Deccan Mu Wang, an influential folk singer in the snowy plateau, has a very personalized pursuit of music. She devoted herself to discovering and inheriting pure Tibetan folk music with a long history. After many screenings, twelve classic Tibetan folk songs were identified and sung in Tibetan and Amdo dialects, which avoided the erosion and restoration of the unique charm and connotation of these ancient folk songs to the greatest extent. More importantly, through this authentic inheritance, the artistic vitality of these ancient folk songs can be continued. In addition to some computer-made music, in order to follow and strengthen the Tibetan music style, some Tibetan musical instruments, such as dragon head, flute and black boy, have been added. More use of ethnic multi-voice harmony, as well as the real Tibetan environmental sound, including the sound of the lake in Qinghai Lake, the sound of thunder and rain in northern Tibet, and the group dance in the Tibetan pot village, in order to finally visually present the inner spirit similar to the snowy plateau. At the same time, in order to show the actual integration of Tibetan culture and world culture, we have carefully added some geographical musical instruments, such as harmonica, cymbals, cello, Indian sitar and Indian clarinet. This album is recorded by DSD recording system, and the excellent sound effects make these ancient folk songs from the snowy plateau bring even greater shock to the audience! Perhaps, the music in this album finally blurred the color of the world music with a broader vision, but both the singer's accurate grasp of the special singing method of Tibetan songs, the inherent tension of ancient national songs, and the subtle control of music production show the essence of this album. [Track] 1. Baimanisong, also known as Bai Fan, was sung by monks when they were chanting. Sing in Weizang dialect. According to the ancient folk song system of Tibetan Buddhism, Bai Jing was put at the top of the special edition. The ringing of the hairpin is endless, setting off a deep singing voice, solemn and pious. 2. The piano performance led by Akbama Akhu ·PEMA is a unique form of folk music performance in Amdo Labrang. The bold and rough texture of folk music blends with modern appreciation interest, creating a touching affinity. Sing in Amdo dialect. 3. Xuelian Gangsla Metok This is an adapted love song of Bhutan sung in Uygur and Tibetan dialects. Extremely pleasing to the ear, extremely lyrical, never tired of listening. 4. Blue Feather Bird BYA Landslide Mang Harmonic Folk Song. In Weizang area, classical folk songs with "harmony" style, such as Duihuan, Heqin and Qiang harmony, are collectively called Mang Harmony. This song, which has been rewritten and skillfully decorated by modern expression techniques, still has a long and quaint taste. Sing in Weizang dialect. 5. Gongbu wine song Kongpo This is an ancient Gongbu wine song. Nine Songs is a classical song popular in Tibet, which is often used as a ritual song for guests at the beginning of a banquet. Sing in Weizang dialect. The simplicity and simplicity inherent in ancient folk songs is a condensed truth. 6. The folk songs in Amaleo Amaleo Ando Labrang are simple and sincere, gloomy and warm. Sing in Amdo dialect. 7. The ancient "Lu" folk song in "Medicine Sang Zhou Sang" is accompanied by Indian sitar, but it is not awkward at all, very soft and comfortable. The world is really getting smaller. Sing in Amdo dialect. 8. The melody and rhythm of the "harmony" folk songs familiar to Pengcuo people in Pingcuolin are layered. Sing in Weizang dialect. 9. Arrow woman ARIGMA is a classical folk song of Amdo. Yan and erhu hand in hand to interpret a love myth that has spread for thousands of years, as well as eternal warmth and romance. Sing in Amdo dialect. 10. Chong Ri is a love song with strong religious color, which is popular in the Diqing area of Kangqu. Sing in Weizang dialect. 1 1.BKA's Kindness is another "harmonious" folk song. The live effect of the Guozhuang Dance is interrupted from beginning to end, which highlights the simple and rough side of Tibetan folk songs. Sing in Weizang dialect. 12. Zhuomalakang, a Tibetan folk song popular in India and Nepal. Sing in Weizang dialect. The happy collision between pure religious theme and fashion rhythm is full of vitality.
A collection of songs by Deccan Mu Wang.
A rental life
Tanggula wind
Toward the sun
Mother's daughter
Children in Tibet
Harotti
Tibetan songs
Wudong plateau
Beat highland barley
Garcao flower
We are gathered here.
Qinghai Lake
pray
Shambhala is not far away.
I belong to your plateau.
Yesterday's sun
Unforgettable grassland
family house
Beautiful snowy area
My green leaves, my boat
Deccan Mu Wang, born in Angra, Qinghai, 19, was born in the early 1970s. 1993 graduated from the Fine Arts Department of Qinghai Normal University in July. After graduating from Qinghai Normal University, he worked in the Provincial Education Department, and successively served as a national civil servant and Art editor. In the summer of 2003, he joined Zheng Qi Tibetan Medicine Group, responsible for cultural communication, and now he is studying in Tsinghua University Academy of Fine Arts. Some poems and essays published in Tibetan and mainland literature magazines, four song albums and more than a dozen collections co-edited by others, and nearly 20 published or unpublished lyrics and song works, including Tanggula Style and Qinghai-Tibet Sunshine, participated in major creative interior design, and at the end of 2003, served as the artistic director of Debye's album "God Birds and Cranes" and Tibetan original album "Qinghai-Tibet Sunshine" and wrote a copy. ...