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Wisteria falls
Wisteria Falls No.4

Text discussion

First, the overall grasp

It turned out that anxiety and sadness "have been on my mind." I am quiet, happy and refreshed in the lavender brilliance and lavender fragrance of the blooming vines. I realized that "flowers and people will encounter all kinds of misfortunes, but the long river of life is endless." We can't let yesterday's misfortune overwhelm people. Everyone should, like wisteria, devote themselves to the long river of life with full vitality and sail on the shining river of flowers.

Wisteria Waterfall is a portrayal of a dead tree at the beginning of a new era, and the author's heart song is the voice of people at that time.

Second, the problem research

1. Why did the author's feelings change like that when wisteria fell, and how did he feel about life?

When studying this problem, we should pay attention to the writing time-1982. A large wisteria plant "more than ten years ago" is also mentioned. Later, the wisteria frame was torn down and fruit trees were planted on the grounds that "flowers are inevitably related to life", which sounds ridiculous today. This is a very "left" argument.

According to this clue and historical background, we can understand the thoughts and feelings of this article. From 1966 to 1976, ten years of catastrophe. The smashing of the Gang of Four, bringing order out of chaos, ushered in a new era of socialist modernization and made China prosperous again. With this historical background, we will understand that the fate of wisteria, from the scarcity of flowers to the destruction, is a portrayal and symbol of the fate of the whole country in this decade. Looking back on the fate of flowers and people, the author realized that "flowers and people will encounter all kinds of misfortunes, but the long river of life is endless", that is to say, when they encounter misfortunes, they should not be overwhelmed by bad luck, but should maintain a firm belief in long-term life. After bad luck, you can't always let sadness weigh on your heart. You should face a new life, cheer up and devote yourself to a great cause with high fighting spirit. The author understood it thoroughly, so "in the brilliance and fragrance of lavender, I unconsciously accelerated my pace." From the footsteps, we can feel the author's new mental state.

When studying this problem, we should also pay attention to the words "mystery of life and death, brotherhood" Brothers, brothers. What I'm talking about here is the author's younger brother, who is three years younger than her. He is terminally ill and dying, and he is anxious and sad to be a sister. Now, in the face of wisteria, I am "immersed in the brilliance of this dense flower, and there is nothing else for the time being, only spiritual peace and joy of life". It can be understood as "all kinds of misfortunes" including death. So, why do you say "the long river of life is endless"? Individual life is endless, and human life is endless. In other words, we should not be trapped in personal misfortune, but share the same fate with the people of the motherland.

2. "In addition to the brilliance, there is a faint fragrance here. The fragrance seems to be lavender, and it covers me gently like a dream." How to describe smells as colors and dreams?

Aroma, appeal to the sense of smell; Color, resorting to vision; Dreams are hallucinations produced by the brain. People's feelings can be communicated. Rhetorically, it is called synaesthesia.

3. How can there be the fallacy of "what is the inevitable relationship between flowers and life corruption"?

It sounds incredible now, but this is an era when ultra-left thoughts are rampant. Their understanding of the thoughts and feelings of the working people is very narrow. They think that flower viewing is not a hobby of workers, but a petty-bourgeois sentiment and bourgeois sentiment. They even think that loving flowers will corrupt.

4. After the sentence "The long river of life is endless", I said, "I touched the little purple flower hut, which is full of wine of life. It is full of sails, sailing on the river full of flowers. It is one of the flowers, and it is a flower that forms a beautiful flowing waterfall. " There seems to be symbolism and philosophy here. If so, what does it symbolize? What philosophy does it contain?

This is indeed symbolic. At the beginning of a new historical period, the people of China are full of vitality. At that time, there was a popular saying, "Let's do it with your arms open". The enthusiasm for doing this is like a volcano, and like Qian Fan, it plunges into the torrent of socialist modernization. These two sentences are another philosophy. Everyone is a part of socialist modernization. Only when everyone works hard can the great cause of the four modernizations be brilliant. After understanding this philosophy, it is not difficult to understand why the author "quickened his pace".

5. What does this text inspire our writing?

This kind of article is called "expressing one's will by supporting things" or "expressing feelings by borrowing scenery". We can get a lot of enlightenment from writing this kind of article.

First, writing scenery is the basis of expressing one's will. First of all, write the scenery well. Writing about scenery should be full of emotion, and when it comes to the bottom, you should express your feelings or comments directly. Love comes from the scene and discussion comes from the scene. It is a good article.

It would be better if there were two or three layers of emotion and reason. This essay, after talking about "spiritual peace and joy of life", has a new meaning and is rich.

Second, we should carefully observe the overall situation and various parts of the site. We can see the author writing a tree and a flower in one ear. We can imagine how thoughtful and meticulous she is when observing the whole and the part.

Third, you should have feelings for the scenery. If the scenery is like the person you like in your mind, it will be vivid and kind to write.

Personification, metaphor, etc. I don't think about what rhetorical means I use when writing, but the image and feeling of things in my heart. A wisteria flower, in the author's mind, is like a waterfall, like a person, it is flowing, it is smiling, it is flirting with the sun, and when writing, the wisteria flower is particularly beautiful and lovely. When writing, you must have imagination and association in order to shine.

Fourth, we should have feelings and extract incisive sentences. Make the finishing point, the full text will have spirituality.

Try to figure out the following sentences and appreciate the beauty of writing scenery.

1. I have never seen such a blooming vine. I only see a brilliant lavender, which falls from the sky like a waterfall, with no beginning and no end.

2. On the big purple banner, there is a little silver light, just like splashing water. A closer look shows that it is the brightest part of each purple flower, flirting with the sun.

3. Every blooming flower is like a small white sail with a pointed bottom and a bulging cabin; It's like a smile that can't help laughing, and it's about to bloom.

The purple waterfall covers the thick branches of the disc, and it keeps flowing, flowing and flowing to people's hearts.

In essence, trying to figure out the scenery description in this topic is mainly to figure out the effect of rhetorical devices such as metaphor and personification, so as to enhance the sense of language and understand the skills of scenery writing. It is not easy to answer these questions well, so students should carefully feel the expressive effect of metaphor and personification on the basis of grasping the meaning of sentences. For example, 1 sentence, when writing vines, imagine the image of the waterfall, think about its momentum and glory, and appreciate the beauty of this landscape writing.

Reference answer:

1. Compare a blooming wisteria tree to a waterfall, which looks extraordinary and dazzling.

2. The depth of different parts of each flower is very delicate, bright and lovely, exquisite and transparent, dynamic and interesting.

3. With the metaphor of sail and cabin, the blooming state of wisteria is described in detail. Compared with a smile, it is more beautiful and lovely, and it also expresses a happy mood.

4. The blending of things and me not only writes the magnificence of a tree with flowers, but also expresses a pleasant mood.

People often give some flowers and trees some symbolic meanings. Try to collect some quotations (interested students can also collect some poems chanting flowers and trees) and communicate with their classmates.

This topic needs to be collected, and the simple way is to exchange what you know. You and I, everyone says, take notes and then sort them out. This can also be called a collection. If you want to find a book collection, you should tell students which books have such materials.

Teaching suggestion

5. Content discussion.

(1) In the face of wisteria, why did the author's feelings change and how did he feel about life?

Auxiliary problem design:

-Can you draw a chart and a brief history of the author's vines?

How much do you know about the history of our country?

-"The Mystery of Life and Death, Brotherhood" reveals what misfortune the author has suffered?

(2) "At that time, it was said that there was an inevitable relationship between flowers and life corruption". What is this concept? What position did this concept occupy at that time?

(3) Explore the meaning of the last paragraph. The author says that "the long river of life is endless". What conclusions can be drawn from this belief as a guide to life? The author tells us what is the relationship between one flower after another and the whole river and flower waterfall?

6. Summarize the experience of this exploration.

-this time to explore the author's thoughts and feelings, study this relatively implicit article, what do you think? Write down your thoughts and talk with your classmates in "Record of Chinese Learning Experience, Reading Experience and Content Exploration"

related data

I. Introduction to the author

Zong Pu, born on 1928, female, formerly known as Feng Zhongpu, pen names Ren Xiaozhe and Feng Fei. The daughter of the famous philosopher Feng Youlan, who grew up on the campus of Tsinghua, has absorbed the essence of China traditional culture and western culture, and has profound knowledge and unique charm. 195 1 graduated from Tsinghua University Foreign Languages Department. Worked in China Federation of Literary and Art Circles, Literature and Art Newspaper and other units. 1960 tune world literature editorial department. Before the Cultural Revolution, his works mainly included short stories Red Bean, Peach Blossom Garden, Daughter Marries My Valley, Mirror Lake, Back Door and Companion. Red beans were criticized inappropriately. After the Cultural Revolution, there were the short story A Dream on a String and the novella Sanshengshi, which won the national excellent novella award. 198 1 Selected Novels and Proses of Zong Pu published by Beijing Publishing House. Later, he struggled to create a novel "Wild Hulu Yin" reflecting the fate of China intellectuals, and the first novel "Dunan Ji" was published on 1987, which was well received. Her novels are deliberately innovative, with bright and implicit language, smooth and lingering, and quite distinctive. Her prose is as profound and meaningful as water.

Second, Zong Pu's road to life and campus complex (Hou Yuyan)

What kind of life path has Zong Pu taken? When you open the author's resume, what you see is a scholarly atmosphere similar to the elegant charm in his works. Zong Pu's experience is different from that of most writers. Unlike Shi Tuo, Tian Tao and other writers of the older generation, she climbed up the hall of knowledge step by step from the bottom of China society. Unlike Ba Jin and Xie Bingying, she fled the old landlord family and flowed into the city, forming a generation of "Bohemians" as Qu Qiubai said; Different from a large number of educated youth writers emerging in the new era, she left books and family in her youth and even adolescence to explore the value of life in poverty, ignorance and confusion. Even a generation of young people who grew up after the "Cultural Revolution" rarely had such a unique learning and parenting foundation. She is a beautiful orchid, lucky to sprout and grow in a pure land far from poverty and filth. As Charlotte said, she has a pure memory of "an inexhaustible and refreshing spring". Her living environment is basically confined to institutions of higher learning and academic research institutions. Because she was nurtured in a harmonious, honest and elegant academic atmosphere from an early age, she laid a lifelong rule for her life and writing. She did have an enviable childhood. This is probably why Zong Pu's works always have a spirit of everyone, a harmonious state that others can't learn, and even a straightforward "student accent".

In the university campus where Zong Pu lived when he was a child, the living conditions of professors were extremely superior, and there was no danger of "hanging upside down" today. Comfortable life and noble status make hard-working professors concentrate on their books (of course, it will be different after the beginning of the Anti-Japanese War), and their children can also get better education and more cultural nourishment than their peers in a relatively simple and clear world. Of course, on the other hand, they are too simple and bookish, and will inevitably suffer more hardships and setbacks in their later lives. I happen to have a copy of Tsinghua Alumni Newsletter published by 1990 at hand. I might as well take some paragraphs and make a more detailed footnote for Qingyuan World written by Zong Pu. Zong Pu's contemporary, the daughter of Yu Zhenyong, a famous expert in literature and history, and Yu Peicao, a student of National Southwest Associated University 1943, once described the tranquility and elegance of Tsinghua campus in his childhood, as well as the superiority and uniqueness of Tsinghua's human landscape. She said, "At that time, there were only the primary school attached to Tsinghua (Chengzhi Primary School attended by Zong Pu mentioned by Feng Youlan) and the affiliated kindergartens. Ma Yuehan is our headmaster. ..... was later taught by Mrs. Cai Shunli, who is also a student studying in the United States. " Children who grow up under such conditions are really not as good as ordinary people. And what was the living environment of the children at that time? "The Type I Hall in Tsinghua, Shui Mu ... is elegant and cool, with a smell of nanmu. Single professors Wu Mi and Mr. Ye once lived here. " The South Yard where we live is a big courtyard surrounded by houses ... House No.1 is Mr. Zhao Yuanren's home. This cultural charm has penetrated into the children's souls bit by bit. Isn't the Fangguoyuan written in Zong Pu's Tale of Nandu the place where Qingyuan cultural elites gather? Natalie Samat, a French modernist woman writer, said: "What literature describes can only be an invisible reality that every writer yearns for-the reality that he feels lonely." The life and characters in the works can be fictional, but the artistic conception always faithfully reflects a sensitive author's special feelings about the surrounding scenery in his childhood and the influence of this feeling on his life. Zong Pu's unique artistic beauty in a series of works is like a wisp of smoke and a faint fragrance, which he can't realize when he is conscious. Only those who have experienced this kind of life personally can realize the writer's actual and extremely strong feelings and infinite memories and nostalgia for his childhood spiritual life from that seemingly dull description. This kind of love that people who have never experienced can't write or understand is the true meaning of Zong Pu's "campus complex".

(Feng's Scenery of the Garden, Literature Review No.2, 1997)

Third, about "the mystery of life and death, brotherhood" (Zong Pu)

Little brother went. The place I went to is a place that philosophers can't figure out through the ages, a place that all kinds of religions try to describe, a place where everyone will go and can't come back. But now how can I get my brother! He is only 50 years old. He is full of energy, has accumulated rich knowledge and experience, and has made great achievements. How many things are waiting for him to do! The hospital found that his tumor was quite large and needed immediate surgery. He also wants to attend a technical seminar and ask if he can come back after the meeting. During his recuperation after the operation, he was still reading research papers and doing some small translations in the institute. Until he was bedridden, he still kept several international aviation materials at hand and always "wanted to have a look again." All he thinks about is work. When it was dripping, he suddenly said that he wanted to eat shrimp and prawns. He wants to live! He wants to live!

But he left, too early. This year, from his illness to his death, it was really like a dream, a dream that could never be believed. I always thought he would come back, walk to my window from our desolate backyard in winter and summer, and shout "Little Sister-".

But he left, prematurely and forever.

My brother is three years old. Since I have a relatively complete memory, my younger brother, a chubby and lovely little brother, has been living with me. Although he is young, he often works as a teacher, takes care of the children and makes everyone sit down when playing. He stood in class, looking really solemn. Although he is young, in winter in Kunming, children are born with chilblains and dare not wash their faces with cold water, but he is not afraid at all. He stood by the mountain spring, holding a big basin, which is still very clear in front of my eyes.

"Look, little sister, I'll wash first!" He cried with joy.

In the slow flowing spring water, we spent most of our time in one school from primary school and middle school to university. After graduation, we went our separate ways. Unconsciously, I heard someone call me a brother strength expert; Unconsciously, he took the post of chief engineer. In those turbulent times, it is hard to imagine a person's future. In recent years, my father and I have often said that my brother will do something practical for the country as long as the environment permits. Unexpectedly, he was the youngest and left before us.

Last summer, after learning that he was ill, I went to Xi on August 20th. I remember a car full of people coming to pick me up. At that time, I wondered why it was so exciting It turns out that they all went to see my brother. After arriving at the hospital, some people went into the ward to shake hands, while others just stood silently at the door of the room. They are afraid to disturb the patients, but they must come and see them.

During the operation, there were representatives from the Institute of Aeronautics and Astronautics, 623 institutes and 63/KLOC-0 institutes outside the operating room, as well as brothers and sisters, my niece and me, and there was a car outside the hospital. There are many people waiting in the car. They must wait and be ready to donate blood. If I need all the blood, his comrades will give it to him. But everything is useless. The tumor was taken out, the size of an adult fist, and one side was necrotic. I suddenly felt chest tightness and almost suffocated-this is a man who has contributed his talent, sweat and life to the motherland in the hinterland. How can this terrible thing grow so big in him!

I know the hardships of living on this loess plateau, and I know the fatigue of people living on this loess plateau. I can also imagine that every work progress will go through very annoying twists and turns. But I didn't expect that my brother not only lived and fought here, but also died here. After the operation, I went back to Beijing to rest at home and relapsed in less than half a year.

I couldn't bear to write about that anxious and sad day, and I couldn't write it. Every time I think about it, I burst into tears and the paper is blurred. I remember that every time I see a doctor, the waiting room is as crowded as a bus, waiting and waiting, looking forward to it. We know that the disease is irreversible, and we only hope that we can extend the time, and maybe there will be a new way. Since Comrade Mo Wenxiang, leading comrades in aviation industry and air force have been extremely concerned about him. Friends from all walks of life, including the medical profession, have also helped me enthusiastically, and I have also sought medical treatment overseas. But if the treatment opportunity is missed, it will be difficult for the drug to play its role. Several doctors impatiently told my brother that there was no cure and he was told to "go back to Shaanxi". I said this with a smile and didn't mind at all. He never lost heart, he never lost the desire to live, and he was not tired enough.

My younger brother was born in Beijing, and 1952 graduated from Tsinghua University Aviation Department. He volunteered to go to the southwest, later assigned to the northeast, and transferred to Chengdu and Shaanxi. Although his blood did not flow on the land of the motherland, his sweat spread all over the country, and every bit of his energy was dedicated to the aviation cause of the motherland. Personal achievements are always limited, maybe you burn yourself out, and you can't give people a little light, but you can always accumulate a little for the future glory. I don't quite understand the complexity of various industries, but I understand that no business can be completed just by sitting in Beijing.

I once very much hoped that my brother would be transferred back to Beijing to share the burden of serving my father. As a son, he has been running for 30 years. Shouldn't he do some housework? Over the years, everyone will say "wait for my brother to come back" and "ask my brother" if there is anything at home. Sometimes it's reassuring to think of him asking. How can you get such peace of mind now? A dying father misses his son, especially after his mother died in recent years. His thoughts are deep and bitter. I know, although he didn't say it, now he has lost his most precious little son forever. I had hoped that when I came to the end of my life and crossed that painful threshold, my brother would be among my relatives and his reliability would comfort me. I don't know, but he crossed the threshold first!

1982101at 7 o'clock on October 28, he went.

This day is expected, but how can I believe it is a fact! He was lying there, but he was no longer him, not my younger brother in his prime, and he would never answer our call or dissuade us from crying. Where have you been, little brother! Since Aunt Yuan Jun died on 1974, my family has experienced many funerals, and this time my brother's departure is the most unconventional and unacceptable! I also had to tell this news to my father who was also in hospital at that time, because I couldn't answer his first question every day: "How is my little brother today?" I must tell him that it is my responsibility. I have no younger brother to rely on, and I can't expect him to share my responsibilities.

His father wrote an elegiac couplet for him: "He is a good party member, a good cadre, and his ambition is unfulfilled. Is it just for the pain of his family? " Being able to master science and technology, art and literature, all talents are rare, and it is difficult to return to the soul! "My only brother is gone forever.

(Crying little brother, Tie Xiao Yu Ren, Feng Chun Literature and Art Publishing House, 1994 edition)

4. Appreciation of Wisteria Falls (Harbour)

Wisteria Waterfall is a very fine meticulous painting, even a talented national artist may not be able to exhaust its meaning. Here, you can not only grasp the general outline of wisteria from the painting, but also appreciate the color, appearance and smell of flowers from the painting. Perhaps, in nature, when you face such a wisteria, you may not be able to truly know it and feel it. Reading this article by Zong Pu, it seems that a purple waterfall is displayed in front of you, with gorgeous colors dragging your eyes and gloomy fragrance lingering on your nose ... Such an extraordinary "picture" is not only due to the author's superb brushwork, but also inseparable from the author's careful observation.

Wisteria Falls is another deep song. When the author presents a beautiful "meticulous painting" to the readers, the first impression may be the warm color, bright mood and joy of life. However, when you follow the author's thinking, look back at the ten-year turmoil that was unbearable, and connect the beauty in front of you with the darkness in the past, you will feel a deep sorrow. As the author said, it was a kind of "anxiety and sadness" that weighed on my mind, and it was a recollection of the ruined happy life in the past. It can be said that when the author carefully observes this simple wisteria, when the author outlines the appearance of this wisteria one by one, she must have a deep song in her heart. Because only those who have experienced darkness will be dazzled in front of a bright life, and only those who have suffered will cherish the waves of this life so much. Therefore, although the author does not give vent to his feelings in this exquisite picture, when people observe every detail of Wisteria Falls, they will inevitably experience the deep and pleasant melody that the author poured into it, which permeates the whole framework of Wisteria Falls.

Intuitively speaking, the image of Wisteria Waterfall is vivid, such as in front of you, not superficial; Viewed from the situation, Wisteria Waterfall has implicit meaning and far-reaching artistic conception. However, when you read Wisteria Falls, you will feel that there are deeper and more charming meanings besides its words. When you read Wisteria Waterfall over and over again, you can't help but realize that good things (Wisteria Waterfall is a symbol) can't be stopped or killed, and the river of life will break through all kinds of obstacles day by day.

Thus, Wisteria Falls has reached a very high artistic conception of "no rhyme".

(Selected from China Modern Prose Appreciation Library, Baihua Literature and Art Publishing House, 1996 Edition)

Appreciation of verb (abbreviation of verb) Wisteria Falls (Zhang Mei)

The same flowers and plants facing different people may cause different aesthetic feelings. Zong Pu, a female writer, often pays more attention to flowers such as lilac, February orchid, Hosta, hibiscus and wisteria. Although they are ordinary and weak, they have the dignity and prosperity of life. She often finds many beautiful qualities from these young people's lives and expresses her pursuit of beautiful humanity. The essay Wisteria Falls conveys such a pursuit.

This essay is about the author's perception of life caused by seeing wisteria in full bloom again. The article begins with wisteria attracting people to stop and dazzle them. The blooming rattan flower is like a splendid lavender waterfall, with patchwork colors and swaying in the sun, which makes it seem to have life and gives people a feeling of "flowing, laughing and growing".

Vines don't compete for victory with the square group. They bloom quietly in the season when spring flowers wither. People who walk in the spring have no intention of touching, and bees and butterflies don't visit. However, they are still in full bloom and enjoy their lives. Although it is quiet, the crowded prosperity makes people feel proud and open-minded, exulting for their beautiful existence.

After describing the strong waterfall-like overall impression brought by vines, the author's brush strokes follow his own line of sight, dropping pen and ink from the details, and depicting every little flower that constitutes the magical waterfall. It turns out that the light splash has been in full bloom; The flowing purple waterfall seems to have settled, just waiting to be released. And every blooming flower, like a boat, floats lightly on the purple river. This ship full of sails, the cabin is bulging, "like a smile that can't help but burst open." -What kind of fairy dew are these little creatures holding, so they will have this fabulous beauty! The author almost feels a little confused and can't help but want to pick one.

But the author has no habit of picking flowers. In this hesitant pause, she was lost in thought. This beautiful purple waterfall is no longer just a landscape, but also slowly flows through the author's heart, calming her down from her anxiety and grief over her brother's illness in recent days. This blooming vine is almost magical, not only dazzling, but also its fragrance seems to be lavender, which enveloped the author in peace and joy. Suddenly, she remembered her hometown. There used to be a big wisteria outside the door. It climbed very high, but its flowers were never sparse. At that time, because "what is the inevitable relationship between flowers and life corruption", even this sparse vine disappeared later. After so many years, the vines have finally blossomed again, and they are so prosperous and dense.

At this point, the article points out the theme: "flowers and people will encounter all kinds of misfortunes, but the long river of life is endless." -It turns out that the fairy dew that makes wisteria so beautiful and prosperous is the "wine of life"! Seeing this, readers will naturally feel that people are like flowers, and the torrent of the times will always wash away all kinds of unpleasant past. As long as you speed up your steps, open the sails of life and sail in this shining era, you will bloom again, and you will be a spray that makes up that splendid waterfall, won't you?

Zong Pu's landscape prose always pays attention to the detailed and true description of objective scenery. With the unique delicacy and love of a woman writer, she savors the most positive inner spirit of the scenery, such as the full and vigorous vitality of this wisteria flower and the simple nature that is both brilliant and unrestrained and can withstand loneliness. At the same time, she avoids subjective rendering and direct preaching, but describes what she has learned in an objective, implicit and calm style, trying to let readers understand the spirit and significance of this scene themselves. This is inseparable from Zong Pu's mellow nature, introverted personal cultivation and courage to face life.

For example, in this song "Wisteria Falls", if the author really picks a flower and appreciates it carefully, then her attention will always be on the beauty of this flower; Only when the flowers stop, can the author communicate with the flowers like water, which soothes the author's depression, and can the author sublimate this feeling of beauty into a feeling of calm and happy life. And if the author directly praises the vitality of this flower, readers will only sigh the warmth and beauty of the vine; Only by interweaving retrospect and prospect, and combining internal spirit with external modality, readers will have a deeper understanding of how long and persistent expectations Mao Feng has experienced today, and inspire your enthusiasm to embrace life while cherishing it.

This article has the consistent style of Zong Pu's landscape prose: active and implicit theme pursuit, graceful and restrained emotional expression, delicate scenery description and concise written expression. Because the writing of the article is in the initial chaotic and enthusiastic era, this beautiful prose has universal significance of the times and occupies an important position in the history of contemporary prose.

Sixth, the linguistic features of genealogy.

Its language, such as The Moon Shines on Snow, not only has the concise and implicit beauty of China's classical literature, but also has the advantages of a foreign language. It skillfully combines these points and refines a unique skill in scene creation and artistic conception treatment. As the old writer Sun Li said, "Compared with Huang (), Ling (), Feng () and Xie (Bing Xin), Zong Pu's language has made great progress."

The language is extremely fluent, delicate and full of charm, which seems to run through the essence of "the theory of artistic conception" in China's classical literary theory. The way to success is to choose the tone of the language, be elegant and harmonious, let the reader's subjective consciousness actively participate in it, and get a kind of interest beyond the image of harmony between man and nature. Second, the language skills are solid and the sentence patterns are not complicated. However, simplicity reveals lofty connotations, such as the backyard garden in the window, which is not unobstructed, but gives people a world of imagination and thinking, which can be described as "endless words and endless meanings".