Trekking (a collection of novels and essays) was co-authored with Jun Xiao, 1933 (published at its own expense).
Life and death field (novella) 1935, Shanghai Rongguang Bookstore; 1980, from Heilongjiang
Listed Street (Prose Collection) 1936, Wensheng.
Bridge (collection of novels and essays) 1936, Wen Sheng.
On Oxcart (Collection of Novels and Proses) 1937, Wen Sheng.
The cry of the wilderness (collection of short stories) 1940, the first part.
Xiao Hong's Prose 1940, Chongqing Times Publishing House.
Lu Xun's Memories (Prose) 1940, Chongqing Women's Life Society.
Ma Bole (novella) 194 1, Chongqing Times Publishing House.
Biography of Hulan River (novel) 194 1, new literature and art; 1979, from Heilongjiang
Hand (novel) 1943, Guilin Fiona Fang Bookstore.
Small Town March (Novel) 1948, Hong Kong Ocean Book House.
Selected Works of Xiao Hong (Short Stories) 1958, Humanities
Selected Works of Xiao Hong 198 1, Humanities
Xiao Jun collected Xiao Hong's letters and notes, 198 1, from Heilongjiang.
Xiao Hong's short story Xun 1982 is from Heilongjiang.
Selected Prose of Xiao Hong 1982, Hundred Flowers
Xiao Hong (Selected Works of Modern Writers in China) 1984, Humanities.
Xiao Hong's Masterpiece (Collection of Short Stories) 1987, Humanities
Hulan river
It is a reminiscence novel with the autobiographical color of Xiao Hong, which describes the customs of Hulan, a small town in the northeast of the 20th century. The book is divided into seven chapters: the first chapter describes the features of small towns, including seasonal changes, scenery and people's feelings, as well as villagers' attitudes towards life; The second chapter describes all kinds of year-end events in small towns; The third and fourth chapters focus on the author's grandfather, the characters and past events in the quadrangle where he lived as a child; The fifth chapter describes the process of little reunion's daughter-in-law being abused to death; The sixth chapter is the story of a person outside the family who has two uncles; The seventh chapter describes the story of a poor and honest neighbor Feng Waizuizi. From the perspective of children, the book truly and vividly reproduces the ordinary, humble, poor and backward living conditions of local people and their mental state of muddling along, mediocrity and numbness. On the other hand, the work depicts a fairy tale world by describing my childhood life. There is a sharp contrast between reality and ideal. The former is a closed, savage, ignorant, cruel and even absurd and desolate world, full of profound satire and infinite sadness, while the latter is free and natural, full of childlike innocence with a faint lonely but beautiful and bright picture. The dirty reality is skillfully displayed through the innocent "I" eyes, showing a kind of Lu Xun-style deep compassion.
In Xiao Hong's works, there are no villains and villains in the book, and there are no ups and downs. Only a group of ordinary villagers, like insects and ants, have thrived in this ancient land for generations, their spirits are numb, and their lives and dignity are getting smaller and smaller. Little reunion's lively daughter-in-law in the book was beaten for no reason just because she was "generous" until she died tragically; Sister Wang, who has always been praised by people, became the object of ridicule and derogatory because she married a poor miller, and finally died in people's ridicule: they all became the talk of people's entertainment and were finally forgotten. Victims of traditional culture use their own shackles to kill people, and at the same time their hands are stained with other people's blood. However, this cruel behavior is carried out with an extremely sincere and kind attitude, calm and safe. Hulan River itself is a huge mud pit. There is no flow and development of life here, let alone reform and creation. Everyone is stuck in the mud of old customs, and people are dragged into the water from time to time. What a terrible and lifeless state of life.
Throughout the book, the pure and delicate language, the unique female writing and children's perspective, the grand narrative scene and the vivid reappearance of the "wild and sentimental" natural landscape in the north, the profound revelation of the absurd and numb living state, the author's deep memory of the innocent and free childhood world, and the sympathy for the fate of farmers are all shocking. Xiao Hong inherited the realistic spirit of Lu Xun, a great master, and wrote the ugly roots of rural areas in China between the lines, profoundly criticized and exposed the persecution of the people by the feudal patriarchal clan system and feudal ethics, and expressed deep sorrow and sympathy for the suffering people struggling to survive. This is a masterpiece of China's rural fable. Mao Dun, a master of literature, once said that Biography of Hulan River is a beautiful narrative poem, a colorful genre painting and a string of sad ballads. Perhaps we can say that Biography of Hulan River is a sad song of Xiao Hong's brilliant and ill-fated soul, full of endless sadness and biting understanding of life.