Not everyone likes or appreciates ballet, but almost everyone knows that ballet is an art, and the influence of China traditional opera art is expanding with the expansion of its audience. In a sense, the wider the audience, the more advanced the opera. The extensiveness here is not judged by the number of people, but by the extensiveness of the nation and the size of social influence.
Yue Opera originated in Shengxian County, Zhejiang Province more than 100 years ago. At first, it was just "singing books on the ground" in the fields and "singing books by the door" begging at the door. Its "dance board" performance is simple and convenient, and it is a pastime for local people after busy farming, or a jingle and witty song when poor beggars beg. At that time, the audience of Yue Opera was quite narrow, so it was reasonable to say that Yue Opera was "low-level". However, after just a hundred years' development, Yue Opera has absorbed nutrients from various performing arts and matured into the second largest drama in China. During the period of the Republic of China, whether a traditional opera can be popular in the whole country depends on whether it can enter the Shanghai beach and gain a firm foothold in Shanghai. The success of Yue Opera Troupe in Shanghai has become the key to the development of Yue Opera. From celebrities to pimps, the audience of Yue Opera suddenly expanded. After the 1950s, its artistic style was still developing and maturing. In the 1980s and 1990s, it was widely combined with the film and television media, and the audience could almost keep pace with the national opera and Beijing opera.
In the history of Yue Opera, "Ten Sisters" co-performed "One Mountain and One Water Regime", which caused a sensation in the whole city. This spirit of keeping pace with the times can already be seen as "tall". There are many men dressed as women in Beijing Opera, who are delicate and soft-hearted. Yue opera is about men dressed as women, heroic and courageous. I said that today's "New Yue Opera" is advanced, because it was developed on the basis of a number of excellent scripts. In 1970s and 1980s, Hong Kong films created the styles of Yue Opera and Huangmei Opera. In the 1990s, following the Yue Opera Dream of Red Mansions, a large number of Yue Opera TV dramas with ancient historical figures and stories in China became popular all over the country. A series of Yue operas, such as Pearl Tower, Chen Sanliang, Lu You and Tang Wan, Shuo Yue, Tang Shuo, etc., are original and innovative in script content. The innovation of its performance theme can be said to be the first in China. The first intimate contact, a Yue opera, was adapted from the online novel of the same name in Taiwan Province Province. On the basis of the classic repertoire of 1954, the newly edited Multimedia Large-scale Mythical Yue Opera and Biography of Liu Yi by Nanjing Yue Theatre creatively take "luxury and exquisiteness" as the artistic orientation of Yue Opera. Recently, I heard that Han Feizi's story will also be put on the stage of Yue Opera. The richness and innovation of the performance content of Yue Opera is beyond the reach of China film and television.
"People live a hundred years old, and there are no surprises." After a hundred years' development, the art of Yue Opera has become more and more perfect, and its influence at home and abroad has exceeded any historical period. Yue Opera is not low-level, and its historical feature is popularization and simplification of content, which can even be said to be the general feature of China traditional opera. Nowadays, there are many schools of Yue Opera, which are constantly surpassing. "Low-level" is not the label of Shaoxing opera, but the "old eyes" of everyone.
I first met Suzhou Pingtan.
Suzhou Pingtan is divided into two parts: Pinghua and Tanci. I should have known Pinghua when I was very young. When I was a child, my parents accompanied my grandmother to the theatre. I watched all kinds of plays, including Beijing Opera, Yue Opera, Sichuan Opera, Henan Opera, Bangzi Opera, Huangmei Opera, Crosstalk and storytelling. My earliest love for literature also came from my ignorance of traditional Chinese opera. I remember that there was a book "Bai Yutang" at home at that time, which was compiled by Suzhou storytelling master Mr. Jin Shengbo. I saw this Bai Yutang first, and then I saw the Three Heroes, Five Righteousness and Small Righteousness. In my opinion at that time, the brilliance of Bai Yutang was incomparable to any comic book or idiom story book. Now that I think about it, it is indeed a charm of language art, which can be said to be my first acquaintance with Suzhou Pinghua art.
But the only regret is that I have only seen Tanci on TV, and it always seems to appear only in ancient teahouses and restaurants. Until I entered the university, I completed the "first intimate contact" with Suzhou Pingtan in the course of appreciation of traditional Chinese opera Pingtan. Mr. Wang commented on Yue Fei, Mr. Jin played the lyrics, Ms. Sheng Xiaoyun taught to sing "Death" and so on ... Suzhou Pingtan can be so close to me.
After that, we all went to Guangyu Bookstore, the base camp of Suzhou Pingtan, and experienced the original Suzhou Pingtan in the teahouse. "Society number Guangyu, saying that the ancient way is today, spitting jade cough beads, listening to songs; The name of the hall is Renben, carved with beams and painted with buildings, floating in the mountains and green in the west. " Wang Yu, the "King of Playing and Singing Seven Books", founded Guangyu CCBA in 41 years, which opened the door to the art of pingtan. Stopped at Guangyu Bookstore, I think, gentlemen have a hard time starting a business, and their ancestors have passed away, so they are not very grateful. So I recalled my childhood favorite Bai Yutang in Jin Shengbo, and I always hoped to listen to the elegant music of "spitting jade and coughing up pearls" again.
Later, I got to know Pingtan.com, China, and heard the original works of Mr. Jin Shengbo for the first time, such as "The Empress Dowager Cixi", "Erxia Tour the West Lake" and "The Third Trial of Yan Renmin". The charm of Suzhou Pingtan conquered me as it did then. Suzhou Pinghua and Tanci are indeed the first-class art and "literature" in China's traditional Quyi.
My first acquaintance with Suzhou Tanci began more than ten years ago, and I didn't really know it until today. Life is only a few decades, so it is lucky to know nothing about real art, which is really my luck.
Where is the "stage" of China traditional opera?
Teacher Lai Shengchuan's "Performance Workshop" kicked off the stage play in Taiwan Province Provincial Theatre.
Feng Yikang and Song Shaoqing's "Crosstalk Tile" endowed this ancient art form with new life.
Li Hanxiang's Huangmei tune films were famous in Asia in 1970s and 1980s.
The puppet show History of the Confucian Scholars in Zhongzhou, Taiwan Province Province, was once deserted.
……
The Huangmei Opera "Huizhou Woman" received rave reviews, which made Huangmei Opera actor Han Zaifen famous in the opera world.
Degang Guo's "Deyun Society" became popular in China in 2007, and cross talk once again attracted widespread attention.
Has China's traditional opera really declined? Nobody went to the theater? Where is the "stage" of China traditional opera?
ATV 1 1 set of "Drama Collection" once talked about the operation of Shaoxing Hua Xiaobai Yue Opera Troupe in its 20th anniversary special program: "Shaoxing Hua Xiaobai sends operas to the countryside one hundred times a year, and people change from unfamiliar to familiar. Now people are looking forward to the performance of Shaoxing Hua Xiaobai. Market demand makes Shaoxing Hua Xiaobai occupy most of the social drama market. " It can be seen that traditional opera "is not without audience, but without cultivating audience". Mr. Li Xianfeng from Jiangsu Huai Theatre said that the number of performances of Huai Opera is very limited each year, and the biggest obstacle is the lack of funds. However, when the opera actor is no longer willing to perform on the stage in the storm, it is his own choice to leave his audience. Times are different, people's entertainment life is no longer as monotonous as before, and opera, as an entertainment activity, is easily forgotten by everyone if it does not take the initiative to enter public life. Up to now, movies have not lived up to the grand occasion of that year, not to mention the traditional Chinese opera in the region. Art can hardly be a tool to make money. On the one hand, the environment of performing arts is deteriorating, and its market share will be continuously deprived by other art forms; On the other hand, theaters and actors can't afford to do business at a loss, and they don't fight for it, so natural audiences are constantly losing.
Where is the "stage" of China traditional opera? In fact, from some examples of Shaoxing Hua Xiaobai and Taiwan Province Quyi, it may be a feasible way to stick to the first-line performance close to ordinary people, adhere to the stage creation method of the first space-time dimension, and expand the influence with the help of modern media.
At present, Feng Yikang, two pillars of voice coil, and Song Shaoqing's cross talk work "Only One East Factory" once entered the top ten record sales charts, competing with the records of idol singers such as Stephanie. See, there is no shortage of appreciators for truly attractive art. It doesn't matter where the stage is, as long as it is close to the audience and the people, any place is a stage for the performance of Chinese opera. Just like where the supermarket should be built-it should be built where there are people.
The sorrow of "mahogany furniture is used as firewood"
The thirty-eighth episode "The Art of Pingtan" published a passage by Mr. Jin Shengbo, a pingtan artist of the older generation, "The mahogany furniture was taken apart for firewood". Mr. Jin said: "The current situation in Pingtan is not optimistic. It is a pity to take apart the mahogany furniture left by our ancestors and sell it as firewood. " "The characteristics of the art of pingtan are:' speaking, singing and acting',' reason, taste and interest' ... the vitality of pingtan lies in' saying what is often new', and pingtan without foundation is at most a cup of light tea ... pingtan can't be sold! The singing style of Pingtan,' sing without singing'; Jue,' Jue and funny'. Pingtan has its own artistic laws and characteristics. "Say, play and sing" and "sense, taste and interest". Don't be eager for quick success and instant benefit, and don't blindly pursue' political achievements'. "
If we compare every kind of folk performing art to a beautiful piece of furniture, we can do two things: first, decorate old furniture; The second is to imitate old furniture and add new elements to create new furniture, but we must not "carve flowers and lettering" on old furniture at will, let alone "mahogany furniture as firewood". There are all kinds of problems in any ancient folk art, and the problem of pingtan also explains all the problems of "mahogany furniture": "Many traditional bibliographies have not been implemented; Some books are left unsaid. Bibliography is lost, art is lost, and the quality of art is declining. Some actors refuse to go to the bookstore to talk long stories, and the bookstore can't invite actors and the audience can't hear good books. What's more, there are misunderstandings in their understanding of inheritance and innovation, that is, they regard' funny storytelling',' small fever',' singing storytelling' and' singing and dancing storytelling' as innovations. " Art needs development, and of course it can't be separated from innovation. But the foundation of innovation is to emphasize tradition and inheritance.
Since the Sino-Japanese War of 1894-1895, all the undertakings in China have revolved around "reform and innovation". China people try to change everything, even for the sake of change, but forget what the purpose of change is. "Mahogany furniture" may not be practical today, but you must not add springs to the plush chairs as sofas.
We don't object to the use of sofas, but sofas have their own elements, and mahogany furniture also has its own value. Never "use mahogany furniture as firewood"! That will be the tragedy of the times, the sorrow of art, and also our sorrow.
College Students and the Future of China Traditional Opera
I have always believed that mature opera art must be first-class literature. Throughout the ages, many writers and artists in China attended operas when they were young, and cultivated the seeds of their literature and art.
When Mr. Hu Shi was young, he loved reading Water Margin and Elvis Presley, both of which were arranged and perfected on the basis of the speaker's scripts. Mr. Wu Xiaoru likes to listen to and talk about drama, and the stories, characters and ballads in the drama provide many examples for his literary research. Not to mention ordinary rural people, almost all their knowledge of history and literature comes from local operas.
Chinese opera is a kind of literature in a broad sense.
Under the great era and the historical transition period, college students nowadays are either almost ashamed to talk about opera and think it is not "fashionable" or "modern", or think that opera is as profound as literature. College students can be said to be a group of people who have the most cognitive desire, tolerance and appreciation of art in an era. However, China traditional opera is far from college students. Literature is no longer the mainstream theme of this era, and drama has become a secondary choice for ordinary people's entertainment life. Literature and drama seem to be going downhill, because even college students don't talk about drama and literature. Is there anyone left in literature and art? Mr. Lu Xun once laughed at young students "I will talk about Mei Lanfang in the evening", but today we may laugh at young students who don't even talk about Lu Xun. An important social function of literature and traditional Chinese opera art is to improve one's humanistic cultivation and personal life taste, that is, "to mature". Cultivate the meaning of heaven and earth, and cultivate the laws of ancient and modern times. This kind of righteousness is mostly manifested on the stage of traditional opera, and this perfect person will always be the protagonist of traditional opera.
Opera art is a compulsory course for college students.
Traditional Chinese opera art, the habitat of human soul.
The one-semester course "Pingtan Appreciation" is coming to an end. However, the charm of Chinese opera has completely saturated me, and its spirit and influence will accompany me all my life. The future of traditional Chinese opera art is the future of our college students and the future of national culture.
(25)
Leave flowers all the way.
Suzhou University 05 News Yang Ting 050 1408029
I have met many famous opera artists, especially those female artists, since I took the course "Drama Pingtan". Female flowers bloom brilliantly in our classroom, leaving flowers all the way. My favorite female artists are my own named "three little girls"-Zhu, Sheng Xiaoyun and.
The music of bamboo and bamboo leaves dripping with dew
"Zhu"-this is a very beautiful and poetic name.
The corner of Zhu's eye on the rostrum is full of gentle and rippling smiles. Although her contact time is only 90 minutes, I can still see that she is a calm, outgoing and optimistic woman. When she passes in front of you, like a breeze blowing across the lake, like a stream passing through the forest, there is a refreshing feeling, and she will feel very pleasing to the eye. While watching Mo Chounv and Biography by Zhu, I was a little dazzled and at a loss-because I couldn't believe that Zhu had played such a role.
Zhu kindly gave us a lecture on the stage and talked about her mother Zhu Shuizhao and her friendship with Zhu Shuizhao ... It can be seen that she misses her mother Zhu Shuizhao very much. Maybe she can't surpass her mother in artistic attainments, but I can feel that she is satisfied that she can inherit her mother's performance and singing, her mother's art, and appreciate the Yue Opera stage where her life and soul belong.
After Zhu finished some basic knowledge of Yue Opera, he began to test the effect of our lectures and prepared gifts for us, including his own records. She is the only teacher who brings a gift after class.
Finally, Teacher Zhu sang a biography of Liu Yi for us. Now I have nothing to say, I can't describe it any more. Two words-nice! The son of Mo Chounv, the little student played by Zhu in Liu Yi Chuan are unforgettable. Her body not only has the rich charm of traditional opera, but also incorporates the modern elegant spirituality, and the drama and the audience's emotional communication are in perfect harmony. The so-called generation of actors and audiences, her performance, or God into the essence of tradition, but also in line with the contemporary.
I don't know whether Mr Zhu will play Hua Dan. Otherwise, it will be a great loss for Yue Opera!
Sheng Xiaoyun-Look at the clouds all over the sky.
I first met Sheng Xiaoyun in Guangyu Bookstore.
There is only one embroidered screen, one table and two chairs on the field. I wonder how simple props can show "the most beautiful voice in China." After listening to Sheng Xiaoyun's pingtan, I understand that props are just props.
Just watching Sheng Xiaoyun sit majestically on the stage, this pingtan posture came out. Every step of her, stretching her waist, sweeping her temples, bowing her head in the blink of an eye, even the slight elevation of her clothes and the light dance of her skirt are like the flow of honey and the slight overflow of the wind, which makes people involuntarily attracted. The witty story of Wu Dalang and Pan Jinlian's first marriage is full of twists and turns, funny, happy and surprised, sad and angry.
After listening to Sheng Xiaoyun's pingtan, as Liu E wrote in Travel Notes of Laocan: "The internal organs are ironed like iron, and there is nothing wrong with them. Thirty-six thousand pores are like eating ginseng fruit, and everyone is unhappy. "
Next time we meet Sheng Xiaoyun, she will teach us to sing The Recent Flowers. The beauty of Suzhou Pingtan is written and sung. Wu Nong's soft language, sometimes soft, sometimes cadence, melodious when nine songs and eighteen bends, humming when thousands of turns, infinite charm in it.
Although most students are not from Suzhou and can't understand Suzhou dialect, they are very enthusiastic and participate in learning, because we haven't studied music in class for a long time. I am a typical northerner. It's really strange to listen to your own Suzhou dialect pronunciation. Sheng Xiaoyun couldn't help laughing after listening to our Suzhou dialect, and the audience also laughed. At that moment of national mourning, Teacher Sheng Xiaoyun brought us the warmest smile.
Listening to Sheng Xiaoyun's "The Recent Flowers", my heart is full of passion. "I lost my pride, Yang Jun lost her willow, and the willow is light and straight. Asked what WU GANG had, WU GANG held out osmanthus wine. Lonely Chang 'e has wide sleeves, and Wan Li dances for the loyal soul. Suddenly came the news that the world had been crouching, tears poured down and it rained cats and dogs. "Her singing is delicate, sad, intense, deep and high. ...
We followed Sheng Xiaoyun's word-for-word study, although there were still many loopholes, but in the layman's view, singing was passable. After class, I called my high school classmates: "I learned to sing the opening song Dead Hua Lian today!" Then I showed off on the phone.
Thanks to Sheng Xiaoyun, we have another pop song in our mouth.
Shi Xiaomei-Dimfragrance Floating
Age is always a sensitive topic for women. Generally speaking, women over 40 are more secretive. At this time, her eyes have climbed up the looming crow's feet, her figure no longer looks so graceful and light, her brain's memory is gradually declining, she lacks freshness and passion for life, her physical fitness is gradually declining, and various diseases are quietly attacking you ... In short, women's life expectancy is gradually declining.
However, in class, Shi Xiaomei told us in a chat that she was in her early 60s! Suddenly, the audience exclaimed, followed by applause of surprise, admiration and admiration. I always feel that Teacher Shi has a wonderful life. Life is a natural evolution process, and each age group has its own wonderful page. But Mr. Shi has an optimistic and positive attitude, and he is alive and well.
Actually, this is not the first time I have met Mr. Shi. Last year, at the opening ceremony of "Opera Entering College Students", Mr. Shi stepped forward at the critical moment and sang songs to save the scene, which left a deep impression on me. At that time, I thought this woman was not simple.
Now I am lucky to see Mr. Shi again, and I came to the classroom early to occupy the front row position. In front of the podium in the classroom, Teacher Shi and her partner put on makeup and all the clothes. Teacher Shi's little costume is really charming! Suddenly I feel a kind of magic-a 60-year-old woman has become a man in her twenties. The girl next to her exclaimed, "How handsome!" But she seemed to realize that it was a woman again, and then changed her mouth: "How beautiful!" In fact, neither "handsome" nor "beautiful" can describe Shi Xiaomei at this time. Later, a poem "The Jade Hairpin" showed me the singing skills of Teacher Shi.
Qin Diao tells the story of Miao Chang playing the piano in autumn night and meeting Pan Bizheng. The two men explored their feelings with the piano, and Pan Lang's words angered them. Miao often pretends to be angry, but in fact, she is already emotional and has buried a story of infatuation. I feel that Teacher Shi's performance is emotional, lively and colorful, and every move is not a rootless tree or passive water.
Professor Yu Dan once said in a program: "Opening the curtain of Kunqu Opera and entering and leaving dreams has opened a window for our life today: in today's hectic life, is it possible to give us a dream space besides the unrealistic order we must abide by?" Perhaps what each of us can touch in our dreams is the deepest and most sincere emotion in our hearts. "
Shi Xiaomei shows us her most sincere feelings.
(26)
Listen to the breeze blowing through your ears.
-Relive Yue Opera.
Suzhou University 050 1408032 News Wei Yuting
When I was a child, I followed my mother to the opera, and I first came into contact with Yue Opera. I was deeply impressed by the real and delicate performance, euphemistic singing and beautiful lyric style.
As we grow up, we "encounter" popular culture, so opera seems to be a pastime for the older generation, but we are fascinated by the youth culture that seems to have a strong sense of fashion.
This time, Zhu, a famous teacher of Yue Opera, walked into the classroom to teach, as if he had suddenly aroused his childhood love for Yue Opera. When I was a child, I would babble after playing the music on the tape recorder, and I would always hum a little song wherever I went. Now I suddenly feel that I haven't seen you for a long time and suddenly met Yue Opera.
Yue Opera is one of the local operas in Zhejiang. It was once called "Little Song Class", "Dedu Opera" and "Shaoxing Literati Opera". Originated from Shengzhou and Xinchang in Shaoxing area. All over the country 16 provinces, autonomous regions and municipalities directly under the central government, mainly distributed in Zhejiang, Shanghai and Jiangsu. Yue Opera was originally developed from Quyi. After Xiao Song class, Shaoxing male class, Shaoxing female class and comprehensive art reform stage, it developed into six schools: Yuan Xuefen "Yuan Pai", which mainly studied under Wang Xinghua, sang simple and euphemistic, was sincere and sincere, performed dignified and quiet, paid attention to reflecting true feelings, and created mostly kind and gentle female images. Fu Quanxiang's "Fu School", mainly under the tutelage of Cheng, a Peking Opera performer, is lively and colorful, and most of its images are passionate and infatuated women. Qi Yaxian's "Qi School", which was deepened from the "Yuan School", sang in a roundabout and gloomy way, performed naturally and generously, and created mostly tragic images. Yin Guifang's "Music School" has a rich singing voice and elegant performances, and most of them are charming people. Fan Ruijuan's "Fan Pai" is full of male beauty in singing, mellow in texture and full of life in performance. He is good at playing the simple and honest man in "Simple and Honest". Xu Yulan's Xu Pai, with its gorgeous singing and energetic performance, is good at shaping passionate scholars and talented people. After years of development, Yue Opera has brought us many excellent plays. Such as Queen China, The Lost Bronx Terrace and Twelfth Night adapted from Shakespeare. With the popularity of television, a number of outstanding plays such as Meng Lijun, Butterfly Lovers, The West Chamber, Peacock Flying Southeast, A Dream of Red Mansions and desert prince have been made into TV dramas, and some of them have won national awards. Yuan Xuefen, Fu Quanxiang, Qi Yaxian, Xu Yulan, Zhu Shuizhao, Wang, Zhu and Mao.
As a famous actor of Nanjing Yue Opera Troupe, Zhu's performance skills left a deep impression on me. She can not only sing the romantic and elegant niche of Yin School, but also turn it into the euphemistic and beautiful singing voice of Zhu School. During her 38-year stage career, she has created many characters with distinctive personalities, such as Shen's son in Double Jade Cicada, Xu in Liu Yichuan, The Jade Dragonfly, Leng Yun in Eight Women Throwing into the River, Zhang Hongxian and Hou in The Scholars, etc. The teacher's singing art is on the basis of inheriting his mother Zhu Shuizhao's "Zhu School" singing style, and properly blending into the melody of "Yin School" singing style, thus forming his own singing characteristics. Free and easy in affection, pure in mellow charm, it sounds memorable and touching. The singing style of "Zhu School" is the same as its performance style: simple, generous, implicit, smooth, simple, concise, firm, clear pronunciation, accurate pronunciation and solid voice. The middle board of "Zhu School" is bright, smooth, elegant and unpretentious; Adagio is subtle, vigorous and circuitous, especially the seven-degree jump in the ending sentence, which shows her charm of combining rigidity with softness and is a unique falling tone.
This time, Teacher Xiao Zhao not only brought her pure singing art, but also told us the story of the ten sisters of Yue Opera and the love between mountains and rivers. With the theme of Love between Mountains and Rivers, a historical theme of China adapted from Dumas' novel three musketeers, the names of Yuan Xuefen, Fu Quanxiang, Xu Yulan, Xiao Dangui, Zhu Shuizhao,, and Wu spread all over the country. The performance of "Love Between Mountains and Rivers" was madly suppressed by the Kuomintang reactionaries, and the ten sisters of Yue Opera fought tenaciously and finally won. The performance of Love Between Mountains and Rivers lasted for one month in Shanghai. When introducing the ten sisters of Yue Opera one by one with slides, Teacher Xiao Zhao always sings one or two of their vocals for us. For example, in the classic duet between Bao Ge and Lin Mei in A Dream of Red Mansions, a Lin Mei fell from the sky like a blue cloud; Until he is frivolous, his bones are faint and strange; Quiet as flowers shine on water, moving like wind blowing willows; The eyebrows and corners of the eyes are exquisite, and the voice and smile are gentle ... A room that combines rigidity and softness makes me feel like I am in a garden full of peach blossoms, watching two lovely people talking to each other. Emotional rendering is extremely powerful, as if inadvertently bringing you into that place.
At the end of this class, Mr. Xiao Zhao performed Liu Yi's aria in the famous drama Liu Yichuan for us. This play is also a classic of his mother, Mr. Zhu Shuizhao. When the music started, "she felt guilty as she wished, so she couldn't help but borrow flowers to propose a toast to the Buddha." Teacher Xiao Zhao immediately changed from the role of lecturing to the role of Liu Yi. Listening to the song, you can feel how ambivalent and helpless Liu Yi is at this moment, and then sing the meaning of princess lover. Because of secular etiquette and too many constraints, I am afraid it is a waste of the princess's infatuation. The smooth and lively singing is full of Liu Yi's helplessness. The teacher's sincere emotion in singing also vividly depicts Liu Yi's character, which is really amazing.
Listening to Yue Opera is like a breeze blowing through my ears and lingering in my mind for a long time. Reliving Yue Opera is like returning to the simple world of childhood, full of happiness. I think I will continue to like it, holding a cup of green tea in my spare time, listening to a song and feeling the beauty intoxicated in my heart.