The 55th time, Zhou Yu designed to put Liu Bei under house arrest in Wu Dong. Zhao Yun used Zhuge Liang's trick to pretend that Jingzhou was in a hurry, and Liu Bei and Mrs. Sun returned to Jingzhou together. Sun Quan and Zhou Yu sent troops to intercept them respectively, but they were both stopped by Mrs. Sun. Zhuge Liang helped Liu Bei into the boat by the river, which led the sergeant to humiliate Zhou Yu loudly. Zhou Yu was so angry that the arrow wound recurred and she fainted on the boat.

Back to the 56th session, the Tongque Terrace in Yecheng was built, and Cao Cao and all the officials gave a banquet in Tongque Terrace. Liu Bei and Zhuge Liang told Lu Su, who came to ask for Jingzhou, that Yizhou must be obtained before Jingzhou can be returned. Zhou Yu wanted to attack Jingzhou in the name of the old gentleman, but Zhuge Liang saw through his plan and arranged four troops to wait for Zhou Yu's troops to arrive.

Extended data:

The Romance of the Three Kingdoms describes the history of nearly a hundred years from the end of the Eastern Han Dynasty to the beginning of the Western Jin Dynasty, and reflects the political and military struggles and the infiltration and transformation of various social contradictions in the Three Kingdoms period. In the attitude towards the Three Kingdoms, respecting Liu and opposing Cao is the mainstream. Taking Liu Bei Group as the description center, it symbolizes people's hope for the revival of the Han Dynasty and the orthodoxy of the royal family.

achievements of art

Romance of the Three Kingdoms is good at portraying characters, and by describing their actions and behaviors, it can reflect their unique personalities. Such as Zhuge Liang, Liu Bei, Cao Cao, Guan Yu and Zhang Fei. , has long been deeply rooted in the hearts of the people, and the characters are outstanding. Thanks to Luo Guanzhong's vivid description and vivid description, readers seem to see their people and hear their voices.

He is good at describing war scenes and political battles, describing the wonderful battles, such as experiencing the wonders of the scene, and creating one-on-one scenes to highlight the heroic image of military commanders on the battlefield.

The structure is grand and compact, the book has many characters, complicated thoughts and complicated plots, but the author can focus on Shu Han, grasp the contradictions and conflicts between Wei, Shu and Wu, and write in an orderly way, with clear context and large scale. The use of classical Chinese and vernacular Chinese in language is lively, which not only absorbs the essence of ancient classical Chinese, but also popularizes it appropriately, so it can be "not deep and vulgar" and receive the artistic effect of appealing to both refined and popular tastes.

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