The embodiment of synaesthesia in two songs: judging from the texture of the work, the whole "Flying Wild Bees" is carried out in a semitone mode with fast sixteenth notes, which is the main composition of its melody. The range is mostly in the middle and high notes, supplemented by some bass, and the intensity is gradual and gradual, accompanied by sudden intensity.

From the actual sound, it can be understood that the author tried to restore the flying state of wild bees by onomatopoeia, with semitone simulating vibration and sixteenth note indicating amplitude. The irregular but regular scale melody in music brings us an uncertain but orderly flying state of bees.

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In music appreciation, people often unconsciously immerse themselves in music and make inferences. But the music itself can only be heard. How can it be so magical? There are also many people who guide students to imagine a certain picture, produce certain emotions and so on in teaching. What do these have to do with music performances?

These seemingly unrelated but actual features can be revealed by a concept in music aesthetics: synaesthesia.

The so-called synaesthesia is a psychological phenomenon in which all kinds of feelings interact, that is, the stimulation of one feeling triggers another feeling, which is called "synaesthesia" in psychology. Musical synaesthesia is a series of sensory activities triggered by hearing. The so-called art without borders is also a "resonance" effect of synaesthesia to a great extent.

Emotions such as passion, anger, relaxation and joy expressed by music have synesthesia; Debussy was influenced by impressionist painters, and his impressionist style was also related to synaesthesia. A person who has not been exposed to classical music often feels Beethoven's "destiny" power; Shostakovich's Seventh Symphony inspired soldiers and turned them into fighting capacity.

And the list goes on. Since the synaesthesia of music has such a great "resonance" effect, what exactly plays a role? There are too many elements in it, and this paper focuses on the aesthetic characteristics of musical attributes in synaesthesia.

The attribute of musical tone is mainly composed of four elements: the level of musical tone, the length of musical tone, the strength of musical tone and the quality of musical tone. The different changes of these four elements will lead to different synaesthesia effects of music.