Wang Zhongyi, 65438-0949, born in xi, Shaanxi, is a painter and professor in China, and vice president of Xi 'an Institute of Chinese Studies. When I was a child, I was martial, and teenagers were good at reading. When I was in my thirties, I got Dan Qing. After eight years of self-study, I met an opportunity. Fortunately, under the recommendation of Professor Luo Ming, I studied flower-and-bird painting in the Department of Fine Arts and Chinese Painting in Xi for three years, and got the guidance of my tutors Mr. Liu Baoshen and Mr. Zhang Zhiguang. After graduation, I concentrated on my desk and my eyes were busy. I spent seven years in the south of Chang 'an, and I realized the knowledge of Zen, talked about painting on the false road, and participated in wonderful books on art of war on my desk, involving Chinese medicine, folk customs and human feelings. On weekdays, people talk less, even their faces are cold, they are not good at catering, and people are also wrong and arrogant. When I meet friends and colleagues who paint, I will be concise, easy to explain and endless. Every time I associate trivial things with painting, I often borrow mysterious words from the people. Once you are familiar with it, you will become easy-going and humorous, and often say what he said. He has published papers such as Image, Layout of Chinese Painting, Trace Research, Wushu and Chinese Painting, Pottery, and Preface to Brush and Ink. And set out to sort out the desk income over the years, eager to go to press in the coming year, but hoping to survive, many of them have unique opinions, pay attention to the study of the relationship between intangible shape, trace, point and quantity, base on tradition and widely absorb, and put forward sixteen corresponding laws of qi, potential, hole, shape, paper, paper, fractal, eight lines and nine positions, and stretching. These works spread like wildfire and were highly appreciated by collectors. Painting on the spot, bold and magnificent, is often unpredictable intentionally or unintentionally, and the painting process is very enjoyable. Peer critics commented that his works were "rough and bold without losing accuracy, just like a warrior who was not angry without losing his grandeur, unrestrained and wild without losing his statutes, just like a hermit who lived in a humble place without losing his cool demeanor." Nearly 100 works have been published, some of which have been selected into large-scale picture albums such as Collection of Contemporary Famous Chang 'an Artists, Collection of Contemporary Famous Flower and Bird Painters in China, and Sino-Japanese Painting and Calligraphy Exchange Exhibition, and a large number of award-winning works have been included in the Dictionary of Modern Artists' Surnames. In 2000, 200 1 won the gold medal of "Shaanxi Talent Cup" in succession, and in 2002 won the gold medal of "Shaanxi First Flower and Bird Exhibition" organized by Shaanxi Artists Association. Is a powerful middle-aged painter.