Song Ying, formerly known as Song Yingde, is also known as Yingnong. Male, 1920 was born in Juxian county, Shandong province.
1958, he has served as director and party secretary of Shandong Publishing Administration, director and party secretary of Revolutionary Committee of Shandong Institute of Chemical Technology, director and party secretary of Shandong Cultural Bureau, concurrently vice chairman of Shandong Federation of Literary and Art Circles, deputy director of Shandong Cultural Relics Management Committee, deputy director of Shandong Local Records Compilation Committee, and director-level consultant of Shandong Provincial Department of Culture. He is currently the president of Shandong Painting Academy and honorary president of Shandong Qiu Jin Painting and Calligraphy Institute. Member of China Calligraphers Association, creative researcher of China Old-age Painting and Calligraphy Research Association. Biographies of his books have been compiled into many dictionaries, such as China Calligraphers' Name Dictionary and China Calligraphers' Association. He has published Song Ying's Selected Calligraphy and Song Ying's Poems.
Chinese name: Song Ying.
Place of Birth: Juxian County, Shandong Province
Date of birth: 1920
Occupation: calligrapher
Representative Works: Selected Calligraphy of Song Ying, Poetry of Song Ying.
Calligraphy works
Style of works
Song Ying loved calligraphy since she was a child. She began to learn from Tang Kai and laid a solid foundation. After that, he mainly focused on Shu Wei and Li Shu, while cursive script devoted himself to Cao Zhang and Cao Xing, mixed with Cao Zhang's posture, and gradually formed his own elegant style of vigorous brushwork and unrestrained momentum. His calligraphy travels in the forest of art, learning from others, thus forming an artistic style of vigorous and elegant brushwork and unrestrained momentum, which is the outstanding feature of Song Ying's calligraphy art. Song Ying's calligraphy is a collection of Li Shu, Weibei, Tang Kai and Cao Jin, especially Cao Zhang. His works are even and unique, and his thoughts are expressed through words. The layout and brushwork of his works are smooth and natural, with stretched bones and muscles, vivid lines and staggered fonts, which restrict each other. Their indulgence is balanced, coherent, smooth and accurate, without exaggerated habits and outdated feelings.
Famous comments
Liu Haisu, a master of art, commented on Song Ying's calligraphy: "Carving grass with monuments, you can get the gods of monuments" and "the layout of calligraphy can be unique, break the routine and stand out from the crowd".
Mr Ouyang Zhongshi commented on Song Ying's calligraphy: "I can't help loving Song Ying's calligraphy. There is neither the domineering spirit of Jin Ge, nor the weakness of desk documents, and all kinds of rules and regulations are ingenious and decent. The words are exquisite and the picture frame is attractive. If you pass by in a hurry, you will get a rare treasure. If you think about it carefully, it seems that the initial work rate is higher, the grain benefit is longer, the Han bamboo slips are interesting, the brushwork is more secure, and finally you convert to worship. Can be said to be one of the contemporary.
Exhibition experience
1In August, 988, China Art Museum held a calligraphy exhibition. Books appear in various newspapers, magazines, calligraphy and painting collections at provincial, municipal and national levels. Since 1989, he has participated in many painting and calligraphy exhibitions in Japan, South Korea, Singapore, Belgium and other countries. In the past 20 years, it has been combined with the study of celebrity poetry, and it has progressed synchronously with calligraphy, bringing out the best in each other. Books appear in various newspapers, calligraphy and painting collections at provincial, municipal and national levels. After 1989, he participated in many painting and calligraphy exhibitions in and outside the province and nationwide. Many works have been collected by organizers and revolutionary memorial halls, and selected for calligraphy and painting exhibitions held in Japan, South Korea, Singapore, Belgium and other countries. Some of his works have been collected by East Asia Daily, Art Exhibition Hall of Qingqiu Group and China Art Research Association.
On the morning of October 7th, 2004/KLOC-0, Song Ying Calligraphy Exhibition and Song Ying Calligraphy Donation Ceremony were held in Shandong Provincial Museum. A total of 50 calligraphy works/kloc-0 created by Mr. Song Ying over the years were exhibited. Many Qilu calligraphy artists gathered together to feel Mr. Song Ying's achievements in calligraphy creation and artistic charm. In this exhibition, there are altogether 50 calligraphy works/kloc-0 created by Mr. Song Ying over the years. At the opening ceremony, Mr. Song Ying donated 50 representative works to the Shandong Provincial Museum for collection.
Revolutionary complex
Comrade Song Ying/KLOC-0 joined the revolution in July, 1938, and/KLOC-0 joined China in February, 1938. Before the founding of New China, he served as the first party branch secretary of Songjiamiaojiang Village, Xiazhuang Town, Ju County; China * * * member of the pro-democracy movement, director and president of the Agricultural Salvation Association of the Anti-Japanese People's Committee in the seventh district of Juxian County; Political instructor of CPC Binhai Committee; Editor of Binhai Times; Public Daily reporter; Deputy Editor-in-Chief of Coastal Countryside. After the founding of People's Republic of China (PRC), he served as deputy editor-in-chief of Bohai Daily; Secretary of Qidong County Party Committee and political commissar of Qidong County Brigade; Propaganda Director of Rural Work Department of Shandong Provincial Committee of the Communist Party of China and Shandong Land Reform Commission; President of Shandong People's Publishing House. As a propagandist of the Party, he used a pen instead of a gun to publicize the Anti-Japanese War and mobilized the masses to support and participate in it.
Although Comrade Song Ying is old, he is still very concerned about the construction of the party and the country and literary work. The old people insist on watching the news broadcast every day and studying the party newspapers and magazines. To commemorate the 70th anniversary of the victory of the Chinese people's War of Resistance against Japanese Aggression and the world anti-fascist war, Comrade Song Ying gladly accepted the interview, reviewed the history of the Anti-Japanese War, remembered the revolutionary martyrs, inherited the revolutionary tradition, educated the younger generation, shouldered the historical responsibility, and continued to play the due role of an old party member. When receiving a one-time living allowance from the state for old comrades in War of Resistance against Japanese Aggression, veteran Song gave all the money to the party organization as his own membership fee, expressing an old cadre's gratitude to the party.