Current location - Education and Training Encyclopedia - Resume - Ying yeping's resume.
Ying yeping's resume.
Ying Yeping, once known as Ye Ping and Ye Ping, named his studio "Silly Building". Male, Han nationality, born in Ninghai, Zhejiang, in September, 19 10. Yang inherited his family studies and loved painting. /kloc-after 0/6 years old, he specialized in landscape painting. He started with the "Four Kings" and then traced back to the "Yuan Sijia" school in the Northern Song Dynasty. He also praised Shi Tao for his profound traditional skills, going deep into nature, learning western paintings, learning from others' strengths, and taking its essence from a macro perspective, thus creating a new way for the maritime painting world.

1923 went to Shanghai and worked as an apprentice in the electrician department of Shanghai model factory, painting silver shield patterns. After full training, he painted for Hua Fu Company and copied the famous figure paintings of Ren Bonian and Qian Huian. Later, he entered Wu Changshuo Maritime Museum, Huang and Qian Yitie Bee Painting Society, and turned to landscape painting. From 65438 to 0933, he served as a clerk of the French Concession Court.

After the outbreak of War of Resistance against Japanese Aggression, he made a living by selling paintings, and his painting skills gradually improved. 1942 held the first solo exhibition on the fourth floor of Shanghai Daxin Company, and 1947 held the second solo exhibition on Tibet Road, Ningbo, and published a collection of Ying Yeping paintings, which began to make a sound in Shanghai.

After the founding of New China, it joined China Democratic League and China.

1949 was a professor at Xinhua Art College before. He has held two solo exhibitions in Shanghai and published a collection of Ying Yeping paintings.

1949, creative cadre of East China Artists Association, deputy director of editorial department of Shanghai People's Fine Arts Publishing House. 1954 East China Artists Association was established as a full-time painter, and the following year served as deputy director of the editorial department of Shanghai Photo Publishing House. During this period, he went to northern Jiangsu, Fujian, Zhoushan and other places to sketch, and his works were published in People's Daily, Chinese Painting and other newspapers and periodicals.

1960, Shanghai Academy of Fine Arts. 1972, he and Tang Yun painted a huge landscape and hung it in the banquet hall where the head of state was received. 1983 Professor, Shanghai University Academy of Fine Arts.

On the basis of inheriting the tradition and drawing lessons from western painting, Ying Yeping's creation is comprehensive and has its own characteristics. The pen and ink are elegant and simple, the style is fresh and lively, and the picture is vivid; His works have been exhibited at home and abroad for many times and won awards, and have been collected by China Art Museum and other units; Among them, the Chinese painting "Lancang River" was selected into the outstanding works exhibition of the sixth national art exhibition; "Ink Landscape" won the Excellence Award of "86 Modern Ink Painting Exhibition" in Japan.

1April, 986 was invited to hold a solo exhibition in Tokyo, Osaka and other places, and published "Yingyeping Landscape Painting Collection". June 1988 held a solo exhibition in China Art Museum.

He has published Ying Yeping's Landscape Paintings Collection, Ying Yeping's Landscape Paintings Collection, Ying Yeping's Paintings Collection and other special collections, and filmed the film teaching film Ying Yeping Mountain Water Painting Techniques. Good calligraphy, good official script; Poems are also fresh and elegant. Before his death, he served as deputy director and professor of the Academic Committee of Shanghai University Academy of Fine Arts, executive director and art consultant of Shanghai Artists Association, member of China Artists Association, member of China Calligraphers Association, honorary director of Shanghai Calligraphers Association, painter of Shanghai China Painting Academy, member of Shanghai CPPCC, and librarian of Shanghai Literature and History Museum.

Since ancient times, Ying Yeping still adheres to the principle of "pen and ink keep pace with the times". The times need the creative idea of fine products, hone the painting language repeatedly, diligently explore the forms of expression, integrate the ancient and the modern, and strengthen the personality, which has made indelible contributions to enriching and perfecting the pen and ink techniques of modern ink painting. In his later years, the pen and ink tend to be thick, concise, carefree and vigorous. He is good at depicting rocks, trees, flowing springs and village houses with simple and elegant calligraphy, and at the same time, he is dizzy and rubbed with varied pen and ink. Increase the thickness and layering of objects, replace points and lines with blocks, leave blank and blur in some areas, show the gradation of light and shade, use colors or shades, or quietly elegant, color and ink permeate each other, and the charm is subtle, which not only has the beauty of the landscape of the South School, but also has the massiness and naturalness of the landscape of the North School. I like to paint, write and collect poems.

After touring Osaka and holding a solo exhibition in China Art Museum, his paintings have been widely circulated at home and abroad, becoming another heavyweight master of modern landscape painting after Zhang Daqian, Wu Hufan and Fu Baoshi.

The masterpieces left behind are widely favored by Chinese and foreign collectors. According to a rough estimate, he left hundreds of landscape paintings with themes in his life, covering almost the stormy course and eventful years of New China in various periods, which is a condensed and representative history of landscape paintings in New China. Even from the perspective of China's art history, Ying Yeping is the first one in thousands of years.

As Mr. Cheng Shifa said, after the founding of New China, "Mr. Ying Yeping's paintings have added great vitality and the style of painting has also changed significantly. In composition and form, it broke away from the shackles of the old form and added new interest, which was beyond the reach of the ancient statutes. It can be said that the intersection of the traditional stream and the source of nature has made Mr. Ye Ping's landscape paintings glow with new brilliance. "