The film shot in front of this play is quite good, but after watching 18, I am not interested in watching it. The aura of the protagonist Tian and Ye is really like that. According to that era, they were just detectives and ordinary lawyers. It can be said that they took a clear-cut stand against the society and system at that time, and even fought with their colleagues' superiors and elders, and some even endured everywhere, as if to foil them to make a career. Compared with Sun, he was much thinner when he was lurking.

Tian, in particular, should not be a branch inspector, but an inspector in China. All kinds of forces in old Shanghai, such as the underworld, the Japanese and the national government, only need one successor, and one Jingji can step on their feet. What's more, with Tian's character, it's hard for me to understand that he wants to make trouble and have mercy everywhere.

brief introduction

The story takes place in 1930, Shanghai beach where black forces are rampant. Tian, a romantic detective, inadvertently intervened in a prostitute murder case, but the suspect was actually that he abandoned his first love girlfriend. In the process of investigation, the huge political conspiracy and corruption shady behind the Tian case were gradually excavated.

Li Bingjun, his former life and death brother and now the spy leader, is also involved, and his emotional vortex and dark road make him desperate. When his life was dying, he got the support of revolutionaries, determined to find out the root of evil-a snuff bottle with a list of Japanese spies. After saying goodbye, Tian is ready to greet the rainstorm with blood and wash away the darkness before dawn.