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Brief introduction of Yang Shen and Yang Shen.
Brief introduction and personal data of Yang Shen

Yang Shen (1488 ~ 1559) was a writer in Ming dynasty. Yang Tinghe's son, whose name is Sheng 'an, is Yong Xiu. Xindu (now Sichuan) people. Smart as a teenager, he was able to write poems at the age of 65,438+065,438+0, and he planned to write ancient battlefield literature and On Qin at the age of 65,438+02, which surprised everyone. He went to Beijing to write the poem "Yellow Leaves", which was appreciated by Li Dongyang. In the sixth year of Zheng De's reign (15 1 1), palace examination won the first prize and was awarded the Imperial Academy. Yu Xiu's Records of Wu Zong is straightforward, and everything must be straight. Wu walked out of Juyongguan, unwilling to remonstrate. Sejong succeeded to the throne and served as an official at the banquet. In the third year of Jiajing (1524), many ministers were punished by imperial edict for "discussing rites" against the will of Sejong. Yang Shen spent more than 30 years in Yongchangwei, Yunnan, and died there.

There are about 2,300 poems written by Yang Shen, which are very extensive. Because he has lived in Yunnan for more than 30 years, "homesickness" and "homesickness" poems account for a large proportion. When he was exiled to Yunnan, his wife Huang Li accompanied him to Jiangling to see him off. His work A Farewell to Jiangling expressed his feelings, which was profound and sad. "Stay in Jinsha River" describes the feelings on the way back and forth from Sichuan to Yunnan: "I don't want to drift away from the sea, Jialing looks back and the moonlight on the river is so heartbreaking." Thinking about the past and the present reflects the pain of leaving sorrow. On his deathbed, he wrote the poem "Feeling sick on June 14th": "Seventy years later, my life has turned white, and it is clear that the law allows me to retire." After Hugh returned, he became a prisoner of Bajiang and became a prisoner of Yunnan Sea. "He returned to Shu due to illness, but he recovered on the way, and his feelings were touching.

Some of his poems also show concern for people's sufferings. "Tour of Haikou" and "Tour of Houhaikou" revealed that landlords and landlords colluded with local officials and used the estuary to occupy land for personal gain. In his poem, he pointed out that "dredging the sea with 100,000 taels of silver makes the officials like the sea and rich in resentment" and called for "having an end to this banquet, and a trillion songs and dances will be rehabilitated". He said in the proverb "Looking at Rice" that "the paradise is not as good as the song, and there are songs in good years". "But he is worried about the urgent salary, and Matsushige is fighting. It shows the poor life of farmers in good years, but because of the heavy military pay, they still have no food and clothing. Other works, such as Baojing Pian and Gan Dianchi Lake, are also in this category.

Yang Shen also wrote many landscape poems. He described the scenery of Yunnan and the mountains and rivers of the motherland, which was quite distinctive. "Popular in the Sea" wrote to the wind in Shimonoseki: "Cangshan Gorge is the mouth of Canghe River, and the sky beam was roared off by sunny thunder. There is a constant wind inside, breaking through the moving forest and sand. " Too close to the cliff to tell, Ma Changke is low. "Magnificent and powerful. And "Longguan Pavilion": "The smoke waves in both ears are like five Tianjin, and the fishing lights are shining. "In the middle of the month, the wine is fragrant, and no one is listening to songs in the trees." Writing about the night of Erhai Lake, the lights of fishing boats and the waves reflected by the moon are delicate and fresh. In addition, Yang Shen has poems describing and praising historical heroes, loyal ministers and righteous men, and even the tiller has his own firewood, among which there are many excellent works.

In the first seven philosophers, Yang Shen advocated that "literature must be in the Qin and Han Dynasties, and poetry must flourish in the Tang Dynasty". When retro is popular, we can leave Zhang Leibi alone. He widely absorbed some advantages of the poems of the Six Dynasties and the early Tang Dynasty, and formed his "graceful" poetic style. For example, there are 12 Dianhai songs and 9 Zhi Zhu songs in the Three Gorges, which depict the scenery of mountains and rivers and win the charm of Yuefu. His weeping willow is full of early Tang style. "Returning to Banqiao in Jiangyang Township": "A long March of a thousand miles is not afraid of the distance. If you unload the saddle tomorrow, you will ask to return to the radius. It's like thanking Xuancheng Road and Nanpu Xinlin for crossing Banqiao. " Express your tired and bitter feelings, and your feelings will be fine. Don't go to new places again. Yang Shen also extensively absorbed the advantages of the folk songs "On Sangjianpu" to enrich his poems. For example, "Farewell to the Disabled Luojiang" uses Mianzhou folk songs and suffixes with four farewell words, which are novel in conception, unique and fresh.

Yang Shen dabbled in literature, Ci, Fu, Sanqu, Zaju and Tanci. His words and Sanqu are fresh and beautiful. For example, the poem "Spring Dreams Like Sunny Flowers" by Langtaosha is detailed in description and colorful and fluent in words. Sanqu [Listening to Horses] "Fu on a Boat Trip with Wang Shunqing" describes the quiet scenery of the boat trip under the moon. The river is full of color, and the moonlight is like water. I want to sail into the sky and the Milky Way, with beautiful artistic conception and implicit narrative. His novel "Twenty-one History of Tanci" narrates the history from the Three Dynasties to the Yuan and Ming Dynasties. It is fluent in writing and writing, and is widely read. His prose is simple and elegant, and his brushwork is bold and unrestrained. Han Miscellaneous □ Xin is full of lewd and elegant words, but not vulgar. In his early years, Ding Chou-yin exhorted Emperor Zheng De to "listen to the students and let them be alone", and admonished each other with the words of "the sages of ancient times must seek great harmony", which was sincere and sometimes gentle and violent. His Eight Arrays in Xindu County and Collection of Beautiful Scenery are also excellent narrative prose. In addition, he is also the author of zaju, such as The Mystery of the Banquet in the Cave of the Qing Dynasty, The Collection of Taihe, Cutting the Meat and Keeping the Essence King, etc.

Yang Shen's history of Confucian classics, poetry, calligraphy and painting, as well as exegetics, literature, phonology, and the study of famous scholars and things are numerous and cover a wide range. For example, The Total Record of Dan and Lead, Yuan Tan, The Mountain in Lin Yi, Poems in Sheng 'an, Ci Pin, Calligraphy Pin, Painting Pin, Big Book Index, Ancient Stone Carvings, Elegant Articles and Ancient and Modern Folk Songs, these writings often have original opinions, which can fill historical gaps or provide clues and have considerable academic value. However, because I have lived in Yunnan for a long time, it is not easy to find books and look them up, and sometimes I just write from memory, so there are some wrong quotations and speculations.

Yang Shen's works are numerous. According to the Ming History, in the Ming Dynasty, the richness of knowledge and works to be memorized was the first. In addition to poetry, there are more than 100 kinds of essays. There are 298 catalogues of Yang Shengan's works compiled by Sichuan Library. His main works are included in the Collection of the Ascending Temple (Volume 8 1, also known as the Complete Collection of the Ascending Temple). This episode was compiled by Governor Zhang of Sichuan during the Wanli period, taking Yang Shen's "Dan Lead Record" and other books, deleting them, sorting them out, and attaching poems. Among them, essays 1 1 volume, poems 29 volumes, essays 4 1 volume. Ming Jue's Essays 100 Volume, Yang Mingjinwu's Collection of Remains of Sheng 'an 26 Volume. There are three volumes of Sheng 'an long and short sentences in Ci Sanqu Tanci, four volumes of Tao Qing Yuefu, and twenty-one histories of Tanci 12.

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