1975 Born in Dongming County, Shandong Province 1996-2000 Graduated from the First Studio of the Oil Painting Department of Lu Xun Academy of Fine Arts 2002-2004 Postgraduate of Modern Performance Art Department of Wako University, Japan 2004-2006 Graduate School of Shang Yue University of Education, Japan, majoring in Comprehensive Materials Science. During the doctoral program of the Graduate School of Tsukuba University in 2006-2006, Mr. Zhangfan systematically studied. During his stay at Heguang University, he systematically studied modern performance art with Mr. Yukawa. It is also from this period that Mr. Zhangfan formed his own unique painting expression form and new artistic concept, "based on regional culture, expressing ordinary life with his own special language form". Later, he was admitted to Shang Yue Education University, a young Japanese national university. Its predecessor was Niigata University, and it was a sister school with Beijing Normal University and other schools in China. During my stay at Shang Yue Education University, I studied in Naoki Zenggu's research room of the graduate school of this school, and studied under famous teachers such as Naoki Zenggu, Toyohiko Fukuoka and Matsuo Jing Daole. I not only systematically studied Japanese education, but also extensively studied relevant materials of art production. Completed a Japanese paper of more than 700,000 words, Seeking the Road of Modern Oriental Painting Art Based on Regional Culture, and obtained a master's degree in education. In 2006, Mr. Zhangfan was admitted to the doctoral program of Tsukuba University, a famous Japanese national university, and studied in the research room of Fuman Masahiro. He made a more detailed and in-depth study on the material making of modern Japanese painting from famous Japanese artists such as Shinichi Yuchuan and Fumaneto Masashiro. At the same time, he summed up his eight years' study in Japan, finished his thesis "The Remnant Images of Oriental Culture" and obtained a doctor's degree in art. Mr. Zhangfan's works, with varied materials and techniques, are unique, incorporating the "meaning" of China's traditional art, absorbing a lot of symbols of China elements, and combining the forms of early murals in China, such as Dunhuang, Northern Wei Dynasty and Northern Qi Dynasty. His works have a strong impact with bold and rough expressions and a large number of unique personality colors and shapes. Representative works such as Bodhi Tree Series and Twelve Flowers.