Zhang Menglong's Ode to Qing Dynasty was erected in the third year of Xiaoguang in the Northern Wei Dynasty (May 22nd), which is called the Ode to Qing Dynasty in Wei Lu County, Zhang Fujun. Now, in the Confucius Temple in Qufu, Shandong Province, there are many inscriptions praising Zhang Menglong's achievements in establishing the school, and the inscription is Yin. The ancients commented that his book Autumn opened the door to Europe and was praised by the world. Regular script with 26 lines and 46 characters is one of Wei Bei's later masterpieces. Inscription calligraphy uses Fiona Fang and a pen, and the characters are rectangular. Although the strokes are horizontal and vertical, they are varied and natural and beautiful. The words "warm in winter and clear in summer" in the inscription are considered as an important basis for identifying the ancient extension, present extension, original extension and turnover of Zhang Menglong's monument. It is said that some ancient people have to remove a word from the original tablet or leave some marks after each rubbings, so that the rubbings of future generations can never be compared with those of the predecessors, let alone forged, which shows the good intentions of the ancient people. The full name of Zhang Menglong's tablet is Ode to Qing Dynasty, written by Zhang Fujun, the satrap of Lu. In the third year of Northern Wei Dynasty (522), it was established in the first month. Without the author's name, there are 24 lines of steles and 46 words. There are ten lists of officials whose names are engraved on the tablet. The forehead book "Lu Wei satrap Zhang Fujun Qing Song Monument" has three lines and twelve characters. The ancients commented on his book "The Dharma Opened the Door to Europe" and was praised by the world as "the first in Weibei". Zhang Menglong Monument is an exquisite stone carving in the Northern Wei Dynasty. Calligraphy is mainly based on Fang Bi, with a round pen and characters in the palace, radiating all around. The lines are changeable and seem irregular, and the writing is "from the heart" but never "not beyond the moment". Famous artists of all ages admired this monument. In Guang Yi Tan, Qing Kang Youwei listed Zhang Menglong's stele as a masterpiece, and called Zhang Menglong as a gift, and everything was beautiful and good, and it was a worship of noble spirit, with exquisite structure and endless changes. Yang Shoujing's Xue Gui Yan said that "calligraphy is chic and ancient, and the odd and the right are in harmony, so it is higher than the six generations of Tang people". Shen's "Harilou Miscellany" said that "the risk is steep, and those who have bells and beams are selected, and the final picture is not dyed, which is different from the North Monument. "The mottled stone flowers formed by natural polishing add a bit of subtlety and mystery to Zhang Menglong's monument. Since the Qing Dynasty, many people, such as Zhao, Zhou and Yang, have benefited from the study of this monument, which proves that Kang's admiration is not superficial. The words "warm in winter and clear in summer" in the inscription are considered as an important basis for identifying the ancient extension, present extension, original extension and turnover of Zhang Menglong's monument. It is said that some ancient people have to remove a word from the original tablet or leave some marks after each rubbings, so that the rubbings of future generations can never be compared with those of the predecessors, let alone forged, which shows the good intentions of the ancient people. In the tenth line of the old rubbings, the words "warm in winter and cool in summer" are left. Reprints are clumsy and easy to distinguish. The Commercial Press has a copy. Resources /view/559403.html