Shen Zhou (1427- 1509), a native of Changzhou (now Suzhou, Jiangsu), was an outstanding painter in the Ming Dynasty. He is honest, knowledgeable and versatile. He is good at literature, poetry and painting, and he is good at painting landscapes, flowers, birds, animals, insects and fish, all of which are extremely wonderful. Often casual embellishment, that is, interest. He also often writes poems on paintings. At that time, he was called "Mr. Erjue". Huang Daji and Zhenwu are painters, and they have developed their own brushwork. The painter Wen Zhiming and his students are called "Wu Pai". Together with Wen Zhiming, Tang Yin and Chou Ying, they are also called "Ming Si Jia". Every time he draws a picture, he puts pen to paper and daubs it, and will never tolerate it. He can imitate the ancients in many ways, plus his own creation, and even take part in the pen-using interest of two meters, and make good use of thick pens, which are round and powerful, rough and concise.

(1470- 1559) is famous for "the wall characters are clear, the lines follow, the words are changed to sign the clock, the mountain is strange, and the clouds are stopped". Changzhou (now Suzhou, Jiangsu) was an outstanding painter in the Ming Dynasty. Hanlin was awarded the imperial edict, so it was called "writing is the imperial edict". Smart and knowledgeable, poetry, calligraphy and painting are famous for a while. Painting Shen Zhou has both the brushwork of Wu and Huang. Painting landscapes, figures and flowers is excellent. Wen Ya's painting style is meticulous, his pen and ink are excellent, and he is full of charm. His sons and daughters are good at calligraphy and painting, and there are many excellent disciples, forming the "Wu Pai". Shen Zhou, Tang Yin, Chou Ying and other places of interest are also recorded and called "Ming Sijia". His paintings are characterized by rough, rich and simple Shen Zhou style, as well as delicate and neat interest; Meticulous brushwork is taken from Wang Meng, with its light and rich structure and color tone, which is elegant. He is good at creating elegant and quiet artistic conception with fine pen, and can also show broad momentum with natural and unrestrained pen and ink. Painting characters with ink and flowers is skillful and elegant in style. When painting daffodils, we often know the method by ice white, and the flowers and leaves are detached to prepare for the beauty of nature.

Tang Yin (1470- 1524), whose real name is Wei Zi, is a Bo Laker, whose real name is Liu Ruju, the owner of the Peach Blossom Temple, a Buddhist monk Tang Sheng, a native of Changzhou (now Suzhou, Jiangsu), and an outstanding painter in the Ming Dynasty. I studied hard since I was a child, and I was gifted. In the eleventh year of Hongzhi (A.D. 1498), Yingtianfu won the title of Xieyuan. Claiming to be "the first romantic talent in Jiangnan". At the age of 30, he was imprisoned for a lawsuit. Later, he was sent to Zhejiang as an official and traveled to famous mountains such as Kuanglu, Tiantai and Wuyi, selling paintings and products, which made him famous at that time. It is also called "Ming Sijia" with Shen Zhou, Wen Zhiming and Chou Ying. The first painter, Zhou Chen, followed Shen Zhou. Mountains and rivers, people, flowers and birds are all-encompassing. In particular, exquisite landscapes, ladies, gloomy styles and peculiar styles can all be innovated. In the Yuan Dynasty, Li Cheng, Fan Kuan, Li Tang, Liu Songnian, Ni Zan, Wang Meng, Huang and other brushstrokes were awarded. The pen and ink are delicate, moist, dense and charming. Therefore, some people say that he "attacked from afar, served as a partial teacher, and made friends with Shen Zhou, so he was able to sit for half a seat". In the Qing Dynasty, Yun called him in the postscript: "The pen and ink are exquisite, and Li Tang's paintings change."

Chou Ying (about 1409- 155 1 year), the real father, was named Shizhou. Taicang (now Jiangsu) was an outstanding painter in Ming Dynasty. Living in Suzhou for a long time. He started as a painter, then switched to painting and studied under Zhou Chen. Selling paintings for a living, good at antique, eclectic. The pastel is yellow paper, and the pen is messy. He is good at drawing figures, birds and animals, landscapes, buildings, boats and cars. They are all beautiful in beauty and beautiful in elegance. He adapted to the needs of landlords and wealthy businessmen at that time with a wide range of themes and neat and elegant style. Especially good at figure painting, creating a new style of historical customs. Beautiful and delicate painting, he is a teacher of contemporary figure painting. Painting mountains and rivers, like to set a big turquoise, light pen, profound artistic conception, unique works. He copied many ancient paintings and made great efforts on the paintings of Zhao Boju and Zhao.

Zhang Hong (1577- 1652), born in Wuxian (now Suzhou, Jiangsu), was an outstanding painter in Ming Dynasty. Good at painting landscapes and attaching importance to sketching, the brushwork is steep, the pen and ink are wet, the mountains are stacked, and the autumn valley is deep, which has the ancient meaning of Yuan people. His landscape painting is characterized by the combination of stone surface and dyeing, which is the backbone of Wumen painting circle in the late Ming Dynasty and is highly praised by Wuzhong scholars (recorded in Ming Hua Lu). He mainly studied Shen Zhou and Wen Zhiming, and caught up with Yuan Sijia, Mi Fei, Dong Yuan and Ju Ran. At the same time, he also learned his own style from the integration of Li and Guo in the Northern Song Dynasty and Li and Xia in the Southern Song Dynasty. Zhang Hong likes to visit famous mountains and rivers all his life, paying attention to foreign teachers' nature and absorbing painting nutrients, so as to broaden his creative horizons and realize the true meaning of art. The figure painting is sparse, beautiful in form and spirit, natural and interesting.