Comments: His traditional Chinese paintings not only have the magnificence of mountains and rivers, but also the elegance of pavilions, bridges and flowing water, as well as the elegance of farmers, and then combine them naturally and skillfully to make his traditional Chinese paintings have the charm of nature, life, aesthetics and harmony between man and nature. The moral of this landscape painting is: eternal youth, long life, rolling financial resources and rising step by step.

Zhang's "Double Happiness"

Comments: Plum blossom is one of the traditional auspicious patterns in China. Plum blossom is the messenger of spring, and magpie is a symbol of good luck. This traditional Chinese painting implies a step-by-step promotion, double happiness, a century of harmony, and the arrival of good luck.

Liang's wild falcon

Comments: The pen and ink are bold and pungent, rigorous and compact, and the brushwork is changeable, which breaks through the limitations of previous styles. It does not convey the shape in detail, but combines the mutual penetration effect between paper, pen and ink to form a dynamic outline with a unique style. As the saying goes, "the deep water in the valley turns into an eagle, and the silk is amazing." The whole painting, majestic and magnificent, is pure ink freehand brushwork, which makes the eagle become the embodiment of a heroic personality. The moral of this Chinese painting is: aim high, soar, flourish and prosper.

Liu's "Keeping San Qian"

Comments: The peach in this Chinese painting-also known as flat peach. Flat peach refers to the Xiantao where the Queen Mother of the West lives. Shan Hai Jing said: "There is a crescent moon in the sea, and there is a big peach tree on the mountain, which bends three thousand miles." According to legend, the Queen Mother of the West often holds the Flat Peach Festival on her birthday, and all the immortals go to celebrate her birthday. Therefore, flat peach, also known as longevity peach, means happiness, wealth and longevity.

The purple gas of Huoyushan comes from the East.

Appreciation: This traditional Chinese painting grape symbolizes fruitful results and brings sweetness to life. Grapes are fresh and vivid, colorful, and the strokes are simple and smooth. Each stroke can express the author's profound skill of long-term hard training. The dense grapes in the idyllic hanging basket are like a big and shiny "cat's eye", which makes people sweet. This Chinese painting embodies the artistic uniqueness of freehand brushwork. The picture is also equipped with several sparrows (sparrows refer to the promotion of titles), which not only enriches the content of the picture, but also expands the realm of the picture. The image of the work is realistic, the spirits are flying, and the sparrow jumps from the paper. It is really a masterpiece of "blending emotions and things, and achieving emotions through things".

Pan Zhaoshi's icing on the cake

Appreciation: This meticulous Chinese painting means icing on the cake. The work is old-fashioned, gorgeous but not vulgar, and tastes both refined and popular. Golden pheasant is regarded as an auspicious bird by the ancients in China, which means that the future is bright, and peony is regarded as the national flower by Chinese people. When the peony blooms, it is full of flowers and brilliant. Liu Yuxi, a poet in the Tang Dynasty, could not help but admire: "Only peony is the real national color, and the capital moves when flowers bloom." Thus, since the Tang and Song Dynasties, peony has become a symbol of auspiciousness, happiness and prosperity, passed down from generation to generation. This painting depicts the season when flowers bloom in spring. Next to two blooming peony plants and strange stones, two golden pheasants look up with their heads held high, which is in harmony with peony.

Jun Gao's God

Comments: This calligraphy work is incisive, free and easy, vivid and interesting; The brushwork is vigorous and bold. On the basis of inheriting traditional calligraphy, the author creates pictographic calligraphy according to the principle of "painting and calligraphy are of the same origin". He is character-oriented, bold, creative and original, and spans between "likeness and non-likeness" around the meaning of glyphs. It is natural to realize the artistic conception of Tao with the brushwork of calligraphy, which has both form and spirit. The work has the artistic characteristics of taking characters as the foundation, Jiao Mo's stick figure and painting with books, which is the first case of pictographic calligraphy with "painting" in Jiao Mo.

Liu Qixin's "Lin Zifang from Jingci Temple, Chu Xiao"

Appreciation: From between the lines of this work, we can see that the cursive script of the "Yu School" is rigorous and smooth, and we can also feel that the cursive script is suitable and harmonious, with scattered strokes, vigorous and strong handwriting, fat and thin, corresponding to reality and reality, vivid and powerful, free and easy, beautiful and rigorous, tactful and round, full of structure, simple and natural. It is refreshing to express the well-known poem "Jingci Temple Xiao to Lin Zifang" in a dynamic way.

Wu Feng's "Eight Immortals Crossing the Sea and Showing Their Magic Powers"

Appreciation: This calligraphy work "looks like a flower from a distance, but looks like a character from a close distance.". There are words in the flowers, flowers are hidden in the words, and the fonts are strong and powerful. " The unique work "Plum blossom combination seal script" not only enhances the aesthetics of calligraphy itself, but also endows "Plum blossom seal script" with a deeper artistic and cultural connotation of calligraphy, and also makes this work a "living fossil" for studying ancient plum blossom seal script calligraphy in China.

Li Jia's original rain after drinking on Su Shi Lake in Chu Qing Dynasty

Comments: His calligraphy works are simple and vigorous, chic and elegant, with elegant brushwork and rich ancient meaning. With strong brushstrokes supplemented by rich brushstrokes, there is a feeling of vastness, gloom and simplicity. Self-created style is full, which can be described as everyone's style and everyone's work.