On the aesthetic differences between China and the West

Since the reform and opening up in the 1980 s, big

A large number of western works of art were introduced to China, which made me

Finally, students can visit outstanding artists of Chinese and western art without leaving home.

Due to the broadening and transformation of perspectives, we can

Standing in a relatively objective position outside Chinese and western cultures

Look at the difference between them, and more importantly, draw China.

Painting outstanding achievements for thousands of years can have a new perspective.

Thinking, there are many such views, but we focus on

Talk about some of my feelings from the aesthetic aspect.

Through the comparison between Chinese and western paintings, we found the traditional paintings of China.

The excellent works in the painting are basically about "beauty".

There are few works about ugliness and pain, while western painting

Painting is just the opposite, especially works about "pain"

Often many, including many religious themes in the period of classical oil painting.

All his works reflect the pain of human destiny.

Tragedy means that in modern times, there are many

A master of this field. Such as: monk, Norwegian painter,

Known as the "portrait painter of modern human mind" love.

And death is the theme of his life painting, and he uses fire.

Emotion shows the real threat of death to human life.

On the canvas, he himself called his paintings "Life, Love".

And the poetry of death. Scream, Sick Child, Mara

The death of "and other works are full of anxiety at the end of the century, very decadent.

Pessimism and despair were written by everyone in that era.

According to another British painter Bacon, he likes to paint people as half-human, half-beast, ugly monsters, and

But also deliberately locked it in an iron cage and let it walk around screaming and charging.

Full of pessimism and separation. In China, traditional painting

In painting, such works seem to be rare as a tradition.

Landscape painting, the first of the three subjects of Chinese painting, can draw the fear of pain.

I'm afraid there is only the scenery of Zhu Da, bitter, lonely and nothing.

Nai's artistic conception is really touching, but this is just an individual.

Phenomenon, most China painters are standing in the middle.

Stand up and treat art. Then why is this?

There is a big difference. There must be something profound behind the picture.

Cultural reasons.

First, the influence of the concept of good and evil on art.

There is a view of "original sin" in western religions.

Reading means that people are born evil, although they can be baptized.

Wash away the "original sin", but "this sin" is unforgivable.

Therefore, we should constantly repent to God and do good deeds to reduce.

Misdemeanor. And western paintings seem to be very similar to this one.

A confession ceremony, that is, telling the evil of human nature.

Some ugliness and pain bring us closer to truth, goodness and beauty.

Only not in the form of religion, but in the form of painting.

Form. And China people think that "the beginning of life, sex.

Good, don't teach, sex ",in China's view.

Sex is beautiful, but it becomes evil because of the day after tomorrow.

Our education work is not good enough. In this case, then

We must create a good life and vision from the beginning.

Listen to the environment, so be a person with "etiquette norms"

Beam, in order to avoid deviant evil. So as long as you are engaged in art, you will

We should show the truth, goodness and beauty, let us learn from them and cultivate our hearts.

According to the good wishes of the people of China, I have never seen evil. How could this be

What if it gets worse? So in China, everything is perfect and has reached its peak.

Extreme art must be fresh, meaningful, beautiful and peaceful.

And this atmosphere is actually very similar to religion.

Imagine a Christian or Muslim is busy.

One day, when he went to church to pray, an China man was busy.

One day, I took out some treasured sectors and pointed them at the yellow oil.

Read the lamp carefully, how similar they are in essence.

Because painting inadvertently assumed such a role,

This requires that these works must be quiet and peaceful.

Beauty, otherwise it will not play such a similar role as religion.

Second, the concept of painting in Chinese and Western traditional philosophy.

The impact of success

Any national painting has its specific cultural background.

Scene, and the most fundamental thing in the cultural background is philosophy. exist

China, people have recognized Taoist philosophy for thousands of years.

So pious and single-minded, and traditional painting is rooted in

In this philosophical background, although there are many masters, but

There is no fundamental difference in basic appearance.

Both eastern and western philosophies believe that the basic structure of the universe is

Harmony, but Pythagoras in the west is also good, Paula.

Figure, everyone thinks it is a sum of mathematical proportions.

Harmony, Pythagoras's "number theory school" thinks "number"

It is the essence of all things and Plato's "idea"

The ontology of the universe also conforms to the principle of mathematical form.

Like graphics, Taoist philosophy certainly believes that the universe itself is

Harmony, but this is a kind of musical harmony. therefore

Western painting emphasizes imitation, form, proportion and knot.

Structure. Oriental painting emphasizes feeling. In Taoist philosophy,

Everything in the future can only be in harmony with the universe.

Consistent. It's so beautiful. It must be Yu who painted it so beautifully.

The subject is the embodiment of the way of nature, no matter what painting is drawn.

The ultimate goal of things is to enter the Tao, reach the Tao and be like.

The elusive harmony in the universe, the west

Herbert Read once said, "China artists try to.

What he shows in his works is the harmony of the universe, which is somewhat related.

Describe the creative purpose of China artists with words in the universe.

Very necessary. "Ji Le Li Lun Parallel" has a cloud:

"Happiness and harmony between heaven and earth", that is, the spiritual realm of art is

A perfect and sensual harmony with the universe.

State, in which the spirit of art is great beyond the great.

Freedom. Zong Baihua also repeatedly emphasized the realm of China's art

Is to return to your own spiritual rhythm and experience the interior of the universe.

The rhythm of life, under the guidance of such a concept, is vividly on the paper.

The performance of the world is nothing more than the harmony between human beings and the earth.

Whether it is coordinated or not, artists in China have worked hard all their lives.

The goal of power is to overcome the proliferation of selfish desires and realize

The essence of things is the same, and the essence of all things is ultimately unified in

Tao, the ultimate goal of art, is to achieve Tao. Since art wants to reach Tao, and this Tao is eternal and harmonious,

Then art can only be harmonious.

Third, China's philosophy of non-interference in reality.

scenery

It is good to appreciate ugliness and pain in western painting.

One thing in common is that art is not shelved.

Things, but flesh and blood life, social reality.

Relationship. However, the examination of "beauty" in China's art is seldom done.

It involves reality, which has its profound cultural background, that is, it is related to

Laozi and Zhuangzi's philosophy of life has a lot to do with it.

Laozi's main thought is "inaction", from which

In order to achieve "nothing". He thinks there is a kind of "inaction"

And do nothing ",everything is independent.

You don't need any Shinto to make the truth that reincarnation is not dangerous.

Domination, but also to arrange with manpower, disturbing nature.

Order has its own "laws of nature" to deal with him, without politics.

And social interference. Because I believe in Avenue,

Laozi's philosophy of life is derived, which is what Hu Shi called "no"

For ",old to say" husband only does not dispute, so the world can't.

Fight with it ",in Lao Tzu's view, confrontation is useless, too.

It is better to resign ourselves to fate and believe that "Skynet is long, sparse and not leaking."

Don't lose. "

Zhuangzi's philosophy of life is based on Laozi.

Further, if we call Laozi "bearish"

",then Zhuangzi is on the basis of bearish.

Viewpoint, that is, philosophical thinking about "right and wrong" We all know

Zhuang Yu's story of "beating gongs and drums and singing" when his wife died,

It shows that he treats all life, life and death, fortune and misfortune.

Being a man with philosophy belongs to destiny, and his philosophy of life can also be used.

These four words can be summed up as happiness and peace of mind. Such an idea

Once in the artist's mind, I'm sure I'll never be there.

Pay more attention to the pain in the real world, what kind of natural disasters?

Disaster, how to kill it, has its own way to deal with it, and

I'll draw it myself and experience it myself. So we won't expect it.

I hope there are many "ugliness" or "ugliness" in China's traditional works of art

Looking at the works of "pain", in the view of traditional China painters, this

It's no use, it's been ignored for thousands of years,

Even if there is, it is mostly the frustration and misfortune of literati.

Pain is personal pain. As for the fate of mankind, in China.

In people's eyes, it is the necessity of the "avenue" will.

In addition, aesthetics in China's art is greater than ugliness appreciation and judgment.

Pain, I think, also has its realistic reasons, that is, with the painter.

People's life situation has a lot to do with it. Turn to ancient painters.

As you can see, resumes are basically dignitaries.

G: I'd like to invite assistant ministers, ministers, prime ministers and university students.

Scholars, even the emperor, it is conceivable that such

Some people themselves were the beneficiaries of the social system at that time.

The existence of this system itself is to ensure that they "eat enough" and thus safely escape to the front desk of the art world.

And realistic foundation, no matter how big their society is.

Sense of responsibility, after all, their living conditions will not give them.

Bring "the pain of cutting the skin." In this case, for sure.

They can't see the ugliness and pain in the real world.

Naturally, there won't be much pain.

From the perspective of global cultural climate, western culture is now

This is a powerful culture. As a young man in modern China, is there?

Sometimes we have established a firm belief in our traditional culture.

Hou, easily influenced by western culture, is incompatible with the west.

There are indeed many excellent ideas in culture, but in me

In our tradition, it is rare or even impossible to find it. Maybe we

Excessive pursuit of the high realm of "harmony between man and nature", and

Not as good as the west in caring for real life, the west

Fang's artistic works pay attention to human destiny,

The sense of tragedy and sublimity is the weakness of our culture. I

Our culture is really advanced, but because of this, it is moving towards

Going is only the personal luxury of a few literati.

But there are also some places that are not suitable for the development needs of the present era. exist

In today's society that advocates democracy, freedom and equality,

People who care about their own culture may be more acceptable.

It will naturally become the cultural composition of contemporary people.

The main aspects of the library. It is precisely because western culture pays attention to reality.

Life itself is not an abstract life, so they

Not from an aesthetic point of view,

Art should also make the public live deeply and understand. So you have to

Show people the ugliness and pain in human nature, but this

Not for ugliness, but for pain, he just

Children call for truth, goodness and beauty in extreme ways.

This has something to do with oriental art conveying truth, goodness and beauty.

All roads lead to the same goal.

By comparing the aesthetic differences between China and the West.

More, because the author thinks that such a transition period has passed.

After that, its excellent and reasonable parts will be digested and absorbed.

Re-label China after collection. The real tradition is not.

Is a single regression, not constant absorption and regression,

Only with transcendence and natural self-discipline can this be maintained forever.

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