Huang Ruiying, 1940, a native of Chaoyang City, Guangdong Province. National second-class director, Hua Dan actor of famous Chaozhou Opera, member of Chinese Dramatists Association and director of Guangdong Dramatists Association. 1988 to 1992, head of the first group of Guangdong Chaozhou Opera Troupe. He is now a member of Guangdong CPPCC.

Chinese name: Huang Ruiying

Nationality: China.

Place of birth: Chaoyang City, Guangdong Province

Date of birth: 1940

Occupation: director, actor

Main achievements: The 5th Guangdong Arts Festival won the second prize of director.

Main achievements: 1987 went to Beijing to attend the first art festival and won the prize.

1983 was commended for meritorious service.

1984 was named the March 8th Red Flag Bearer.

Representative Works: Continued by Li Jingji and Xifeng Wang.

Identity: Currently a member of Guangdong Provincial Political Consultative Conference.

Gender: Female

Personal experience

1953 graduated from Chaoyang Miancheng No.2 Primary School. In the same year, he was admitted to Yuli Chaozhou Opera Troupe as an actor, and Hua Dan was an actor.

From 65438 to 0956, he was trained in the first Chaozhou Opera Actor Training Course in Shantou, and was selected into Guangdong Chaozhou Opera Troupe in August of the same year. He has starred in Su six niang, The Mirror of Continued Li, The Fairy of Rong Ying, etc.

1960 visited Cambodia and Hongkong with China Chaozhou Opera Troupe.

1965 recorded the modern drama "Wan Shanhong" live, and began to set foot in the art of directing.

1977 participated in the director groups of modern drama Peng Pai and Jin Hua.

From 65438 to 0978, he studied in the director's advanced class of Shanghai Theatre Academy, then directed Xifeng Wang, South Soul and other plays, and co-directed Zhang Chunlang's Haircut and Golden Flower Girl and other plays.

Since 1979, he has visited Thailand, Singapore, Hong Kong, Macao and other countries and regions with the delegation for many times. Many plays directed or performed by directors are recorded by audio-visual publishing departments at all levels and distributed at home and abroad.

1987 went to Beijing to attend the first art festival and won the prize.

1983 was scored.

1984 was named the March 8th Red Flag Bearer.

1988 to 1992, head of the first group of Guangdong Chaozhou Opera Troupe. He is now a member of Guangdong CPPCC.

Huang Ruiying's singing is crisp and sweet, bright and euphemistic, smooth and full of charm; Exquisite craftsmanship, vivid depiction and meticulous depiction have brought Hua Dan's art to perfection. He played the role of peach blossom in Su six niang, Li in Yichun in Continued in the Mirror, Fairy Furong in Noisy Wood, Rushing into the Hall, Lady in Noisy Kaifeng House and Tiger Robbery. 1960 visited Cambodia and Hongkong with China Chaozhou Opera Troupe.

Huang Ruiying is not only a famous actor, but also a "good acting director". 1965 recorded the modern drama "Wan Shanhong" live, and began to set foot in the art of directing. 1977 participated in the director groups of modern drama Peng Pai and Jin Hua. 65438-0978, returned from the director training class of Shanghai Theatre Academy. He directed Wang Xifeng, Fei Long Nv, Southern Soul, Guqin Case, Chen Sanliang, Silver Lock, Veteran Returning Home, Wu Zetian and other dramas, and co-directed Zhang Chunlang's Haircut. Zhang Drama 1987 went to Beijing to perform in the first art festival and won the prize. The drama "The End" 1993 participated in the 5th Guangdong Arts Festival and won the second prize as director.

interview

Huang Ruiying played two key figures, Yichun and Cao Chun, respectively, in two long dramas performed by Guangdong Chaozhou Opera Troupe in Hong Kong. The two young girls on the stage left a deep impression on the audience with great wisdom and courage! However, who knows, these two 17 and 18-year-old girls are 40 years old and are also mothers of three children.

Huang Ruiying's stage art career has been 28 years now. How did she shape Yichun and Cao Chun?

She said modestly, "These two roles were not performed satisfactorily. For example, the names of the two characters both have the word' Chun', which may not be named by the author, but in any case, these two characters must have a youthful vitality, which makes people feel the beauty of youth. Now, the play is not enough! "

I said; "As far as I know, these two characters are Hua Dan. Please talk about the performance characteristics of Hua Dan. "

She said, "Hua Dan, Chao Opera is used to being called Cai Luo Yi Dan. This is named after people dressed in colorful clothes. The performance characteristics of Cai Luoyidan are summarized by insiders in six sentences, which are called' three points ugly, willing to be charming; Heavy fingers and bent body; Footsteps like fleas, light as swallows. Three-point ugliness means that all the roles played by Cai Luoyi Dan belong to comedy roles. They are always cute and make people laugh, whether it is good in spring or spring grass. Didn't their actions cause a lot of laughter from the audience? However, this kind of smile is just pleasant and interesting, unlike the funny smile caused by clowns. Three-point ugliness refers to the stage effect, and actors must never let Cai Luo be ugly. "

I asked her, "Yichun and Cao Chun are both colored clothes and handmaids. Is there a difference between these two characters? "

She said: "Yichun and Cao Chun are both excellent actors, and they are both matchmakers. However, due to the different growth environment and experience, their personality characteristics are also different. Yichun's action is based on the word "wisdom", while Cao Chun's action should highlight the word "rush". The marriage between Wu Niang and Chen San in Yichun broke down because Chen San was sent to Asia. Chen San's brother only cares about Guan Wei and dares not actively support Chen San Niang's marriage. Wuniang is in a passive position, and Yichun deliberately turns passive into active, so she can only use ingenuity instead of recklessness. However, naively breaking into the court and identifying Xue as Li Banyue's husband led to the development of things according to the fait accompli created by her. In fact, she influenced the development of things. This kind of character should not be too skillful, be childish, dare to rush, and let unreasonable events develop reasonably. "

I asked, "The audience likes these two characters. Are there other factors besides performance? "

"yes. The script is the foundation, and the playwright portrays these two roles with a singing attitude. Their social status is low, but their spiritual realm is noble. In order to fulfill other people's marriage, she took risks. Their behavior represents a virtue of human society, so they resonate with audiences everywhere and make them smile. "All shall be well, jack shall have Jill" is a much-told story in Wang Shifu's The West Chamber. Yichun and Cao Chun, why they are loved by the audience, are also because they make "lovers get married"! "

Hong Kong Wen Wei Po 1980.3.26438+0