Ma Yongan, born in 1956, is from Shangcai County, Henan Province. Present post: Chairman of China Calligraphy Artists Association, [1] Vice President of Painting and Calligraphy Institute of China People's Political Consultative Conference, [2] Researcher of China Academy of Social Sciences, Honorary Dean of Oxford Art Institute, and founder of Yan Shu, the sixth calligraphy style in China.
Chinese name Ma Yongan? Alias? Wye, Yanzu? Nationality? China? Nation? Han? Birthplace? Shangcai County, Henan Province? Date of birth? 1956? Occupation? Calligrapher, painter, scholar, discoverer and creator? Graduate school? Renmin University, Beijing Normal University? Faith? Everything goes back to nature? Major achievements? In 2002, China created the sixth calligraphy style-Yan Shu?
12 extension of Yan calligraphy system?
1 1 create horse history every year-a white paper on modern Chinese characters?
1 1 the cover of "Innovative China" by Chinese Academy of Sciences?
12 cover of the art market of the Ministry of Culture? launch
Representative works? Yueyang Tower Notes, Yan Style Calligraphy, Yan Shu? Location? Chairman of China Calligraphy Artists Association? Malaysia Airlines incident? Ma Yongan accepts CCTV news interview? Lost events? Ms. Chen lost her face calligraphy.
catalogue
1? Brief introduction of Ma Yongan
2? Resume of Ma Yongan
3? Marvin of Ma Yongan.
& amp#9642; ? (Marvin) The four elements that make up Chinese.
& amp#9642; ? Characteristics of traditional Chinese characters
& amp#9642; ? Characteristics of Ma Yongan's Novel Marvin
4? Ma Yongan's Calligraphy Art
5? Ma Yongan's works
6? Ma Yongan invented.
7? Ma Yongan's Sixth Calligraphy Style
8? The influence of Ma Yongan
9? Ma Yongan's Spiritual Art
10? Naming of Ma Yong's An Yan Shu
1 1? Ma Yong 'an News Report
12? Innovation acceleration
13? Major news events in Ma Yongan
14? List of Ma Yongan disciples
Ma Yong 'an Profile Editor
Born in 1956, my ancestral home is Shangcai County, Henan Province, and I graduated from the Chinese Department of Beijing Normal University. Previous and present positions:
Director of the Office of China International Painting and Calligraphy Research Association of the Ministry of Culture, Secretary-General of China ATV Painting and Calligraphy Institute of the Ministry of Radio, Film and Television, Executive Editor of China International Painting and Calligraphy Art, President of People's Fine Arts Magazine,
Chairman of China Calligraphy Artists Association,
Activity photos (6 photos)
Vice Chairman and Secretary General of China Artists Association,
Consultant of Huang Art Research Institute, President of China Art Collectors Association, Consultant of Tengwangge Cifu Research Institute,
Honorary Dean of Dongting Lake Orphanage in Hunan Province
Professor of Huaxia Art College,
Dean of Zhongshan Academy of Fine Arts
Researcher of China Academy of Social Sciences Long Shuncheng Honorary Chairman of China Calligraphy Xintiandi Research Center of Art Museum.
Curator, Special Advisor of Sanyang Painting Academy,
Vice Chairman of the organizing committee of Miss Earth Green Competition, and published articles and several books. Major achievements:
In 2009, the sixth calligraphy style-Yan Shu, also known as Yan Shu ("Yan Shu Calligraphy" has been copyrighted) was created.
20 1 1 discovered and created the "original" of the sixth style of Yan calligraphy (tentative)-the seventh style.
20 1 1 We found and created the eighth calligraphy style, which is the derivative of the sixth style Yan calligraphy (tentative).
20 1 1 Ma Yongan Chronology was hired as a professor of Huaxia Art Institute in 2005, a consultant of Nanchang Tengwangge Cifu Institute in 2006, and a secretary-general and vice-chairman of China Calligraphy Artists Association in 2007.
In the same year, Yongan Ma's calligraphy (7 paintings) was hired as the vice chairman of China Artists Association. President of China Art Collectors Association in 2008. In the same year, in 2009, he served as the curator of Longshuncheng Art Museum.
Chairman of China Calligraphy Artists Association (Resident)
Create the sixth body-body, also known as consultant of Tihuang Art Research Institute 20 10.
20 1 1 Former president of Zhongshan Academy of Fine Arts and researcher of China Academy of Social Sciences.
Discover and Create the Sixth Derivative of Yan Calligraphy (tentative) —— The seventh derivative discovers and creates the sixth derivative of Yan Calligraphy (tentative) —— The eighth derivative creates Ma's character (white paper on modern Chinese characters)
Accustomed to reverse thinking and creative thinking, he has unique introductions in many disciplines and fields and made outstanding contributions. He used to be consultant of Nanchang Tengwangge Cifu Research Institute, professor of Huaxia Art Institute, president of Zhongshan Academy of Fine Arts, researcher of China Academy of Social Sciences, curator of Longshuncheng Art Museum, vice chairman of China Artists Association, chairman of China Calligraphy Artists Association, president of China Art Collectors Association and president of People's Art magazine.
Understanding —— Mr Ma Yongan, the founder of the sixth calligraphy style.
Ma Yongan, 1956, a native of Shangcai County, Henan Province, worked in People's Daily, Ministry of Radio, Film and Television and Ministry of Culture successively. An expert in the field of fine arts and artists in China.
20 10, 1 1 year 10, Yan calligraphy system was completed, and the derivative fonts of the sixth Yan calligraphy were created: calligraphy style and quotation style. Ontology, the fundamental ontology of Yan calligraphy; Style is an extension of Yan Shu's style. Body close to the model, pull-ups up near the grass. The innovation of noumenon and quotation not only enriches the connotation of Yan calligraphy, but also makes another great contribution to China's calligraphy. Practice has proved that the innovation of Yan's calligraphy is a revolution in the history of China's calligraphy, and a new value system and order is being born!
Ma Yongan's resume editor
Resume: Ma Yongan, 1956, from Shangcai County, Henan Province.
In 2002, Ma Yongan's discovery rate was published, written in 2003? PH value of SARS nemesis. After 2003, he was mainly engaged in painting and calligraphy creation, research and teaching, and was responsible for painting and calligraphy. On February 3rd, 20 10, Ma Yongan's calligraphy was confirmed by experts, passed the registration certificate of China National Copyright Administration, and was officially named "Yan Style Calligraphy", which became the following five kinds of calligraphy: running script, cursive script, official script, seal script and regular script. Yan-style calligraphy has a far-reaching influence on China's calligraphy, which will be more and more clearly understood in the future development. Character art
Calligraphy Ma Yongan China, the founder of the sixth body of calligraphy, did not stop his pace. He also published many literary works and calligraphy and painting works. Ma Yongan's achievements in calligraphy and painting have attracted more attention in the world.
Ma Yongan is in the auditorium of CPPCC.
Active photos (9 photos)
Ma Yongan began to practice calligraphy at an early age and became famous in the village. After going to school and working, his calligraphy expertise is even more promising.
Ma Yongan made a systematic and in-depth study of China's calligraphy, and had close contacts with contemporary famous calligraphers Zhang Hai, Ouyang Zhongshi, Li Duo and Shen Peng, and had a very unique understanding of calligraphy. Ma Yongan's post is very complicated, and he has no long knowledge of what to learn, so he is impatient. I love calligraphy, but I don't specialize in it. It was this that prepared and paved the way for Ma Yongan's later independence. The method of learning is the most important, but it is determined by personality. Ma Yongan's traditional calligraphy has won many awards and won unanimous praise from famous calligraphers such as Li Duo, Zhang Hai, Shen Peng and Ouyang Zhongshi. However, Ma Yongan is an insatiable person. He vowed to create his own style. After years of painstaking research, Ma Yongan finally established his own calligraphy style "Yan Style Calligraphy", and passed the expert argumentation on February 10, and obtained the registration certificate issued by the National Copyright Administration of China, and obtained the lifelong copyright, so "Yan Style Calligraphy" was officially named. "Yong 'an succeeded", the famous painter Feng Wei told Ma Yongan. Liu Ze, the president of Huaxia Art College and a famous painter, picked up the copybook Yan Ti Calligraphy and said that it was a great event in the history of calligraphy in China. In his blog, the ink seeker wrote that Ma Yongan's sixth style "Yan calligraphy is a height of contemporary calligraphy". In the face of these compliments, Ma Yongan was calm. He knows that there are still many things and a long way to go. On the surface, Yan calligraphy is Ma Yong 'an's personal honor and achievement. However, in the long run, he is the interests of the contemporary and the times, and also the interests of the nation. There were Li Si seal script in Qin Dynasty, Wang Xizhi in Wei and Jin Dynasties, and Tang Kai writers in Tang Dynasty. Contemporary, the national strength is strong, the economy is developed, and the art is prosperous. In any case, Ma Yongan is concerned about the contemporary and future of China's calligraphy and the national interests. Just like Qu Yuan's culture and Li Shizhen's culture, Ma Yongan's research results will also be integrated into China's culture and become an important part of the cultural assets of the Chinese nation. Ma Yongan will continue to study, because he is a person who is not satisfied with the status quo and can't stop!
The composition theory of several styles of calligraphy shows a new artistic form and aesthetic feeling, which requires calligraphers to master and control the history of calligraphy and various styles of calligraphy. In this way, a person's knowledge, ability, taste, style and artistic level will be undisguised. Calligraphy composition theory puts forward higher professional level requirements for calligraphers. Calligraphers must have broader and deeper knowledge of calligraphy, which requires calligraphers to have artistic creativity and stronger artistic aesthetic ability. They didn't just paint twice and became calligraphers. Professors should have the knowledge of professors, and calligraphers should have the knowledge of calligraphers. Calligraphy composition theory requires calligraphers to have knowledge, experience, artistic talent, solid and hard experience and study.
Art: Yong 'an School of Painting was founded in 20 1 1 and put forward any theory of artistic creation. Painters are required to accumulate rich materials and experience, use rich vocabulary, form beautiful sentences and languages and write beautiful articles, just like organizing articles; Like architecture, only concrete, steel bars and bricks can create magical miracles and build poetic buildings. Unlike a great painter who only paints a few paintings in his life, he is simply stylized, which fetters creativity and imagination, causes visual fatigue, destroys the value and spirit of art, cultivates the inertia of art and artists, and hinders the research and development of art. An artist should be like a bird or a fish, with a wide range of free space in the sky and water. If you only hide in one place and draw circles, or even hide in caves and nests, you won't be a real artist for a while. This is a result. A great artist must be a very free person!
The artistic creation theory of Yong 'an Painting School has opened up a new and broader creative space and aesthetic art space. Emphasize that artists should have superhuman qualities in the professional field, and it is impossible to open a shop temporarily.
The White Paper on Modern Chinese Characters written by Ma Yong 'an on February 28th, 20 1 1 was examined by China Copyright Protection Center, and the copyright was registered on March 28th, 201//,enjoying the copyright according to law.
Edited by Ma Yongan Marvin.
(Marvin) The four elements that make up Chinese.
1, Arabic symbol system, 0-9 ten basic symbols.
Ma Yongan special auction
2. Latin phonetic system, with 26 English letters.
3. Chinese Pinyin System, a complete Chinese pronunciation system.
4. Computer direct input system
The difference between Ma Yongan Chinese (Marvin) and Chinese characters.
Characteristics of traditional Chinese characters
1, difficult to write
2, difficult to identify
3, difficult to remember
4. Difficult to learn
Characteristics of Ma Yongan's Novel Marvin
1, easy to write
2, easy to identify
3, easy to remember
Step 4 be careful
Ma Yongan Calligraphy Art Editor
Achievement and honor Ma Yongan's discovery rate? It has been praised and encouraged by the society. And there are many media reports and interviews. Ma Yongan discovered the bane of SARS virus, made great contributions to the victory of SARS and won the respect of the society. He was hired as a consultant of Tengwangge Cifu Institute. Professor of Huaxia Art College. Ma Yongan's "Yan Style Calligraphy" is also very successful. In 2009, it was named "Horse Calligraphy" by Xintiandi of China Calligraphy Research Association, and it was included in the modern book spectrum. It passed the copyright registration on February 3, 20 10, and made a great contribution to the history of calligraphy in China. Many calligraphers, painters and critics have written articles to pay attention to them, which have been unanimously recognized and praised by colleagues in the industry. Yan calligraphy is the result of decades of painstaking research. The formation of Yan-style calligraphy has a profound historical and cultural origin, which is the inheritance of thousands of years of traditional calligraphy art in China. The achievement of Yan Ti calligraphy lies in his great breakthrough in traditional calligraphy and his great contribution to the development of calligraphy art in China. Traditional calligraphy can be divided into five styles: cursive script and seal script. Strictly speaking, our "sixth body" is not among the "five bodies". Ma Yongan ranked sixth.
Ma Yongan's Calligraphy (4 pieces)
Swallow-style calligraphy can draw lessons from five calligraphy structures, pointillism and pen rotation, but its solid foundation and premise is orthography. Whether Yan-style calligraphy is the "sixth style" after Wu-style calligraphy is not discussed for the time being, but as far as its style characteristics are concerned, it is indeed once in a thousand years and unprecedented. The structure of Yan calligraphy is based on the original book, supplemented by the side book (not mentioned before, but relative to the original book), and the front and side are interactive and vivid. Traditional calligraphy, regular script is regular script, cursive script is cursive script, the front is clear and slightly dull. ? The trend of Yan calligraphy is high on the left and low on the right, which follows the trend, stretches smoothly, conforms to the mainstream aesthetic orientation and attracts more attention. Traditional calligraphy, which remains unchanged for thousands of years, is low on the left and high on the right, goes against the trend and is blocked but not smooth, which does not conform to the beautiful aesthetic ideal of mankind. Yan Shu's brushwork, with little pause and no folding, uses the cursive brushwork of seal script, goes with the flow, is smooth and natural, and is not artificial, which opens up a broader aesthetic space for calligraphy art. Ma Yongan created the traditional calligraphy of "modern Chinese characters" with Ma's character, because his strokes are contrary to the trend, and he can only write with a folding pen, with too many strokes and lack of flexibility. The official script has just passed death, and the cursive script has gone to the other extreme. These are not in line with the traditional philosophical thinking and fundamentally violate the aesthetic consciousness of the theme. There are many kinds of stippling in Yan Shu. Compared with traditional calligraphy, on the contrary, it is an invention. Yan calligraphy, pen in the pen, pen in the plate, as thin as silk, with the nib outside. If the pen is light, it will be heavy. If it is light, it will be unscathed. If it is heavy, it will be like a cloud and covered with hair. Thousands of miles away, giving people a sense of pleasure. Traditional calligraphy, a method throughout the ages, wants to be right first and then left, and wants to be up first and then down, and accepts everything. Everyone sticks to the routine. Lifeless. ? Mi Fei, a great calligrapher in the Song Dynasty, said, "A good book is enough." . Yan Shu? It has formed its own unique style from the aspects of structure, posture, brushwork and stippling. In our opinion, Mr. Ma Yongan should also be regarded as a good reader!
The editor of Ma Yongan's works.
Ma Yongan's discovery rate.
PH value of SARS nemesis
"Yan Ti Calligraphy" copybook (the sixth designated textbook for calligraphy teaching)
White paper on modern Chinese characters (also known as Chinese and Marvin)
Lyric Collection of Yousheng's Calligraphy
The current standard of calligraphy art
Wen Zi, the Money of Strict Calligraphy
Ma Yongan's calligraphy works? Yong-an Ma and Lai Gaohuai.
Other information about Ma Yongan.
Ma Yongan invented and created the editor.
1, Ma Yongan discovery cycle rate.
2, found that the PH value of SARS nemesis.
3. Create the sixth style "Yan Ti"
4. Create roles. Chinese is also called "Marvin" or "Ma Zi".
Ma Yongan No.6 Calligraphy Editor
Ma Yongan, the founder of the sixth book style, 1956, was born in Shangcai, Henan. In 2002, Ma Yongan's discovery rate was published, and a regular regular regular polygon constant system was established. Written in 2003? The PH value of SARS nemesis laid a foundation for modern virus prevention theory. President of China Calligraphy Artists Association in 2009.
Yongan Ma's Calligraphy (2 pieces)
Seats. In July 2009, calligraphy was named "Horse Calligraphy" by China Calligraphy Xintiandi Research Center, and was included in the modern book spectrum. From June 5438 to October 2009 10, Ma Shi's calligraphy was officially named "Yan Ti Calligraphy" by the National Copyright Administration, and was praised as "the sixth style" by the industry. On June 20 10, as the only expert and scholar from cultural circles, Yuan Longping and other engineering academicians and scientists jointly published the cover map of the large-scale scientific document "Innovative China". The sixth calligraphy style became the sixth "Yan calligraphy style" after the seal script style, official script style, cursive script style, regular script style and running script style, juxtaposed the history of calligraphy, completed the Yan calligraphy style system, and created the derivative font "sub-matrix" of the sixth Yan calligraphy style: calligraphy style-"ontology" and quotation style-"quotation style". Ontology, the basic body of Yan Shu, is also the regular script of Yan Shu, referred to as Ma Kai; Introduction is an extension of Yan Shu and a cursive script of Yan Shu, which is called manger for short. Body close to the model, pull-ups up near the grass. Because the sixth style of calligraphy, Yan Shu, is close to the official script, it can also be regarded as the official script of Yan Shu, referred to as Mali. The innovation of noumenon and quotation not only enriches the connotation of Yan Shu's calligraphy, but also makes another great contribution to China's calligraphy. Practice has proved that strict calligraphy innovation is a revolution in the history of calligraphy in China, and a new value system and order is being born!
Ma Yongan influenced the editor.
Ma Yongan, 1956 was born in Shangcai County, Henan Province, and198/kloc-0 graduated from Beijing Normal University in. He has worked in People's Daily, Ministry of Radio, Film and Television and Ministry of Culture, and served as Deputy Secretary-General and Secretary-General of China International Painting and Calligraphy Research Association and China ATV Painting and Calligraphy Institute, during which he published many literary works, paintings and calligraphy works. In 2003, he wrote "PH value of SARS nemesis" and founded modern virus prevention theory.
After 2003, he was mainly engaged in the creation, research and teaching of calligraphy and painting, and was responsible for the daily management of calligraphy and painting art. In 2005, he was hired as a professor of Huaxia Art Institute, a consultant of Nanchang Tengwangge Ci Fu Institute in 2006, and a secretary-general and vice-chairman of China Calligraphy Artists Association and a vice-chairman of China Artists Association in 2007. From June 5438 to October 2009 10, Ma Shi Calligraphy was officially named "Yan Ti Calligraphy" by the National Copyright Administration, and was praised as "the sixth style" by the industry. On June 20 10, as the only expert and scholar from the cultural circle, Yuan Longping and other engineering academicians and scientists jointly published the cover map of the large-scale scientific document "Innovative China". The sixth calligraphy style has become the sixth calligraphy style "Yan Calligraphy Style" which ranks alongside seal script, official script, cursive script, regular script and running script, ranking in the history of calligraphy. 20 10 September, the press conference of "Mr. Ma Yongan, the founder of the Sixth Book Style" was held in Beijing. Hundreds of news media such as People's Daily, People's Daily, Xinhua News Agency, Reference News and China Quality News reported the news. 20 10, 1 1 year 10. In October, Ma Yongan completed a series of studies on "Yan Shu Style" calligraphy, initiated the derivative and extension of the sixth calligraphy style "Yan Shu Style", and formed his own complete calligraphy system. The innovation of the sixth calligraphy style "Yan Calligraphy Style" is another great contribution to China's calligraphy. Practice has proved that the innovation of Yan's calligraphy is a revolution in the history of China's calligraphy, and a new system and order is being born! (Transferred from People's Republic of China (PRC) (PRC) Ministry of Culture Art Market 20 12 February) Yan Shu rewrote the history of China's calligraphy.
Ma Yongan Spiritual Art Editor
For thousands of years, China's Chinese character writing has formed a complete and rigorous standard system. Calligraphers of all ages followed the ancient teachings of their predecessors and dared not cross the line. Children, grandchildren, grandchildren? Over and over again, the Preface to the Lanting Pavilion and Many Pagodas are always the same template. Therefore, the shackles of rules and the monotony of book style have caused calligraphy to be one-sided, and the book world is silent and lacks vitality. The birth of Yan Shu, with a loud noise, broke the silence of the book world for thousands of years and lit up the silent night sky in the book world. Yan Shu refreshed calligraphy and the century from stippling the structure to turning it to borrow momentum. Yan Shu completely violates the traditional writing habits, and pointillism is smart and dignified, exaggerated and ingenious, full of artistic tension. It can be said that the opposite is the "Tao". It sounds like a myth, but it's a great fact!
two
The Birth of the Sixth Style of Calligraphy We have made a strict comparison between Ma's style of calligraphy and the traditional five styles of calligraphy (running script, cursive script, official script, seal script and regular script), and found that Ma's style of calligraphy may have traces of five styles of calligraphy, just as running script has traces of regular script and cursive script has traces of running script. But none of the five books can contain Yan Shu, even far from it, or even the opposite. The distance span between it and any kind of calligraphy is far greater than that between running script and regular script, running script and cursive script. Moreover, Yan Shu is as small as her hair and as big as the universe, just the opposite. So, the result must be brand-new. At this point, we announced that after the five artistic styles of running script, cursive script, official script, seal script and regular script, the sixth style of Yan style has been born! At this point, thousands of years of searching and doubts have finally come to a conclusion and result. The birth of Yan Shu confirmed the existence of the sixth style of writing with ironclad facts! However, we have experienced this for thousands of years!
Naming Editor of Ma Yong's An Yan Shu
When I saw Mr. Ma Yongan's calligraphy works, I suddenly felt refreshed. His structure and brushwork are unprecedented. Under the careful appreciation, I merged into it and suddenly became enlightened. In the font, I suddenly saw Yan Yu under the eaves. See the blue sky in Xiang Yan again. Beauty, beauty and emotion are the essence of Bi Xianyan. ? Mr. Ma Yongan has been immersed in the ink sea for decades, and he neither eats the old money nor deliberately innovates, so he can quietly realize the true meaning and integrate the beautiful forms of swallows into calligraphy art, and its beauty can be seen everywhere, which is smart, delicate, smooth and natural! It is by no means that people who have not learned the aisle can barely draw a conclusion. This calligraphy shows Mr Ma Yongan's character, temperament and feelings. I think this is a great contribution of Mr. Ma to the society and the art of calligraphy, which can be passed down to future generations. I want to congratulate Mr. Ma on his achievements with a poem.
Yi Qing does not eat the past, [1]
Yongan Ma's Calligraphy (8 pieces)
So far, no one!
Establish a strict name system,
The sixth book of our time!
Note: Mr. Ma Yongan's calligraphy is self-contained and perfect. It should be called the sixth calligraphy style after seal script, official script, cursive script, running script and regular script-"Yan" style.
Ma Yong 'an News Report Editor
Fortune Art Network News? (Gao Xubo)? On the morning of September 10, Mr. Ma Yongan, the founder of the Sixth Book Style, held a press conference in Honglou Island, the most beautiful village in Beijing to thank the news media. More than 30 journalists from news media attended the reception. At 8 o'clock in the morning, guests and media reporters entered the venue one after another. At 9: 30, the press conference officially began. At the meeting, Mr. Ma Yongan, together with five experts, including China Academy of Engineering, Yuan Longping, founder of integrated traditional Chinese and Western medicine, Chen Keji, founder of free radical chemistry and Liu Youcheng, academician of China Academy of Sciences, was selected as the cover figure of the large-scale scientific and technological literature of Innovative China, and answered the reporter's questions in detail. Subsequently, Mr. Ma Yongan gave a detailed answer to the reporter's questions about why Yan Shu was called "the sixth calligraphy", its intellectual property rights and how to popularize Yan's calligraphy, as well as its first discovery in the field of mathematics and the questions brought by relevant media about its contribution to medicine. Mr. Ma Yongan knows these questions like the back of his hand. His witty on-the-spot answers and humorous language won applause from the guests and reporters present. In particular, Mr. Wang won the applause of the audience when he answered the intellectual property question of the sixth book style "Yan Book Style". He said, "Why can't China have a sixth style? Do you want Japanese and Koreans to create a sixth writing style? Our culture is called Chinese culture, and our characters are called Chinese characters, but the characters we use are still left by our ancestors before the Han Dynasty. It's been more than 2200 years, and we're still eating our own money. It's disturbing! According to records, there are about 6.5438+0.3 million Chinese characters in China, but Xinhua Dictionary has only collected more than 3,000 Chinese characters, and our commonly used Chinese characters are not even a fraction of all Chinese characters.
The crisis of China culture is getting closer and faster. Under such a cultural background, does it mean that we must have national feelings if we want to inherit traditional culture? Without innovation and development, what is the significance of our inheritance? I am just an ordinary cultural worker, but I have my sense of hardship. China's only hope is innovation and development. Innovation and development is the last word! The emergence and inheritance of "Yan Shu" is the necessity of cultural innovation and development. The innovation of calligraphy and the enthusiasm of writing reform will make China's culture and writing truly ahead of the world. Ma Yongan thanked the news media for their press conference, which lasted more than two hours and ended successfully in a warm atmosphere.
Seemingly ordinary but rough? Text/height begins with poems and books.
-Analysis of Ma Yongan's Calligraphy Art
There are many controversies about the artistry and scholarship of his calligraphy. More calligraphers and scholars are studying "Yong 'an Style", and more and more people are recognizing, liking and collecting it, which became "Yong 'an Phenomenon" for a while, and the occupation of the market became an indisputable fact after the dust settled. Mr. Wang's collection of works will come to Fu Zi soon. Instructed me to make a preface, but suffered from my lack of knowledge, and it was difficult for me to write, but I never wrote; Fortunately, in the conversation with Mr. Wang, I learned what Mr. Wang thought and felt a lot. The ancients said, "Writing is like a man" and "Books are like a man"; People who meet Mr. Wang for the first time will be attracted by his calm, elegant, elegant and frank scholar style. The book is just like him, but his words are not exaggerated. Ma Yongan, 1956, a native of Shangcai, Henan Province, graduated from the Chinese Department of Beijing Normal University. He used to be the director of the Office of China International Painting and Calligraphy Research Association of the Ministry of Culture and the secretary of China ATV Painting and Calligraphy Institute of the Ministry of Radio, Film and Television.
Activity photos (3 photos)
Chang is currently the vice chairman and secretary general of China Artists Association, the vice chairman and secretary general of China Calligraphy Artists Association and the president of China Art Collectors Association. Director of Longshuncheng Art Museum. Since ancient times, artists must be scholars, and the artistic realm reflects the depth of their knowledge. Most of the poems in Mr. Wang's works are written by himself, which makes his calligraphy full of rich sense of words, artistic conception and profound cultural connotation. Mr. Wang is not only a scholar, poet and writer, but also a little-known scientific inventor. The famous Square Rate is Mr. Wang's early research achievement, seemingly irrelevant field, irrelevant logic and unconstrained thinking mode. Sir, however, you can search and learn extensively. By analogy, by analogy, the exchange of concepts and original thinking are also Mr. Wang's outstanding points, and his extensive involvement has accumulated nutrition for his artistic creation. As we all know, artistic creation is expensive in learning from each other's strengths. Unique. ? Mr. Wang studied Yan Zhenqing, Liu Gongquan, Wang Xizhi, Tang and Song Dynasties in his early years. Understand the intention of the ancients to use a pen, its pen power, rich and graceful mind, and rich and charming lines. It seems impossible to change the hundred steelmaking methods into soft fingers, hide the head and protect the tail, with strong words and strong strokes, meaning that the paper flows out, the strength is strong, the beauty is rising, and it is impossible to change the law by reason, but in fact, the method is smooth and natural, ethereal and ethereal, and the rhythm is extremely beautiful. Undoubtedly, the art of calligraphy and painting is subtraction. Therefore, Mr. Wang combined truth, line and grass in one furnace, summed up the simple writing methods of radicals in thousands of Chinese characters, and borrowed the dynamic beauty of bamboo leaves from the trend of fonts. After more than 20 years of painstaking research, it has finally become today's image. Reading his calligraphy is like a euphemistic and soothing guzheng song "Moonlit Night on a Spring River", which haunts my ears and makes me fascinated ... Then I was even more moved by his open-minded and straightforward gentleman style, without any dry artistic charm. Appreciating the Sixth Style Yan calligraphy can't be understood without the two-dimensional and three-dimensional traditional image thinking. In fact, its artistic achievements have risen to the second natural spiritual home in the spiritual world. It can be said that it is natural.
What is Tao? Metaphysical way? Do it, okay? The way to change is to change, and the way to change is to express the Tao with words, the body with meaning, the shape with meaning and the shape with meaning. It is difficult to express the richest spiritual connotation with its most concise artistic language. The achievement of Liuziyan's calligraphy stems from his extensive knowledge, profound understanding of calligraphy art, profound cultural accumulation and unremitting enterprising spirit. Mr. Wang's courage and talent are all revealed in his words and hidden in his works. It looks ordinary but rugged, and his stomach is full of poems and calligraphy. May your art tree be evergreen! (? Gao Zaijing)
Innovation accelerates editing
Beijing News With the publication of China's large-scale scientific and technological document "Innovative China", not only the Chinese Academy of Sciences was selected as the cover figure of "Innovative China".
Ma Yongan wrote an inscription for Yunzhou Children's Hospital in Heze, Shandong.
Academician Yuan Longping, the father of hybrid rice, Academician Liu Youcheng, the founder of free radical chemistry, and Ma Yongan, the only person in the cultural circle, the founder of the sixth book style and the vice chairman of China Calligraphy Artists Association. Ma Yongan told a press conference in Beij that with that continuous innovation of science and technology in China, the cultural innovation in China is also accelerating. Yan Shu, the sixth body of calligraphy, obtained the registration certificate issued by the National Copyright Administration after the five major artistic bodies of running script, cursive script, official script, seal script and regular script, and Yan Shu was officially named the sixth body. For many years, people in the calligraphy circle have been confined to copying and learning Wuti calligraphy, and the innovation and birth of Yan calligraphy is of great significance. It is reported that some calligraphy textbooks have started teaching the sixth calligraphy style. Source People's Network "Ma Calligraphy" was officially named (China Quality News Network)? (qi? Yue? Clock? The founder of the sixth book style held a press conference in Beijing. At the meeting, Mr. Ma answered questions about the characteristics and copyright of Part VI. According to reports, in February, the sixth calligraphy style Yan Ti calligraphy won the registration certificate issued by the National Copyright Administration of China, and obtained lifelong copyright, and Yan Ti calligraphy was officially named. This calligraphy style is an innovation of China traditional calligraphy, which is easy to learn, easy to understand, convenient and practical. China quality newspaper Lai Min. com
Editor of major news events in Ma Yongan.
20 14-03-08? Ma Yongan accepted CCTV news broadcast and focus interview on the disappearance of Malaysia Airlines [3]?
20 14- 1 1-04? Ms. Chen lost Ma Yongan's calligraphy in Shanghai and found it after calling the police.