1978 was admitted to Nanjing Art Institute 1980 entered the meticulous flower-and-bird painting class hosted by Professor Li Changbai 1982 graduated and stayed in school as Professor Li Changbai's teaching assistant 1985 was selected for the National Youth Art Exhibition and Dragon Boat Rowing was selected for the National Sports Art Exhibition 1986 Birds in the Mountain and Sydney Flowers and Birds were accepted. "Foggy Quail in the Bamboo Forest" participated in the national flower-and-bird painting invitation exhibition and was collected by Li Keran Art Exhibition Hall. "Cool Grass in June" won the Excellence Award of Jiangsu Flower and Bird Exhibition. Won the title of "Excellent Educator of Nanjing Art Institute". 1989 "the night wind rises" was selected for the seventh national art exhibition. Cricket was selected for the National Earthquake Art Exhibition. A number of ceramic paintings, such as Autumn Wind and Summer Night, won the Excellent Works of Arts and Crafts Award in Jiangsu Province. Among them, Summer Night was later collected by Nanjing Museum. 1In July, 990, a solo exhibition of meticulous flower-and-bird painting was held in the Chinese Painting Research Institute, which was fully affirmed and encouraged by Mr. Wu Zuoren, honorary chairman of the China Artists Association and honorary president of the Central Academy of Fine Arts, and Mr. Liu Boshu, president of the Chinese Painting Research Institute. "Flowers Deep and Birds Quiet" was collected by the Chinese Painting Research Institute. In June+10, 5438, Hu Ting was invited to participate in the exhibition of Chinese Painting Research Institute. Won the Excellent Teaching Quality Award of Nanjing Art Institute. 199 1 "Hu ting" was selected as "Selected Works of China Painting Research Institute" and published in 1 issue of Fine Arts. The second issue of People's Pictorial was introduced to the world in many languages with the title of Newcomer of Jinling Painting School, and the works published at the same time included Qing Qu. 1992, in order to deepen his creation, he consciously went from 1990 to1/painting history research, and wrote a 300,000-word history of China meticulous flower-and-bird painting, and Taiwan Province Appreciation Magazine began to be serialized. "Mountain Light and Bird Nature" was selected for the Jiangsu Flower and Bird Exhibition. Summer Night is collected by Nanjing Museum. 1993 Gallery's "Contemporary Flower and Bird Landscape Album" takes "Kong Liuqing Micao" as its theme. Camellia and Birds in Disordered Grass and Fusang Flowers Bloom were selected as appreciation treasures in Taiwan Province Province. Since the 1980s, I have completed more than ten papers, such as Exploring the Origin of Flower-and-Bird Painting, My Fine-brush Flower-and-Bird Painting Art View, and Nature is Beauty, which have been published in various professional magazines, and some papers have been included in the Collection of Art.. Graduated from Nanjing University of the Arts in major courses. 1In July, 1994, at the invitation of Taiwan Province Province, the Four Seasons Flowers-Kong Liuqing Fine brushwork Flower and Bird Exhibition was held in Taichung Cultural Center, and dozens of works were bought by art collectors in Taiwan Province Province at high prices. Published "Four Seasons Bloom-Kong Liuqing Fine brushwork Flower and Bird Exhibition Collection". Kong Liuqing's flower-and-bird painting was selected in Art Garden, Journal of Nanjing Art Institute. Xueyan was selected as the cover work of Appreciation magazine in Taiwan Province Province. Started sketching and creating Hà Thu's long scrolls. From 1995 to 1996, at the invitation of Professor Zhou, he wrote two monographs, Yellow Painting School and Painting School, in the series of studies on China Painting School. During this period, he buried himself in the library and searched for information about Huang and Xu in a large number of ancient books. Qingyuan, Hà Thu was selected for the Jiangsu Flower and Bird Exhibition. From 65438 to 0997, Jiangxi Fine Arts Publishing House established the editorial board of China Painting History with Professor Zhou as the editor. In addition to signing a publishing contract with him, he was also hired as deputy editor-in-chief From that year on, I once again buried myself in the library, searching, sorting and studying materials more extensively, in preparation for writing the History of Flower and Bird Painting in China. Creation of "Cold Snow Will Coagulate" was selected for Hong Kong's Return to Jiangsu Province 1998. He continued to study the history of China's flower-and-bird paintings in the library, and went to museums in Beijing, Jiangsu, Shanghai and Jiangxi to inspect and study the flower-and-bird paintings of past dynasties. He was admitted to the national college teachers' class to study for a master's degree, and studied full-time for one year. 1999 study and write the history of flower-and-bird painting. At the same time, the "Excellent Painting of Chinese Painting Teaching" edited by the Department of Physical Education and Art Education of the Ministry of Education and published by Jiangxi Education Press. 1999 was selected in the Collection of Famous Paintings and Calligraphy Works of Macao Returning to China. In 2000, he wrote more than 600,000 words of the first draft of China Painting History-Flower and Bird Volume. Graduated from the national master's degree program for college teachers. He was admitted to Nanjing Institute of Art as a doctoral student in fine arts. "Breeze Double" was selected for Jiangsu Flower and Bird Exhibition. 200 1 Continue to study in libraries and museums, and write the second draft of China Painting History Flower and Bird Volume. Obtain Canadian immigration status. In 2002, On Four Forms of Garden Flower-and-Bird Painting was published in Art College of Beijing University of Arts. 10. "Exploring the emblems of different styles in Huang Xu" was published in the 6th issue of the Cultural Relics Monthly of the Forbidden City in Taiwan Province Province. On the Concept of "Learning from Nature" in Western Painting Theory was published in Journal of Nanjing University of Arts and Crafts,No. 1. On Flower and Bird Painting in Changsha Kiln in Tang Dynasty was published in the fourth issue of Journal of Ceramics. In May, he wrote the second revised draft of China Painting History Flower and Bird Volume with 480,000 words. The Riverside Scene at Qingming Festival was selected for the celebration exhibition of Nanjing Art Institute. From June to 10, 2003, Jilin Fine Arts Publishing House published Yellow School and Xu Xi School. In May, he completed the 65,438+10,000-word doctoral thesis "Connecting the Past with the Future —— Research on Garden Flower and Bird Painting in Ming Dynasty" and passed the defense, thus obtaining his doctorate. In July, he completed the Special History of China Painting Art 8226; The three drafts of Flower and Bird Volume, with a total of more than 400,000 words, were submitted, reviewed by Zhou, the professor and the editorial board. In August, the special issue of Flower-and-Bird Painting Research Newspaper published the column "Contemporary Flower-and-Bird Painters". The 370,000-word monograph History of China Ceramic Painting was completed in June 5438 +065438+ 10, and was published by Southeast University Press as a key academic monograph. "On the Porcelain Painting of Cizhou Kiln in Northern Ceramic Painting" and "On the Ceramic Painting of Neolithic Age" were published in the Journal of Ceramics. In February 65438, "Lotus Pond Qingqu" was collected by the Jiangsu Provincial Department of Culture and selected into the Jiangsu Contemporary Famous Painting Library established by the Celebrity Art Archives of the Jiangsu Provincial Department of Culture. In June 2004, he served as director of Jiangsu Flower and Bird Painting Research Association. In February, he published a paper "Exploration of the emblem of ceramic painting in Changsha kiln in Tang Dynasty" in the Cultural Relics Monthly of the Palace Museum. In March, he served as the leader of the meticulous flower-and-bird research group of Jiangsu Flower-and-bird Painting Research Association. In July, Modern Calligrapher's Newspaper published a special issue of Selected Works of Kong Liuqing's Fine-brush Flowers and Birds.