Yuanyang taeniasis is a belt used to tie the waist. It has been said in A Dream of Red Mansions that most talented people and beautiful women are equipped with those small toys, among which there is such a woman's personal belongings, namely Yuanyang Taenia. Li Yu's "Love with Fate, Sound Rolling Clothes" also wrote that "it is common for people to call for love when you gird your waist."

In ancient times, it was a lifelong commitment for women to give such intimate objects to men in their hearts. Although Yuanyang Taenia appears in the novel I am thinking about, it is not only an allusion she uses, but also a love tragedy. Strictly speaking, it is a meaningless love farce that ends in tragedy. The little object that hides her daughter's worries may still be well treasured somewhere, but the daughter who promised herself in the finals is not here.

Mandarin duck tapestry is a legend. Yang Ming envies Taoist Hailin. Yuanyang Dai still hasn't got rid of the stereotype that a scholar is in trouble, a beautiful woman rescues him, his private life is disorderly, he becomes famous in one fell swoop, and his marriage is happy, so there is no invention of traditional opera. However, the love between Yang Zhifang and Zhang Shuer is quite touching. The love writing in the book does not talk about the frivolity of ordinary talented people and beautiful women, but focuses on the lovesickness after breaking up, which is quite mysterious in China's ancient poems. It's just that although the whole book is centered on the feelings of Yang and Zhang, it uses too many words to write all kinds of events before and after this, and it is inevitable that there are too many traditional operas woven but the feelings are not written deeply enough. There are twenty-two images, and the Xiu Xiang edition of Beijing Library is an engraving of the Chongzhen period of the Ming Dynasty.