As the first of the top ten famous paintings handed down by China, The Fautu to Luoshen has extraordinary collection value and appreciation value.

Simple brushwork and bright colors. Author Gu Kaizhi, a painter and poet with both fame and fame in the Eastern Jin Dynasty. Gu Kaizhi was knowledgeable, intelligent and alert since childhood, and was good at reciting poems and writing poems, depicting flowers, birds, fish, insects, rockeries and statues of human beings and buddhas. He once put forward the painting theory of "freehand brushwork with gods". As a result, Gu Kaizhi has made great achievements in painting theory and poetry criticism.

Luoshen Fu Tu is the representative of China silk painted landscape painting. At that time, China's traditional painting was still in its infancy, with immature brushwork and great room for development. The Fu Tu of Luoshen should be the earliest painting with the theme of China classical literature in the history of China. The reference works are from Cao Zhi's Luo Shenfu.

Looking at the whole picture of the Goddess of Luo, the color is luxurious and the myth is strong. The form is novel and presented in the form of comics. The work is roughly divided into three parts, which shows the deep love between Cao Zhi and Luo Shen.

From the left side of the picture, when Cao Zhi led the people to pass by the Luoshui River and stopped to take a nap, the Luoshen on the horizon slowly descended to the world, and the ribbon on his body danced lightly with the wind. The crimson color of cinnabar symbolizes the beauty of the goddess. Above the shoulder strap, under the elbow, ChanJuan gold and silver waving bright sunshine, flying behind. Xiaoxiang turquoise wrapped Luo Shen's slender limbs, as if afraid that the goddess would fall in the wind. The skirt is elegant and the tail swings. When walking on the ground step by step, it looks like a fishtail, crystal clear and white. The high bun is placed on the back of the head, and the broken hair at the temple hangs down and hooks in the ear. Those smiling eyes can really be described as "containing Yanglin and flowing to Luochuan" to describe the extra ribbon tied in front of them, echoing the stunning appearance of Luoshen. Cao Zhi seems to be fascinated, too, with his beard up and his mouth up. Luo Shen moved to Cao Zhi's umbrella car, raised his hands to his chest level, and lowered his eyebrows slightly, like a green light. When two people come and go, they love each other and appreciate each other.

Cao Zhi approached step by step, and the supporting cover of the entourage followed straight, and the two red knots on the cover waved. Cao Zhi held a jade walking accessory in his hand and handed it forward, as if to be a token. Cao Zhi took another step forward and expressed his infinite love and greed. The water on the bank of Luoshui River is blue and purple, the mountains and rivers are green and purple, and the trees are growing wildly. The gods descended on waterinfo and walked in the clouds. Luo Shen danced in the air, advanced and retreated freely in the mist, appeared faintly, and gradually receded. The fairy played the violin and strings, the flute and drums sounded, the fluttering green hair seemed to have light, and the fluffy and elegant clothes floated in the air, staring at Cao Zhi, intoxicated. The faint music shook the hearts of every passenger who was fortunate enough to witness the true face of Luo Shen.

Goodbye, 20% off, man and God are always different. When Luo Shen died, the king of the earth had to leave the suburbs and return to the palace. Luo Shen turned around and looked back step by step, gazing affectionately at Cao Zhi, who was dozens of meters apart. Cao Zhi is also reluctant to stare at the slender figure of Goddess Luoshui, and is welcome and reluctant to leave. Luo Shen held a bronze mirror in his hand and held it on his chest. His eyes were blurred and his skirt floated from left to right. It seems to fly in mid-air and step on the ground.

At the far right of the picture, both sides have to set sail for home. The boat on the surface of the water was ready to go, and the long Che Yun car also descended to Luoshui. Dragons, whales and salamanders make room for the return of the goddess waterinfo. Yu Wen is attached to the car, and the sun is in the air. Goddess waterinfo stepped on the cloud car and looked back in the half-wave and half-cloud space. Cao Zhi galloped in the world of mortals, wandering in the saddle, uneasy. Unconsciously looking back, the two men were blocked by invisible hands, caring for each other and not meeting each other, and gradually drifting away.

This work "Goddess of Luofutu" mainly shows the beauty and art of space and different time and space. According to the imagination of literary and artistic works, all the wild experiences are integrated into Gu Kaizhi's superb artistic attainments. In the smooth lines, we can appreciate the endless grief and melancholy emanating from the pictures of the goddess Luo. The panic war in Wei, Jin, Southern and Northern Dynasties, the reality of turbulent times and the yearning and expectation of ordinary people for a stable life, where the author Gu Kaizhi lived, have long been integrated into the description of the goddess Luo. The exquisite brushwork of "Fu Tu of Luo Shen" is called "silkworm spinning silk" by the world, which has a far-reaching influence on later generations. The level of painting is naive and simple, just like a child of six or seven years old. There is no perspective, no relationship between distance and distance, and the characters are plump in appearance and relatively flat in painting. It is a rough description of the initial stage of landscape painting and has great reference function.

However, in the long river of history, the original silk book has long been lost in the dynasties, and the existing version was copied (imitated) by people who imitated Gu Kaizhi's brushwork in the Song Dynasty. Even so, the goddess Luo is divided into three parts, living in different parts of the world. It is now in Beijing Palace Museum, Liaoning Provincial Museum and friel Art Museum.

"Luoshen" expresses heartfelt words, advice and warnings of rebirth after cleaning up the dust and sand in its unique way at any time, and endlessly tells the story that the front of God and King on the banks of Luoshui River is unfinished and old feelings are hard to get rid of.

Thank you for reading, welcome to pay attention and comment if you have any questions.