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Brief introduction of Su Shi's life and appreciation of his poems
Su Shi (1037 ~111), a famous writer, calligrapher, essayist and poet in the Northern Song Dynasty, was a Dongpo layman in posthumous title. The representative of the wild school. He, his father Su Xun (1009 ~ 1066) and his brother Su Zhe (1039 ~12) are all famous for their literature, and they are also called "Three Sus". It is the same as "Cao San and his son" (Cao Cao, Cao Pi, Cao Zhi) at the end of Han Dynasty. He is also one of the eight masters in Tang and Song Dynasties. His works include Seven Episodes of Dongpo and Dongpo Yuefu. Politically belonging to the old party.

Su Shi's life

His father, Su Xun, was the "Sue" mentioned in The Amethyst at the age of 27. Su Xun got angry late, but he worked hard. In his later years, Su Shi recalled his childhood experience of studying with his father and felt that he was deeply influenced by his father. Of course, without Su Xun's hard work, Su Shi would not have been able to get a good tutor since he was a child, let alone "learn the history of general classics, which belongs to thousands of words every day", let alone have a future literary master.

In the first year of Jiayou (1056), 21-year-old Su Shi left Sichuan for Beijing for the first time to take the imperial examination in the imperial court. The following year, he took the examination of the Ministry of Rites, won the appreciation of Ouyang Xiu, the examiner, with an article on loyalty to punishment, and won the second place in the second year of high school.

In the sixth year of Jiayou (106 1 year), Su Shi was awarded the judge of Fengxiang House, and he commented and signed books in Dali. Later, his father died in Bianjing, and Ding returned to his hometown. In the second year of Xining (1069), he returned to the DPRK after his term of office, and he was still appointed.

Su Shi has been away from Beijing for several years, and great changes have taken place in North Korea. After Zongshen ascended the throne, he appointed Wang Anshi to support the political reform. Many of Su Shi's teachers and friends, including Ouyang Xiu, who admired him at the beginning, were forced to leave Beijing because they disagreed with the new Prime Minister Wang Anshi's implementation of the new law. The old rain in the ruling and opposition parties faded away, and what Su Shi saw in his eyes was no longer the "peaceful and prosperous times" he saw at the age of twenty.

On his way back to Beijing, Su Shi saw the harm of the new law to ordinary people, so he disagreed with Prime Minister Wang Anshi and thought that the new law could not facilitate the people, so he wrote a letter of opposition. As a result, like his teachers and friends who were forced to leave Beijing, they were not allowed to stay in the court. So Su Shi asked for his release and was transferred to Hangzhou to serve as a general.

Su Shi stayed in Hangzhou for three years. After his term, he was transferred to Mizhou, Xuzhou, Huzhou and other places.

This lasted for about ten years, and Su Shi met the first disaster in his life. At that time, someone deliberately distorted his poems and made a big fuss. In the second year of Yuanfeng (1079), Su Shi arrived in Huzhou for less than three months, and was arrested and imprisoned for writing poems to satirize the new law, which is known as Wutai Poetry Case.

Su Shi was in prison 103 days, almost on the verge of being beheaded. Su Shi was spared because of the national policy of not killing the ministers of the official department during Mao's reign in the Northern Song Dynasty.

After he was released from prison, Su Shi was demoted to Yong Lian of Huangzhou Regiment (equivalent to the vice captain of modern civil self-defense forces). This position is quite humble, and at this time, Su Shi has been disheartened after this prison. In his spare time, he leads his family to reclaim wasteland and farms to help make a living. The nickname "Dongpo lay man" was given to him at this moment.

In the seventh year of Yuanfeng in Song Shenzong (1084), Su Shi left Huangzhou and went to Ruzhou. Due to the long distance and tiring journey, Su Shi's children died unfortunately. Ruzhou is far away, and all the tolls have been used up. Coupled with the pain of losing his son, Su Shi wrote to the court, requesting not to go to Ruzhou for the time being, and to live in Changzhou first, and then was approved. When he was ready to return to Changzhou, Zongshen passed away.

Zhezong ascended the throne, the high queen mother listened to politics, the new party forces fell, and Sima Guang was re-enabled as prime minister. So Su Shi was recalled to North Korea as a doctor by the Ministry of Rites in 1998. In the first half of the month, I was promoted to the residence of Sheren, and three months later, I was promoted to the Chinese Book Sheren, so I was promoted to the bachelor's degree in Hanlin.

As the saying goes, "Beijing officials are not easy to be." Su Shi saw the emerging forces desperately suppressing the figures of Wang Anshi Group and abolishing the new law. He thought that they were just birds of a feather with the so-called "Wang Dang" and once again offered advice and suggestions to the emperor.

So far, Su Shi can neither tolerate the new party nor forgive the old party, so he once again asked for a transfer. As a bachelor of Longtuge, he once again went to Hangzhou after a long absence 16 to serve as the prefect. Su Shi built a major water conservancy project in Hangzhou, dredged the West Lake, and built a dam beside the West Lake with dredged silt, which is the famous "Su Causeway".

Su Shi lived happily in Hangzhou and compared himself to Bai Juyi in the Tang Dynasty. But in the sixth year of Yuan You (109 1), he was recalled to North Korea. But he was soon released to Yingzhou because of political disagreement. In the eighth year of Yuan You (1093), the new party came to power again. He was demoted to Huizhou resettlement, and later he was demoted to another family in Danzhou (now Danxian County, Hainan Province) and Changhua Army resettlement on the charge of "ridiculing the first dynasty". Hui Zong acceded to the throne, transferred to Lianzhou for resettlement, and served as deputy special envoy and Yongzhou for resettlement. In the third year (1 10 1), Fu Yuan was pardoned and restored to the classical style. On his way back to the North, he died in Changzhou, posthumous title. At the age of 66.

Su Shi's literary and artistic achievements

Su Shi's literary view comes down in one continuous line with Ouyang Xiu's, but he emphasizes the originality, expressiveness and artistic value of literature. His literary thoughts emphasize "doing something and not doing something", advocating nature, getting rid of bondage, and "innovating statutes and releasing wonderful ideas". He believes that composition should be "like running water, with no definite quality at first, but always do what you should do and always stop where you can't stop." The artistic realm of "natural arts and sciences, rich body" ("Thank the teacher's book"). Su Shi's prose works are rich, and he is also known as Han Yu, Liu Zongyuan and Ouyang Xiu. The style of the article is concise and smooth, and it is unrestrained. Shi Dehong's Postscript Dongpo (Left and Right Hands) Chi Ji said: "His prose is like water, and his waves are naturally written." Su Shi and Ouyang Xiu, both called "Ou Su", are one of the "Eight Masters in Tang and Song Dynasties".

Su Shi is the leader who presided over the literary world in the Northern Song Dynasty after Ouyang Xiu. He enjoyed a high reputation among writers at that time. Many people made friends with him or accepted his guidance for a period of time. Huang, Qin, Chao and Zhang were all trained, rewarded and recommended by him. Therefore, it is called Sumen Four Bachelor.

There are about 4,000 existing Su poems, which have a wide range of contents and diverse styles, but they are mainly bold and unconstrained, with changeable brushwork and romantic color, which has opened up a new road for the development of Song poetry. Xie Tiao's "The Original Poetry" said: "The realm of Su Shi's poetry has never existed in ancient and modern times, and everything in the world has been inspired by God." Zhao Yi's "Ou Bei Shi Hua" said: "It is a spectacular sight for a generation to take literature as poetry and go from Changli to Dongpo Yida. ..... Especially out of reach, born with a healthy pen, as cold as a sad pear, cut it together quickly. There is a hidden meaning that must be achieved, and there is no difficulty in showing it. Therefore, after Li and Du, it is a big family, not as good as Li and Du Chu. "

His poems are fresh and vigorous, good at using exaggerated metaphors and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. The bold and unconstrained writing has a great influence on later generations. "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated.

There are more than 340 poems written by Su Shi, which break through the narrow theme of writing about love and parting between men and women and have a wide range of social contents. Su Shi occupies a special position in the history of China Ci. He extended the spirit of the poetic innovation movement in the Northern Song Dynasty to the field of Ci, swept away the traditional style of Ci since the late Tang Dynasty and the Five Dynasties, and created an unconstrained Ci school that kept pace with the graceful school, expanded the theme of Ci, enriched the artistic conception of Ci, broke through the boundary between poetry and poetry, and made great contributions to the innovative development of Ci. His representative works include Nian Nujiao and Shuidiao Tou, which created the first example of unconstrained ci, and was also called "Su Xin" with Xin Qiji. Liu Chenweng's Preface to Xinjiaxuan said: "The word reaches Dongpo, which is aboveboard, like poetry, prose and wonders of heaven and earth."

Su Shi is also good at regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. Zeng studied under the famous artists of Jin, Tang and Five Dynasties, and worshipped Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi, and became a family of his own. Ziyun: "I can't have published a book"; There is another cloud: "Be innovative and don't practice the ancients." Huang Tingjian said: "In his early years, his pen was refined, not as natural as his boss"; Another cloud said, "When I arrived in Huangzhou, my pen was very strong." In his later years, he was influenced by overseas storms. In addition, his knowledge, mind and knowledge are outstanding everywhere, and his life has been ups and downs. His calligraphy style is rich and naive. You can imagine that he is a person by looking at his calligraphy. People and books respect each other. At that time, his brothers, sons and nephews, You, Mai and Guo, as well as his friends and Zhao Lingzhi studied under him. Later, famous historical figures such as Li Gang, Han Shizhong, Lu You, Wu Kuan and Zhang Zhidong also learned from him in the Qing Dynasty, which shows the great influence. Huang Tingjian said in Valley Collection: "Those who are good at books in this dynasty should take (Su) as the first."

Su Shi draws ink and bamboo in his paintings, drawing lessons from the same style of writing (that is, writing is capable), which is more concise than writing and has the potential to dance. Mi Fei said that he "made ink bamboo, from the ground to the top. I asked: Why not divide it into sections? Say: When bamboo is born, why is it born one by one? " He is also good at making ancient trees and strange stones. Mi Fei also said: "Use dead trees as branches and bend them for no reason;" The stone is hard and strange and unreasonable, such as the depression in his chest. " It can be seen that his paintings are very strange and he wants to send them far away. His theory of painting and calligraphy is outstanding and his painting theory has far-reaching influence. For example, attaching importance to the likeness of spirit, advocating the feelings beyond painting, painting should have sustenance, opposing the similarity of form and the limitation of procedure, advocating the unity of poetry and painting, artistry and freshness, and clearly putting forward the concept of "literati painting", which laid a theoretical foundation for the subsequent development of "literati painting". The existing books include Huangzhou Cold Food Poem, Cliff Ode, Thank the Teacher's Paper and several essays in Sacrifice to the Yellow Emperor. The surviving paintings are "Ancient Wood and Strange Stone"; The "Xiaoxiang Bamboo Stone Atlas" discovered in recent years is also his work.

In Song Dynasty, Su Shi made great achievements in poetry, prose, ci, calligraphy and painting. He is a rare literary genius in the history of China.