1, stippling. The pen is flexible and changeable, and Fiona Fang uses it at the same time, so that the center, flank, exposed front and hidden front are integrated.

2. Sketch. This tablet hook method has the statutes of the Six Dynasties, and its shape is changeable, simple and full, so it is necessary to avoid being frivolous.

3. Fold the picture. There are two kinds of folding: square folding and round folding, and the transition and pen change should be natural and coherent.

4. stippling There are oblique points, dots, vertical points, vertical points, pick points and various combination points. When writing, fully express the gestures of various entry points. Oblique points, such as falling rocks; The dot is dignified and complete; The vertical point is multi-elbow, and the posture is unique; Falling like water drops, lively and smart; Pick a point with coherent momentum, which is very interesting in the running script.

5. Draw horizontally. Horizontal painting is divided into long painting and short painting. Long and horizontal, backward, not smooth and tight, bulging in the middle, forming an arc and elastic; Short horizontal, cut pen into paper, loose, light, concise lines.

6. vertical painting. There are all kinds of vertical, long and short, straight and hanging, all of which need to be straight and powerful, and the end should be supported.

7. draw pictures. Painting is an extension of picking points, so we should control the strength and not be weak.

8. Painting. Long left, the pen should not be too heavy, and the pen should be slightly pressed at the end; Short and heavy pen, angular, short and powerful.

9. draw pictures. Full of ancient meaning, showing the charm of Han Li, from light to heavy, full of twists and turns.

Second, the structural characteristics of calligraphy:

1, the biggest feature of Chu Suiliang's calligraphy structure is square, which laid the foundation for the evolution of calligraphy style in later generations. It becomes flat and spacious.

2. Structural features: Although there are certain rules to follow in its regular script brushwork and structure, it is not rigid, with correct structure, agility, generosity and elegance.

3. In the development of regular script, Tang Kai's "testimonies" are beyond the reach of later generations, but there is one exception, that is, Chu Suiliang. Yan mei is dominant and her posture is changeable.

4. It is manifested in the use of pen and structure. The so-called pen structure, the flexibility of pen lifting and rotation, etc. , leading to a beautiful structure.

5. Enter the letters with lines and echo them coherently. The infiltration of running script and brushwork has strengthened the internal connection between stippling, and isolated stippling is connected with each other through connection, remote connection and frustration, which is full of vitality.

Extended data:

Chu Suiliang s Achievements in Calligraphy Art;

The representative works of Chu Suiliang's regular script mainly include A Que Buddhist Shrine Monument, Master Meng Monument, Square Monument, and Preface to the Wild Goose Pagoda. ? [

Chu Suiliang studied a variety of fonts and used them comprehensively. According to historical records, he studied Ou Yangxun and Shi Ling first, and then his uncle Yu Shinan. He eventually became the "two kings" (the harmony of Wang Xizhi) and merged with him, so he was called "one of the four regular script writers in the early Tang Dynasty", "Ou, Yu, Chu and Xue" and "Chu Feng".

References:

Chu Suiliang (statesman of Tang Dynasty) _ Baidu Encyclopedia