It's fierce and sad. I'm hungry and the people are in exile. I live in a place where people are scarce!
Sin fell from the sky, and thieves fought against each other. Confused and frustrated, returning home collapsed, which really calmed our country.
I didn't know it was wrong. Conscientious, restless, I fall.
If there is drought, the grass will not collapse, and if there is habitat, it will be the territory. I am in this state, and everything will collapse.
The wealth in the past is not as good as now, and the guilt now is not as good as now. Why don't you change yourself? Brother Yin Si.
The pool is exhausted, and the clouds are not self-frequency. Spring is over and there is no cloud in it. Pusi hurts people, Di Sihong. Don't bow your head!
In the past, the late king took orders and conquered hundreds of countries every day, just like Zhao Gong. Today, this country is also a hundred miles away. Alas! People who live today are not old.
The Book of Songs Daya Zhao Min consists of seven sections, with five sentences in the first five sections and seven sentences in the second two sections. In the final analysis, it is all kinds of hatred for the declining empire.
Judging from the logical arrangement of poetry, the first section is dominated by natural disasters, and "the loss of heaven" leads to "starvation, civilian exile, and I live in famine". The poet obviously left a hand and didn't say what a natural disaster was. Vaguely shows that natural disasters are just an excuse. Comparatively speaking, the "man-made disaster" in the second section is the key point. In the second section, the poet further uses "sin from heaven" to cover up his point of view-man-made disaster. "Thieves infighting. Confused and frustrated, the collapse returned to the hustle and bustle, and the state was really subdued. " Like thieves who destroy from within, courtiers vilify each other and cannot perform their duties together. Confusion and evil can't be done all day, they will destroy the reality of our country.
The third section writes that the disease of Bangguo has been "terminally ill" and it is difficult to heal itself. No active courtiers are busy slandering each other, and the national crisis is getting bigger and bigger. People with a conscience like me have long been aware of the national crisis, and because their positions are too low and their qualifications are too shallow, they have no right to speak. In the fourth quarter, the poet further explained the incorrigibility of the empire with the irreversibility of plants after drought. "If there is drought, the grass will not collapse, if there is habitat"-just as the vegetation after years of drought is not easy to recover luxuriantly, it will inevitably wither and die, and the poet believes that such an empire will inevitably fall into irreversible decline.
In the fifth part, the poet further returned to reality. At the beginning, the country was rich and strong. Today, there are no more ills in the world than here. Here, the term "Pi Shusi" is abrupt and puzzling. "Rare" is Xiaomi, probably the pronoun and word of "Xiaomi Xiaomi". It is to remove the false and retain the true, and to remove the rough and refined polished rice. The poet tried to find a way to contain the decline of the empire from the images of Xiaomi and polished rice. However, from millet to polished rice itself is irreversible. The so-called "Hu does not eliminate himself" is also a subjective desire. The poet tried to change the purpose of "guiding people for Xu Xiong" through the self-restraint and avoidance of villains and the self-improvement and extension of gentlemen, so that the empire could have a longer breathing period. In the sixth section, the poet reveals the law of historical development with two metaphors-"The water in the pool is exhausted and there is no cloud." Spring is over, and there is no cloud. "Just like the depletion of the pond starts from the edge, the depletion of the spring water starts from the inside, and the more and more serious disasters are getting more and more serious, and the situation is becoming more and more obvious. I can't escape this fate in the depths. How can I not worry? Obviously, the poet is expressing himself-not that "I" is happy to see such incorrigible-because "I" is also deeply involved in it and can't be immune to it.
In the last section, the poet draws the reader's attention to "The former king obeyed orders, just like Zhao Gong, he managed to conquer one hundred countries in one day". At that time, with the help of loyal ministers such as Zhao Gong, the national movement became stronger and stronger. Compared with today's "today is also the day of a hundred miles of the country", the poet can't help but sigh.
As for the reason for the decline of the empire, in addition to the above-mentioned "internal strife between thieves and bandits", the poet believes that there is another hidden reason-"people who live today are not old." This sentence can be understood as that there is no such wise minister as Zhao Gong, and it can also be understood as that today's country can no longer follow the previous laws and regulations system, thus falling into inevitable deterioration.
China people have always had the concept of "don't complain about others, don't treat others with yourself". Why did The Book of Songs, Elegance and Zhao Min, which ranked first in elegance, complain about Heaven as soon as it came up? It's really in a world where I want to swear, so I have to say a few dirty words without dirty words.