In-laws is an urban emotional drama, which mainly shows a three-dimensional emotional picture from the perspective of touching stories between two in-laws families. Because now TV series, especially family TV series, are the mainstream in the market, but high-quality products are rare. The important reason is that TV dramas with these themes often pursue sharp conflicts and even seemingly sad endings. This kind of work full of fabricated feelings is full of the audience's brain, which has long been unable to stimulate the audience's emotional response. What the audience needs is not necessarily ups and downs of contradictions and carefully fabricated suspense. On the contrary, what people need are some sincere scripts full of life and based on real feelings.

In-laws, with real life as the background, describes the touching affection of two families, and shows a story that the audience is both familiar and unfamiliar. There are a lot of conflicts and intense emotional entanglements in this play. We should try not to give these contradictions a positive view or give them a big space. Instead, it is necessary to show the emotional reactions of the characters in such a situation and describe their changes before and after the conflict. Put characters and emotions first, and have plump characters, so that in-laws have charm and become fine products.

In-laws is different from previous urban emotional dramas, but it has its own uniqueness:

China's first life drama was based on two completely different domestic policies.

The relationship between parents-in-law is intertwined with the lives of two families, and the emotional entanglements and life differences in the ordinary life of the two families are organized, which highlights the subtle emotional changes of the previous generation of the two families when they entered the stage of silver marriage, and the different ways of the second generation of young people to deal with emotional crises, highlighting the family's attitude and prospects for the three generations.

The whole drama takes the marriage details of the two daughters as the development context, and at the same time takes into account family ties and friendship.

The plot structure method of the play is supported by a lot of details, which runs through the inner course of young people's emotional entanglements and takes the emotional relationship of two inseparable different people as the spiritual clue. Attract the audience with relaxed and plain line style and full and unique personality.

Zhou Xiaoli came to a completely strange city and family from the countryside, and then bravely left alone. This is not only a leap for himself, but also a clear understanding of Wang Shupei and Wang Jia. The ups and downs and strong emotional reactions of his characters are no less than those of ordinary TV dramas that win by plot.

The emotional entanglements of the young people in the play are all carried out in a calm and peaceful situation, and they do not deliberately pursue the so-called plot ups and downs and the fate of the characters. Everything starts from the character's heart, aiming at exploring the attitude of the younger generation in contemporary China towards life and love, and depicting the character's inner world in detail.

The drama about "special ethnic groups" involves the so-called "third person" popular in society, that is, the third person besides men and women-female doctor (Wang Shuyi). This paper discusses the marriage and love life of the so-called "third person" and points out that the "third person" is also a woman and enjoys the right to marriage and love.

Through their children's marriage, the play tightly binds the four in-laws, sometimes opposing and sometimes unifying. I believe this drama will deeply attract the audience's attention.