China Film Centennial (1905-2005) movie star Xie Tian?
Xie Tian, a famous film performance and director artist, was originally named Xie Hongkun, and was once named Xie Jun, a native of Panyu, Guangdong Province, 19 14, and was born in Tianjin on May 25th. My father is a railway worker and my mother is a movie fan.
He likes sculpture and music, flute and painting. Because of his parents' interests and hobbies, Xie Tian was influenced by literature and art since he was a child. At the age of seventeen, Xie Tian stepped into the society and made a living alone. He paints advertisements and writes articles for newspapers.
Xie Tian (19 14-2003) is a film actor and director. 1937, War of Resistance against Japanese Aggression broke out, and anti-Japanese and national salvation organizations in the film industry were established one after another. Xie Tian joined the Film Workers Association and participated in the famous performance "Defending Lugou Bridge". 65438-0939 began to play a role in the film Snow Mountain Taihang Mountain filmed by Northwest Film Company. In this film, the farmer Ma Laohan played by Xie Tian better shows the awakening process of an ordinary farmer from humiliation to resistance. After 1946, he starred in films such as "Holy City" and "Chasing" in the Third Factory of Central Film Company. From 65438 to 0949, when People's Republic of China (PRC) was founded, Xie Tian entered the Beijing Film Studio and began a new era of film art creation. ? He played an elegant professor Song in March of Democratic Youth (1950), a mercenary and hidden general manager in Towards New China, a treacherous and fierce traitor in Legend of Heroes of New Children, a rude feudal leader in Six Doors, and the trend of innocent rough people.
Especially after starring in the movie "Lin Jiapu" from 65438 to 0959, his screen image is deeply rooted in the hearts of fans, making people remember the artistic model of Lin, the shopkeeper of Lin Jiapu-the small business in old China. In the semi-feudal and semi-colonial society, in the cruel struggle of the big fish eat small fish, the poorly managed Lins' shop just became a microcosm of China society, depicting a picture of life in a small town in the south of the Yangtze River in the 1930s.