Bai Juyi is an advocate of the new Yuefu movement, advocating that "articles should be written in time, and songs and poems should be written for things." Together with Yuan Zhen, they were called "Bai Yuan". Shortly after Bai Juyi was born, a war broke out in Henan. Li Zaipu Town was divided into more than ten states by Henan, and the people suffered from war. When Bai Juyi was two years old, Ren Gongxian's grandfather died in Chang 'an, followed by his grandmother. Bai Juyi's father, Bai, was first awarded the county magistrate of Pengcheng County in Xuzhou by the secretariat of Songzhou (AD 780). A year later, Bai and Li Yan, the secretariat of Xuzhou, insisted on Xuzhou's meritorious service and were promoted to Xuzhou special driving. In order to avoid the war in Xuzhou, he sent his family to Suzhou for a peaceful life. Bai Juyi was able to spend his childhood in R&F (now Anhui R&F Collection). Bai Juyi, Fu Liren, Liu Xixi, Zhang Zhongyuan, Zhang Mei Tui, Jia Zhanzhong and Jia Yuanxi are also called "Fu Wu Li Zi", boating in the lake, visiting Liugou Temple, climbing Wuli Mountain, enjoying poems and tasting wine, which is called a grand event. Later, in order to avoid the war in the Central Plains, he moved to Jiangnan. Five cases of relocation will last for six years. He is the younger brother of another writer, Bai Xingjian. Bai Juyi was very clever and studied hard since he was a child. When he read it, his mouth was sore and his hands were covered with calluses. Young, all white hair. Up to now, there are still allusions such as "a little knowledge" when he was born seven months ago and "Bai Juyi is in Gu Kuang" when he first arrived in Chang 'an. His poems have great influence not only in China, but also in Japanese and Korean. He also co-sponsored the "New Yuefu Movement" with Yuan Zhen, and was called "Bai Yuan" by the world. Bai Juyi lived in Xiangshan, Luoyang for a long time in his later years, hence the name "Xiangshan Jushi". Five cases of Huichang six years (AD 846), August 14th (9
Bai Juyi (1 1) died in Luoyang and was buried in Xiangshan, Luoyang, at the age of 75. After his death, Emperor Xuanzong of the Tang Dynasty Li Chen wrote a poem to mourn him. The poem said, "Who taught Minglu to be a poet for sixty years?" Floating clouds are not famous and hard to live in, so make a full-length portrait of Bai Juyi.
[1] Change the word "inaction" into "lotte". Boys perform "Song of Eternal Sorrow", and Hu Er can sing "Pipa". The article is full of people, and I once missed you. "The author of Bai Changqing Collection, a total of seventy-one volumes. In his later years, Bai Juyi was made a prince, and posthumous title was a white father and a white man. He actively advocated the new Yuefu movement in literature, arguing that "articles should be written in time and poems should be written for things". He wrote many poems lamenting the times and reflecting the sufferings of the people, which had a great influence on later generations. He is a very important poet in the history of China literature. Yuanhe was a bachelor of Hanlin and a doctor of Zuo Zanshan. Because he offended powerful people, he was demoted to Jiangzhou Sima and became a good Buddha in his later years. He wrote many poems in his life, among which allegorical poems are the most famous, and the language is easy to understand, so he is called "an old woman who can explain". Narrative poems such as Pipa Xing, Song of Eternal Sorrow and Charcoal Man are all famous. One of them is "We shouted a thousand times, but she still hid half her face behind the guitar and avoided us." We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? . "More famous. Bai Juyi's poems were widely circulated at that time, from the palace to the folk, and their fame spread far and wide in Xinjiang, Korea and Japan. Bai's poems had a great influence on later literature, and Huang Zunxian and others were all inspired by Bai Juyi's poems. Bai Juyi's poems have the greatest influence. It can be said that Bai Juyi was the man of the hour in China's Tang poetry. In his later years, he befriended the poet Liu Yuxi and called him Bai Liu. Advocate poetry to play the role of beauty. His ci is very distinctive and famous for its bright and beautiful style, which is highly praised by later poets. Bai Juyi's main works are: Song of Eternal Sorrow, Pipa, Selling Charcoal Weng, Farewell to Ancient Grass, Spring Tour in Qiantang River, Mujiang Song, Memory of Jiangnan, Peach Blossom in Dalin Temple, Drunk with Li Eleven, Memory of Yuan Jiu, Book Province in Records, and Book Province in Records.
Edit this character's life.
Biographical notes
Bai Juyi, whose real name is Lotte, is Mr. Xiangshan Jushi and Mr. Zuiyin. He comes from a small and medium-sized bureaucrat family who is a scholar. Born in Xinzheng, Zhengzhou (now Xinzheng County, Henan Province). Since 1 1 years old, she has been displaced by war for five or six years. I studied hard when I was a teenager. Portrait of Jinshi Bai Juyi in the 16th year of Zhenyuan (800)
[2], eighteen years, and won the excellent book with Yuan Zhen. Two people are engaged. In the future, Bai Yuan was also famous for his poems. In the spring of nineteen years, he was awarded the provincial school secretary. In the first year of Yuanhe (806), he dismissed the school book lang, wrote seventy-five articles of "Ce Lin", published "Knowledge for Body", and awarded the county commander. For watching the wheat harvest, everlasting regret and by the pond. Yuanhe returned to Korea in the second year, awarded a bachelor's degree in Hanlin in November, and served as a left gleaning in the following year. In four years, he launched the New Yuefu Movement with Yuan Zhen and Li Shen. In five years, Cao, a native of Jingzhao County, joined the army. At this time, he was still a bachelor of Hanlin, drafting letters and participating in state affairs. He can be outspoken about things without fear of powerful people and close ministers. In six years, Yuanhe was sent back to Beijing to serve because his mother was at home and had served her full term. In ten years, he was demoted to Sima Jiangzhou (now Jiujiang, Jiangxi) for taking the lead in writing a letter demanding the urgent arrest of Wu's murderer. The following year, I wrote Pipa Travel. He began to "be an official in seclusion" and built a thatched cottage in Lushan. His thought has changed from "saving the world" to "being immune to the world", and more and more leisurely and sentimental poems have appeared. In the thirteenth year of Yuanhe, he changed to Zhongzhou Secretariat, returned to Beijing in the fifteenth year, and moved to Zhongshu Sheren. In the second year of Changqing (822), due to the factional struggle between the DPRK and China, he demanded his release. He has been the secretariat of Hangzhou and Suzhou and won the hearts of the people. In memory of him, Hangzhou people named the side near the West Lake Bai Causeway. In the first year of Emperor Wenzong Daiwa (827), he was supervised by the secretary, transferred to assistant minister of punishments the following year and settled in Luoyang for four years. Later, he served as the guest of the Prince, Henan Yin and Shaofu Prince. In the second year of Huichang (842), he became an official with the minister of punishments. In Luoyang, he entertained himself with poetry, wine, Zen, Qin and mountains and rivers, and often sang with Liu Yuxi, who was called Liu Yuxi. In Huichang four years, eight stone beaches were dug in Longmen for the benefit of boat people. At the age of 75, he was buried at Pipa Peak in Xiangshan, Longmen, Luoyang. Li Shangyin wrote an epitaph for him. Bai Juyi is a disciple of Maitreya. He organized a society called the Temporary Ascension Meeting. I hope everyone can rise to the realm of Maitreya together. In order to stay in Maitreya, Bai Juyi wrote a resolution: Yang Cishi, also known as Ci Shi, wishes me to be promoted for a while in the afterlife. Cishi is Maitreya, Maitreya is transliteration, and cishi is free translation. I admire the image of Ci's Bodhisattva. My name is Ci's Bodhisattva. I hope to ascend to Maitreya in the afterlife.
be an official
Bai Juyi's inscription and postscript
[3] Life is bounded by being demoted to Jiangzhou Sima at the age of 44, which can be divided into two periods. The early period is the period of helping the world, and the later period is the period of being independent. Bai Juyi was a scholar at the age of 29 in the 16th year of Zhenyuan (800). He has served as provincial school secretary, school assistant and Hanlin bachelor. During the Yuanhe period, he was left as a gleaning, and wrote a lot of satirical poems, including ten masterpieces of Qin Zhongyin and fifty poems of New Yuefu, which made the dignitaries gnash their teeth and grieve. In the sixth year of Yuanhe, Bai Juyi's mother died in Chang 'an because of mental disorder. According to the rules at that time, Bai Juyi returned to his hometown for three years and returned to Chang 'an after the funeral. The emperor arranged for him to be a doctor. In June of the 10th year of Yuanhe, when Bai Juyi was 44 years old, Prime Minister Wu and imperial envoy Zhong Cheng Pei Du were assassinated. Wu died on the spot and Pei Du was seriously injured. For such a big event, the eunuch group and the old bureaucratic group in power at that time kept calm and were in no hurry to deal with it. Bai Juyi was very angry, so he wrote to urge the murderer to be severely punished to punish the law. However, instead of praising his enthusiasm for state affairs, those in power say that he is an official of the Eastern Palace, and it is trespassing to talk about state affairs in front of the admonishers. So he was demoted to the state secretariat. Wang Ya said that her mother fell into the well while looking at flowers and died. He wrote poems about flowers and wells, which hurt filial piety. Such people are not worthy of governing the county, so they are demoted to Jiangzhou Sima. In fact, the reason why he offended was those allegorical poems.
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The official demotion to Jiangzhou dealt a great blow to Bai Juyi. He said that he "eliminated the troubles and happiness on the surface and the right and wrong in his chest", and his early Buddhist and Taoist thoughts also grew. Three years later, with the help of his good friend Cui Qun, he was promoted to the secretariat of Zhongzhou. In the fifteenth year of Yuanhe, Tang Xianzong died suddenly in Chang 'an, and Tang Muzong succeeded to the throne. Mu Zong loves talents, recalled Chang 'an, and became a foreign minister, doctor, doctor and sinologist. However, at that time, North Korea was in chaos, with ministers fighting for power and profit and infighting. Mu Zong is politically lazy and doesn't listen to advice. Therefore, Mu Zong was appointed as the secretariat of Hangzhou in the second year of Changqing, and Suzhou was appointed as the secretariat after the expiration of Hangzhou. In his later years, he was divided into the eastern capital by the Prince. A 70-year-old official. Compared with the previous period, he is much more negative, but after all, he is a poet who has made a difference and actively pleaded for the people. Some of his poems at this time still show his concern for the country and the people. He is still diligent in political affairs and has done many good things, such as dredging six wells dug by Li Bi and solving the problem of drinking water for the people. He built a long dike on the West Lake to store water and irrigate the fields, and wrote down the easy-to-understand Stone of Qiantang River, which was carved on a stone to tell people how to store water and drain water. He thought that as long as the dike was as good as law, it would not suffer from drought. This is the famous "Bai Causeway".
An alcoholic prostitute
Bai Juyi's grandfather and father Bai are both poets. In this family background, Bai Juyi studied very hard. But Bai Juyi, like Li Bai and Du Fu, was a heavy drinker. Zhang Wenqian said in "Tiaoxi Fish Hide Conghua": Although Tao Yuanming likes to drink Bai Juyi's stone carvings,
[4] wine, but because of poor family, you can't drink often. Drinking with him are all country people who are firewood, fishing and ploughing. Bai Juyi makes wine at home. Every time I drink, I have to be accompanied by silk and bamboo and served by prostitutes. All the people who drink with him are social celebrities, such as Pei Du and Liu Yuxi. Whenever the weather is beautiful, or it snows, he invites guests to his house, first painting the jar, then writing poems, and then holding silk and bamboo. So while drinking, I recited poems and played the piano. There is a boy playing "wearing a dress and feathers" and a little prostitute singing "Yang Liuzhi", which is a great pleasure. It didn't stop until everyone was drunk. Bai Juyi sometimes went out to play in the wild on a whim. He put a piano and a pillow in the car, hung two flagons on bamboo poles on both sides of the car, drank with the piano and came back happily. According to The Story of the Poor, Bai Juyi has a pond at home where he can row a boat. He entertained guests, and sometimes on the boat, he ordered people to hang more than 100 empty bags beside the boat, which contained wine and delicacies, and went with the boat. When he wants to eat or drink, he pulls them up, and when he finishes eating or drinking, he pulls up another one until he finishes eating or drinking. Fang Shao's Zhai Bo Discriminations says: Of the 2,800 poems written by Bai Letian, 800 were drunk. This number is not small. When he drinks, he drinks to relieve himself. He drank wine all day to relieve his nine days' hard work. He said: "Don't underestimate a day of drunkenness, that is to eliminate nine days of fatigue. Plain mouth and thin waist, raising prostitutes (prostitutes here are equivalent to concubines or family singing and dancing prostitutes in the history of China) for fun, which began in the Eastern Jin Dynasty and was more common in the Tang Dynasty. In order to get rid of the troubles of life, Bai Juyi indulged himself with prostitutes' music and poems. He kept courting prostitutes and drinking until his later years. There are more than a dozen prostitutes whose names are known from his poems, among which Xiaoman and Su Fan are the most famous. Tang Mengbang's "Poem of Feeling Things with Skills" records: "Bai Shangshu (Juyi) Su Fanren is good at singing and prostitutes are good at dancing. It tastes like a poem: cherry Su Fan mouth, willow small waist ". Modern people describe beauty as cherry mouth, small waist or willow waist, which was learned from Bai Juyi. Bai Juyi was old and sick, and decided to sell horses and let prostitutes go. He didn't want them to suffer with him. However, his beloved horse turned his back on him and could not bear to leave. Su Fan and Xiaoman still have feelings for Bai Juyi and are reluctant to leave. Su Fan said with tears, "I've been here for five years, and I'm not surprised. I have been a vegetarian for ten years, and there is nothing wrong with it. Although this plain face is ugly, it has not been ruined. Luo Li is still strong, without any embarrassment. That is, Luo Zhili can still lead; You can also give the Lord a glass of plainsong. Once you go back, there is no turning back. Therefore, Su will go, and the words will be bitter; Luo will go, and his song will be sad. This man's feelings are also the feelings of horses. Is it true that the Lord is heartless? " Bai Juyi also sighed: "Don't shush, don't cry; Luo returned to the temple and the boudoir. Although I am ill, I am old. Fortunately, I won't die before Ji Xiang. Why abandon my concubine one day? Sue Xi! Sue Xi! Sing a Yang Liuzhi for me. I'll think about it. I'll go back to my hometown with you "Of course, in the end, Su Fan and XiaoMan left. Bai Juyi wrote in "Random Thoughts": "In two willow buildings, Yan Na has been with drunkards for many years. Will there be a spring breeze in the world after she is released tomorrow? "Five years in March, today, the guests scattered. Illness and Lotte live together, and Spring and Su Fan return for a while. " At the age of 67, he wrote a biography of Mr. Drunk Sound. This drunken Mr. Yin, of course, is himself. In his biography, he said that there was a man named Mr. Zuiyin, and he didn't know his name, hometown and official position. He only knew that he had been an official for 30 years and retired to Los Angeles. He lives in ponds, bamboo poles, trees, pavilions, pontoons and so on. He likes drinking, reciting poems, playing the piano and playing with drunkards, poetry lovers and piano lovers. This is also the case. Bai Juyi has been to temples, mountains and rivers and spring stones inside and outside Luoyang.
Edit this paragraph to make wine.
Bai Juyi's home-brewed wine is of outstanding quality. He wrote a poem for his wine: "in the mouth of the altar, jade liquid is golden grease;" It is pleasant to play and enjoyable to taste; Hospitality, then frown; After four or five minutes of deliberation, I entered the limbs. " ("Bai Juyi Volume"). The history of Bai Juyi's wine-making is not only recorded, but even today, the story of "Bai Juyi's wine-making New Year's Eve to enjoy his neighbors" has been circulated in Weibei for generations.
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Bai Juyi was an outstanding poet in the middle Tang Dynasty. His poetic thoughts and creations, which emphasize popularity and realism, occupy an important position in the history of China's poetry. In "Nine Books with Yuan", he clearly said: "Servants aim to help both, and Bai Juyi has a bust.
[5] Do the only beneficial thing. Always serve the Tao, and invent poetry. Calling it a satirical poem is also aimed at helping others; It's called leisure poetry, which is not bad. "It can be seen that among Bai Juyi's four kinds of poems, the first two are the most important, because they reflect his' serving and always being good'. His poetic thoughts are mainly based on early satirical poems. As early as the early Yuan Dynasty, Bai Juyi showed a tendency to emphasize realism, popularity and allegory: "If there is no textual research on today's praise and demotion, there is a lack of punishment and persuasion;" "If a beauty does not take an examination of politics, it will waste the meaning of the make-up exam. ..... Anyone who uses Ci Fu as a training metaphor, although wild, will be rewarded. " The function of poetry is to punish evil and promote good, and make up for current politics. The means of poetry is praise and criticism, and it is admonition and irony. Therefore, he advocated: "establish an official who collects poems, open a satirical way, examine their gains and losses, and understand their feelings." (Poem 69) He opposes the simple pursuit of "high palace rhythm" and "strange writing" without content, and even more opposes the gorgeous poetic style of "satirizing the wind and making flowers and grass" since Qi and Liang Dynasties. In the preface to new Yuefu, he clearly pointed out that the standard of writing poetry is: "the quality and path of his words are easy to distinguish for those who want to see;" His words are straightforward, and those who want to hear them are deeply warned; Its business is nuclear and true, so people who use it can send messages; Its body is smooth and can be played in music songs. Here, "quality and diameter", "straightness and tangent", "core and reality" and "smoothness and smoothness" respectively emphasize that the language should be simple and popular, the discussion should be straightforward and exposed, the writing should be absolutely false and pure, the form should be smooth and fluent, and it has the color of ballads. In other words, poetry must be authentic, easy to understand and easy to sing in order to be considered the ultimate. Bai Juyi's above requirements for poetry have only one purpose, that is, to make up for current politics. So he went on to say: "In short, do it for the monarch, the minister, the people, the things, the things, not for the text." (Preface to New Yuefu) In Nine Books with the Same Yuan, he recalled his early creation and said, "Since I came to Korea, I have been older and read more. Every time he talks to others, he asks more current events; Every time you read history, you should seek truth and Taoism, knowing that articles are written in time and poems and songs are written in things. "To do it for time, the first thing is to do it for the king. He also said: "I don't know when to avoid it" (the second of two painful poems about Tang Qu), and created a large number of satirical poems reflecting the sufferings of people's livelihood, but the general direction is "only songs make people sick, hope the emperor can know" (sent to Tang Sheng). Because only when the people's feelings are heard in heaven, the emperor opens the door and reaches the people's feelings, will politics tend to be calm. Bai Juyi's statue
[6] Pipa Xing and Song of Eternal Sorrow are Bai Juyi's most successful works, and the outstanding feature of their artistic expression is the strengthening of lyric factors. Compared with the previous narrative poems, although these two works also use narrative and description to express events, they can no longer simplify the events, and only use one central event and two or three main characters to structure the whole article, such as the dramatic Ma Wei incident that the author is about to take over, but in the most lyrical psychological description of the characters and the rendering of the environmental atmosphere, they pour ink like rain in order to enjoy themselves, even though Pipa is such a story. In addition, the lyricism of these two works is also manifested in creating an appropriate atmosphere and setting off the artistic conception of poetry with selected images. For example, in Song of Eternal Sorrow, "He gazed at the desolate moon from the temporary palace, and he heard the bell in the late rain, cutting it on his chest"; "Maple leaves and mature rushes rustle in autumn" and "When the river mysteriously expands to the full moon" in the pipa; Or combine the bleak moonlight, the patter of rain at night and the heartbreaking bell into a charming scene; Or use rustling maple leaves, flowers and boundless rivers and the moon to form a sad and lonely picture, revealing sadness, sadness and depression.
Theme concentration is one of the artistic features of Bai Juyi's satirical poems. He usually only chooses the most typical things, highlights a theme, and the theme is clear. Secondly, the artistic features of Bai poetry are also reflected in the portrayal of characters. He can grasp the characteristics of the characters and draw the characters vividly by line drawing. However, Baishi's poems are not simple. He often uses simple sentences to express meanings and has achieved amazing artistic effects. The poem "Light Fat" describes the spirit of the ministers, doctors and generals attending the meeting, as well as the richness of wine and food on the table, but ends with the following sentence: "There is a drought in the south of the Yangtze River, and people in Quzhou eat people." What a tragic scene this is. Leisure poems and allegorical poems are two kinds of poems that Bai Juyi pays special attention to. Both of them are realistic, vulgar and thrifty, but they are quite different in content and mood. Irony poems aim at "supporting the two", which are closely related to social politics and write more about lofty sentiments and excitement; Leisure poems are meant to be "exclusive", "content with harmony, and give play to one's temperament" (Nine Books of Yuyuan), thus showing an indifferent, peaceful and leisurely state of mind. Bai Juyi's leisurely poems have a great influence on later generations. His simple language style and indifferent and leisurely mood have been praised repeatedly. However, in contrast, the "leisure" thought of retiring from politics and being content with peace, and the attitude of returning to Buddhism and imitating Tao Yuanming in these poems have far-reaching influence because they are more in line with the psychology of later literati. For example, Bai Juyi said, "If you fight for two snail horns, you'll get a dime a dozen" (No.7 of Let's Drink Seven Songs), "If you fight for the snail horns, I'll send the body in the firelight of the stone" (No.2 of Drink Five Songs) and "I'll know what happened to the snail horns later" (No.8 of Wu Zeng's Can Change My Diet). That is to say, on the basis of the names given by the Song people, "the names of drunkards, pedants and Dongpo all come from Bai Letian's poems" (Gong Yizheng's "Notes on Mustard Seeds"). Zhou Bida, a poet in the Song Dynasty, pointed out: "Su Wenzhong, a loyal minister in this dynasty, did not pay much attention to permission, only loved Lotte and wrote poems many times. Gage's articles are all about words, but they are honest and generous, outspoken, full of words, affectionate with people and indifferent to things. Living in Huangzhou, the first name is Dongpo, which must have started from Lotte Zhongzhou. " (Poems of Erlaotang) All these show the influence track of Bai Juyi and his poems.
The theory of editing this poem
Bai Juyi's thought combines Confucianism, Buddhism and Taoism. Go your own way, take Confucianism and Taoism as the saying, "If you are rich, you will help the world, and if you are poor, you will be immune to it." His ambition of "helping the world and the people" is mainly based on Confucian benevolent policies, including the theory of Huang Lao, the technique of treating filial piety and the method of applying Korea; His mind of "being alone" absorbed the concepts of contentment, uniformity and freedom of Laozi and Zhuangzi and the Buddhist thought of "liberation". The two are roughly bounded by Bai's demotion of Jiangzhou Sima. Bai Juyi not only left nearly 3,000 poems, but also put forward a whole set of poetic theories. He compared poetry to a fruit tree and put forward the viewpoint of "root feeling, Miao character, Watson and true meaning" (nine books are the same). He believes that "emotion" is the fundamental condition for writing poetry, and "those who move people should not care about emotion first" (nine books at the end of Yuan Dynasty). The emergence of emotion is helpful and tied up with current politics. Therefore, poetry creation cannot be divorced from reality, but must be based on various events in real life and reflect the social and political situation of an era. He inherited the tradition of "beauty and beauty" since the Book of Songs and attached importance to the realistic content and social function of poetry. Emphasize the role of poetry in exposing and criticizing political abuses. He put forward a series of principles in the method of poetry expression. His poetic theory is of progressive significance for urging poets to face up to reality and care about people's livelihood. It also has an important influence on the poetic style that has gradually emphasized form since Dali (766 ~ 779). However, overemphasizing the subordination of poetry creation to the needs of real politics will inevitably constrain the artistic creation of poetry and the diversification of poetry styles.
Beautiful language, popular language, harmonious tone, vivid image and political allegory.
Bai Juyi once divided his poems into four categories: allegory, leisure, sentimentality and heteronomy. Generally speaking, the first three categories are ancient bodies, and the latter category is near bodies. The first three categories are roughly divided by content, but they overlap. Among these four types of poems, Bai himself pays more attention to the first two types, and thinks that satirical poems embody the "ambition to be satisfactory to both sides"; Leisure poems show the meaning of "being independent"; It is a direct embodiment of his life goals. Sentimental poems and miscellaneous poems are "either seduced by one thing or sent by a smile, born spontaneously, not in life" (Yuan Zaju "Nine Books"). Satire is the essence of white poetry. His poems are easy to understand, fluent and natural. His representative works include 50 pieces of New Yuefu and Qin Zhongyin 10. They widely reflect the major issues in all aspects of social life in the middle Tang Dynasty, and focus on describing the darkness of reality and the suffering of the people. These poems are fiercely worded and have no scruples, breaking through the tradition of "gentle and honest" poetry teaching, and are very prominent in ancient poems criticizing current politics. Satire is more direct in form. The narrative is complete, the plot is vivid, and the plot of the characters is meticulous and vivid. The other part of satirical poetry uses allegory to support things and natural images to support political feelings. These two kinds of works have profound and broad generalizations, concentrated themes, vivid images and clear language. Some "new Yuefu" still adopt the sentence pattern of "337", which has traces of folk popular literature and art. Leisure poems show the tranquility of his early seclusion in the countryside, emphasize the political function of poetry and strive for popularity. His poetry style is simple and easy to understand, which can be said to be simple and close to ancient times, so it is widely spread and has far-reaching influence on later generations. There are 60 poems by Qin Zhongyin and New Yuefu, which truly make people sick by singing, and strictly observe every sentence. They are both famous poems in history with Du Fu's "Three Officials" and "Three Farewells". The long narrative poems "Song of Eternal Sorrow" and "Pipa Journey" represent his highest artistic achievements. Yearning for life and interest in leading an honest and clean life. Many poems also promote the idea of contentment, peace and happiness. However, some poems show dissatisfaction with reality from the side, which shows that his pursuit of leisure is only a helpless relief. Sentimental poems are the most famous narrative poems "Song of Eternal Sorrow" and "Pipa Journey", and they are also well-known chapters with vivid images, coherent plots and beautiful language. The Song of Eternal Sorrow sings the story of marriage and love between Emperor Xuanzong of Tang Dynasty and Yang Guifei, which not only satirizes the beauty of emperor China's lust for love, but also shows endless sympathy and regret for this endless sorrow. Pipa has a sense of "returning to the world" and has outstanding language achievements. These two poems are full of twists and turns in narrative, meticulous in writing, good at parallelism, smooth and harmonious in sound and rhyme, and widely circulated. Bai also has many gifts for relatives and friends, sincere and sincere, simple and moving. However, in this kind of poems, there are many sad colors that lament the old people's illness and death, and Buddhist thoughts that get rid of the hubbub. Miscellaneous poems are the most in white poems, and some intriguing lyric landscape poems are very famous, with a few strokes and a lot of business. In addition, there are some long sentences and poems that tell the truth and contrast the melody. There is a glass of light, wine shadow and amorous feelings, which is quite imitated by people at that time. White poetry was widely spread at that time, from the court to the folk, and its reputation spread far and wide in Xinjiang, Korea and Japan. White poetry has a great influence on later literature. Pi Rixiu, Lu Guimeng, Nie, Luo Yin and Du Xunhe in the late Tang Dynasty and Wang Yucheng, Mei, Su Shi, Lu You, Wu and Huang Zunxian in the Qing Dynasty were all inspired by the style of white poetry. Bai Juyi's poems have the greatest influence in Japan. He is Japan's favorite poet of the Tang Dynasty. His poems are often quoted by Japanese classical novels. It can be said that Bai Juyi is the pinnacle of China's poems in the Tang Dynasty in the Japanese mind. Playwrights of later generations also re-created according to the story of Bai poetry, such as Wu Tongyu and Fairy Palace, which was adapted by Bai Pu and Hong Sheng according to Song of Eternal Sorrow. Ma Zhiyuan and Jiang Shiquan wrote Tears in Shirt and Autumn in Four Strings respectively based on Pipa. White poems and white sentences were also adopted by the three generations of characters in Song, Yuan and Ming Dynasties. Bai Juyi is not a literary group of Han and Liu, but he is also an advocate and creator of new style ancient prose. His seventy-five articles "Ce Lin" are outstanding in knowledge, popular in discussion and profound in writing, and are political papers tracking Jia Yi's "public security policy"; Yuan Jiu Shu is an important literary criticism document in Tang Dynasty. Notes such as Caotang Collection, Lengquan Pavilion Collection, Preface to Three Visits to Cave, and Preface to Litchi Map are concise and to the point. It is a masterpiece in the prose of Tang Dynasty. Bai Juyi is also a powerful promoter of ci creation. Poems such as Memorizing Jiangnan, Langtaosha, Flowers Without Flowers and Sauvignon Blanc paved the way for the development of literati ci. Bai Juyi, Li Bai, Du Fu and Liu Yuxi are also called "poetic immortals".