three words, everyone see for themselves, whether in structure or wording, whether in realm or level, stand high or low.
I prefer the paintings and calligraphy of Jiang Kun and Degang Guo, but I don't know much about Miao Fu. Jiang Kun should have achieved something in his writing in the past thirty years. Degang Guo's paintings and calligraphy are more interesting. There are pictures in the poem, which make the finishing point.
I am a stranger to calligraphy and painting. In my opinion, the calligraphy of the three of them is good among amateurs. Jiang Kun and Degang Guo's calligraphy and painting are equally matched, and Miao Fu is a bit grandiose (I have never seen pictures of his calligraphy), but they all represent their respective standards, dreams and levels.
What is different is that Mr. Guo regards painting as a hobby and naughty, so that his disciples can understand the meaning of words. I heard that Jiang Kun's calligraphy and painting were paid. Dashan praised Master's words, which were well received by his friends. There is a difference here. Jiang Kun is a matter of face and self-modification, while Degang Guo is a matter of cultivating sentiment and spiritual pleasure. (The answer is not comprehensive, please forgive me! )
Why don't you ask them who is a good cook? They say that cross talk is their major, and nothing else matters.
Does it make sense that there is a specialization in the art, the calligraphy in the phonograph field is the best, and the cross talk in the calligraphy field is the best? Players who play table tennis and basketball exchange roles. How many places can they rank? Art is art, and concepts cannot be stolen.
These three people who can get the title of calligrapher are more ridiculous than calligraphy in the field of Quyi. Their main business is Quyi, not calligraphy. Is it comparable? I know how good the questioner wants to quote Jiang Kun's calligraphy, but where are his main business skills? Quyi has almost become an intangible heritage, and Jiang Kun is only waiting for the cross talk inheritor.
There is no doubt that Jiang Kun's calligraphy is more capable. Degang Guo's handwriting, I'm sorry, the word Baba is a little dismissive. But not so good. Words are like people. Kung fu is available. As for Miao Fu's handwriting, I have never seen it.
The three people mentioned above are all well-known crosstalk performers in the field of phonology. Jiang Kun became famous in 1970s and 1980s. Representative works include Just Take a Picture, Walking in the Tiger's Mouth, Variations on the Stairs, etc. Cooperate with Mr. Wang more, be Mr. Wang's apprentice, Mr. Hou's disciple, chairman of the Music Association, and have been CCTV Spring Festival Evening for several years. Miao Fu, a crosstalk performer in Shaanxi Province, founded a crosstalk group "Qingqu Society", which is famous as "knowledgeable person" and won the first prize in a crosstalk competition. He appeared on the stage of CCTV Spring Festival Gala with Wang Sheng. Degang Guo Tianjin crosstalk performer, one of the founders of the crosstalk group Deyun Society, is a crosstalk performer with many topics.
As for calligraphy, Jiang Kun's is the best. He has been copying and practicing seriously. Miao Fu's calligraphy has also been seen on the Internet, which is quite satisfactory. Degang Guo's calligraphy has a sense of joy, which belongs to the type that the sword is biased.
If the handwriting is not good, draw instead.
Jiang Kun followed the rules and did not innovate. Degang Guo, entertain yourself, be free and easy!