Many people may be unfamiliar with this name, but when they see this face, many people say, "The old man plays very well." From Uncle Lohan in Zhang Yimou's film Red Sorghum to the security captain in Ambush; From Ding in the TV series "Beiyang Navy" to the old father in "Year after year". Although these roles also left an impression on the audience, it was at last year's Golden Rooster Awards Ceremony that Teng Rujun won the best actor for the movie Mountain Man Dog. He jumped up excitedly and said, "Tonight, I am the most brilliant!" " For those who are familiar with Teng Rujun, his award-winning is expected, just a little unexpected. Because Teng Rujun is an introverted and never arrogant person, he enjoys it at home.
Although Teng Rujun always leaves a deep impression on the screen with a positive image and educates people with the spirit of setting an example, in fact, Teng Rujun in his early fifties is a big friend of young people in life. People around me always don't understand why Teng Rujun is so old and serious as soon as he is on the screen. In fact, his students often forget his dignity as a teacher, and his children also forget that he is their own elder. Teng Rujun loves to play, but prefers to entertain himself. He seldom has the entertainment necessary for an actor. He spends most of his time at home-mending a pair of slippers and fiddling with a pot of flowers can take him a day. Occasionally I will stay up late to play video games and read Jin Yong's martial arts novels. According to his wife, when he was young, he could play everything, dancing and figure skating were excellent. Unlike now, he is too lazy to go anywhere except filming. He seldom even goes out to eat, but he spares no effort to praise every dish his wife cooks at home.
The fame and fortune brought by filming seems to be simply not reflected in Teng Rujun's home. Up to now, there is no security door installed in his house, the floor is cement floor that has not been decorated, and the furniture has been used for many years. During the nap, he will turn off his mobile phone and be isolated from the outside world. The golden rooster, a symbol of honor, stood high on the top of the cupboard, holding a plastic bag and falling some dust.
Film and television work Auricularia auricula (20 episodes of first-degree fear) (1999)
Can't sleep -(2000)
Blue Love -(2000)
Out of nowhere -( 1999)
That mountain, that man, that dog-(1999)
Ambush M( 1997)
Year after year (1998)
Critical moment (20 episodes)-1997
Beiyang navy (episode 12) 1992
Red sorghum -( 1987)
Comment on Classic Red Sorghum
A new chapter in China's film creation in the new era
The new beginning of China's films going to the world.
Like a thunderbolt, it awakens the contempt and psychedelic of westerners for China's films.
Wonderful film review
Red sorghum is a myth and legend. The whole film praises humanity and exuberant vitality with mysterious colors. Therefore, praising life is the theme of the film. "It is to praise life, gushing vitality, freedom and extension of life through the shaping of characters." (Zhang Yimou: The Director's Interpretation) It is precisely because of this praise for life and exquisite film language that Red Sorghum won the international honor, which is the highest honor that China's films have won in the world so far.
"Red Sorghum" is not a realistic work, nor is it the root of national culture. On the contrary, in this story that connects three generations with the past tense, a personality with future significance is created, which transcends the specific social surface and has the depth of humanity and essence. The theme that the film calls for from beginning to end is vigorous vitality, that is, to promote an undistorted, unrestrained and frank outlook on life. Therefore, the work in front of the audience is not an understood world, but a life ideal of the world. This ideal is in the myth of "sun worship". "Red Sorghum" is different from any previous film reflecting farmers, and its perspective has changed from a traditional praise of the land to a praise of life. The extraordinary characteristics of the story determine the unreality of the narrative, and the location of the story has also been diluted. In the film, the village, the most basic structure of society, was even diluted. All narrative elements and audio-visual elements in the film serve the warm, free and stirring style of this natural life.
Different from the previous exploration films, Red Sorghum also carries the director's thoughts on the theme of life, but it does not completely dilute the plot like the exploration films such as Yellow Land, but directly expresses the director's thoughts with the shock of pure film video language. In this film, Zhang Yimou weaves a complete, beautiful and moving story frame from the actual situation and the specific characters in the specified situation, so that the thoughts naturally overflow through the twists and turns of the story and the actions of the characters. Here, how does the director achieve the perfect combination of the two through specific methods?
First of all, the film itself has a complete story line, but most of this narrative line is completed by voiceover. At the beginning of the film, when it is completely black, the narrative of "I" comes from the vocal cords; "Let me tell you something about my grandparents, who are still mentioned in my hometown." This is a viewpoint narrated in the present tense, and this "I" is the narrator of a story here. Because he didn't appear in the story, he should be an objective narrator, but he is the descendant of the characters in the story, which gives him a sense of participation and thus has the meaning of being narrated. Therefore, this view is very strange and novel, which gives the director a comfortable reference when dealing with the whole play, and he is very free and omniscient. At the same time, his narrative characteristics pull the story far away and have the effect of historical alienation. Based on this view, the director explained the fiction of the story in his opening remarks. "After a long time, some people believe and some people don't." So it is very comfortable to integrate the story into unrealistic time and space.
The voice-over appeared in the film at 12. The main plot turning points in the film, such as the relationship between characters, the surrounding environment, and the time transition, are almost all explained by voiceover. For example, the relationship between my grandmother and leprosy shopkeeper Li Datou, the "something congenial" in the sorghum field, the rules for the bride to return to her hometown after three days of marriage, the killing of Li Datou, the process of kidnapping my grandmother with a gun, the departure of uncle Lohan, and the appearance of the Japanese. Voice-over also assumes a "pre-narrative" function in this film. For example, when the sedan chair leaves, the voice-over tells the audience that the sedan chair will become my grandfather, which increases the audience's "expectation horizon" and makes the progress of the picture story more tense. In traditional movies, especially good passages are lost by voice-over, so the director can enjoy the space and pictures of the movie, and use most of the pictures to show sedan chair, robbery, sexual intercourse, worship of god and total solar eclipse, so that his thoughts can be attached to specific pictures and ceremonies with strong symbolic meaning of life, thus achieving the artistic situation of coexistence of reality and reality. Indeed, the voice-over permeates the story as a dramatic factor in the film, and it "sews up" the past and the present, thoughts and stories.
Secondly, when we face Red Sorghum, we will feel that the whole film is saturated with brilliant red. Red is the color of the sun, blood and sorghum. Here, the director's use of color is highly stylized. At the beginning of the film, grandma's rosy face is full of vitality, beautiful and young. Then, the full screen of red gauze skirt, the warm and full red sedan chair, the sunshine sprinkled on the wild sorghum stalks during the outing, the red sorghum wine like red rain, bloody human flesh, the whole film was shrouded in red. The director's choice of this tone almost completely deprives us of our attention to the plot of the play and enters a pure emotional experience in a specific modeling space. This is a yearning and praise for the perfect and free natural life. This is not a completely realistic representation of time and space, but the spiritual externalization of our inner vitality. At the end of the film, in the mysterious total solar eclipse, the expansion of red gained a solidified and almost eternal silence effect. Black and red sorghum stretches and flows, filling the whole screen space, which is extremely brilliant, gorgeous and magnificent.
Thirdly, the film's spatial environment and modeling are trying to find a simple color and a mysterious and spacious space. All trivial contrast, coordination and transition are abandoned, creating a noble, sacred and mysterious living space. The film mainly talks about the two space environments of sorghum field and brewery workshop, which embodies the ancient life consciousness, such as wind and rain erosion, and the round doorway like a castle in 18th Li Po. And that piece of sorghum field, which is left to fend for itself, reveals the sacredness of life. When the picture is full of sorghum fields, it is a huge symbol group of natural life, which is continuous, grand, intense, warm and generous. The three renderings of sorghum in the film all show the integrity of human and natural life. When my grandmother was lying on the altar trampled by my grandfather with tears on her face, four overlapping scenes of sorghum dancing appeared on the screen one after another. Here, the sorghum field is the witness of the birth of life. In the scene where the Japanese army forced people to trample on sorghum, they felt the shock of their lives being destroyed. At the end of the film, my grandfather and my father stood in the red sun like clay sculptures. Facing the high-speed flowing sorghum lens, what we evoke is a kind of confidence in life and a tribute to a warm and tragic life.
Of course, the ideological connotation and implication of Red Sorghum are still worth discussing, but there is no doubt that it will go down in history as a masterpiece of China's films.
The Man, the Mountain and the Dog is a movie that makes all men cry.
(From Douban Author: Yi)
A person quietly finished watching The Mountain Man That Dog directed by Jianqi Huo (1998). I was in tears four times. For the fourth time, tears finally came to my eyes.
A movie with little production cost and no big scenes suddenly made me feel that a movie like The Banquet, which looks passable, is actually rubbish, complete rubbish.
It's all because of one word: love.
The Mountain, the Man and the Dog is like a beautiful, subtle, warm and meaningful essay. Infiltrated between light and music are deep feelings, feelings between father and son, feelings between postman and villagers, feelings between man and animals, feelings between man and nature. And the flow of "The Night Banquet", like a gorgeous piece of shit, looks beautiful, but it can't touch people's hearts at all.
The film began on a foggy morning. The retiring village postman accompanied his successor's son on a postal route to the mountains for the last time. This film caught me from the beginning: ethereal and beautiful background music, clean and green pastoral scenery, and classical Xiangxi folk houses laid the aesthetic, fresh and gentle tone of the whole film.
Taking the father and son up the mountain road and enjoying the beautiful scenery in the rural areas of western Hunan, we gradually found that the affection between the father and son is very subtle: because the father sends letters all the year round, there is little communication with his son, and the son is looking forward to his father's coming home, but he is afraid to talk to him, and even rarely calls out "Dad". At this point, we probably know that this three-day postal route will be the road to reconciliation between father and son. As expected, in these three days, my son walked into his father's past life for the first time: without telling his blind grandmother, his grandson who worked outside wrote to her and sent her money; Attend the Dong people's wedding banquet and dance with young Dong girls; Drive through a cold stream and rely on it to keep warm; Pulled by a mountaineer with a rope, he climbed the steep mountain road, only to know that his father had rolled down the mountain and was in a coma for an afternoon. Rest on an ancient wind and rain bridge and drink spring water for pedestrians; I spent the night in a farmer's house, and I heard the complex insects chirping on the mountain outside the window ... The farther this road goes, the closer my son is to his father's heart. This is no longer a simple mountain road, but more like my father's life. On the other hand, with the sadness of leaving the mountain, the father gradually entered his son's heart. From his son's mouth, he learned how many times his wife was waiting for him and how lonely his son was growing up. More importantly, he learned that although his son is very much like himself when he was young, the times have branded him differently: he likes listening to pop music and has his own views on things, and his blood is full of restless factors. On this road, they gradually understand each other and tolerate each other. When the father secretly shed tears on his son's back, when the son inadvertently shouted "Dad, let's go", I believe all men will be heartbroken and wet with tears. That's because we all have such fathers, and we are such sons.
The film reached its climax before the end. On that quiet night in the mountain village where only insects can be heard, the father sat by the bed, looked at his sleeping son, then went to bed and lay gently beside him. At this time, my son leaned his head on his father's shoulder and pressed his leg on his father's leg in his dream ... This reminds me of my article "Father Sleeping Next to Me". It turns out that every man wants to hug his father, but I can't.
The Beiyang Navy is full of tears all over the world and has a strong naval force. How did the Beiyang Navy, which once had a great influence on the world, become the first in Asia, and how did it die in the sea, thus going to extinction. Truly reproduce the bloody battle between China and Japan, Lushun Massacre, North Korea's Pyongyang War, Liaodong Battle, Toyoda Akio Naval Battle, Yellow Sea Naval Battle, Shandong Weihai War.
From 65438 to 0855, Chen Baozhen, Minister of Ship Administration, founded Fuzhou Ship Administration School, which trained the first batch of young naval officers and became the commander of Fujian Navy and Beiyang Navy successively.
1877 March 3 1 Some of these outstanding naval officers went to the British Naval Academy to study abroad, bearing the high hopes and trust given to them by the state. After Meiji Restoration, Japan stepped up the purchase and manufacture of warships and accelerated its development. Officers sent by the navy also studied in Britain and became their later opponents. 1874 Japanese troops shelled Taiwan Province province and sent troops to land on the pretext that sulfur ball fishermen were killed.
1On August 23rd, 884, the Majiang naval battle broke out at 13: 50. 1888, the Beiyang navy under the sublime world was formally established, with 2 large armored ships, 8 cruisers, 6 gunboats, 16 torpedo boats, 5 training ships ... a total of 56 ships with more than 4,000 officers and men.
1894 The war between China, Japan and South Korea broke out. At 7: 45 on July 25, the Japanese navy suddenly attacked the Beiyang navy fleet in Fengdao, the mouth of the Yalu River. Under the escort of the fleet, the Japanese army forcibly entered North Korea and stormed the Qing army stationed in Pyongyang. 17 September, 12: 50, the first naval battle of the steam engine armored fleet broke out in the Dadonggou sea area of the Yellow Sea between beiyang fleet and Japan. 165438+1On October 6th, the Japanese army captured Jinzhou. 165438+1On October 7th, the Empress Dowager Cixi sent a message that she would go to the theatre for three days. On the same day, the Japanese army captured Dalian and began to attack Lushun. From 22nd to 25th, the First Division of the Japanese Army, under the command of Hiroshi Yamahara, the head of the division, launched a four-day massacre that shocked the world. Only 36 people survived and 20,000 people in China were massacred. Subsequently, Haicheng fell, and the Japanese army captured Liaodong Peninsula and advanced to Shanhaiguan. 1895 65438+1On October 20th, Japanese troops attacked Shandong Peninsula. Beiyang Navy retreated to Liu Gongdao, stuck to its aid and ran out of ammunition. "Beiyang Navy" won the excellent TV series "Flying Award".
Interview question and answer I am a professional amateur actor.
Beijing Youth Daily
■ I was admitted to the Performance Department of the Theatre Academy, but I hardly received a systematic education.
■ After ten years as general director, he won the Golden Rooster Award at the end of the century when he played the leading role in the film for the first time.
Seats.
■ I want to play the villain, not the little villain, because that kind of villain is actually quite enjoyable.
■ I dare not ask for too high a salary, for fear that people will run away. This is a good book.
■ I really feel that saving money is money, and I can't bear to spend it.
■ I just started eating some restaurants recently, and my teeth are not good. This hobby is all over.
■ He is Teng Rujun.
In fact, we should have seen him a long time ago. 1987 The Lohan skinned by the Japanese in Red Sorghum is Teng Rujun.
Reporter: With all due respect, I know very little about you. Can you talk about it?
Teng: (laughs) I was born in 1946. I am a dog, and I am 54 years old.
Reporter: How did you become an actor?
Teng: I was a literary and art committee member in high school. I saw a drama once before I was admitted to the Theatre Academy. At that time, the major of the Theatre Academy was finished, but it was not full, and the performance department made it up again. Just after the college entrance examination, I have been doing well and caught up with my classmates. I was in the middle school attached to Normal University. I am a Chinese opera on 1965, belonging to the last batch of formal students before the Cultural Revolution. I should have graduated from 1969 and was not assigned until 1973. I was assigned to Chengde local repertory theatre, and came back from 1977 to engage in popular culture in Xuanwu workers' club. 1984 returned to the management experimental theater of the Theatre Academy, 1986 transferred to the General Affairs Department, and worked as the director of the General Affairs Department for ten years until 1995. Exit after 1993. I'm so tired. I typed a report saying that I should rest both physically and mentally.
Reporter: Did you quit your job to have more time for filming?
Teng: Not making more movies. First, I had the idea of resigning, then I went to make a film, and the film appointment continued. From 1994 to 1995, I dropped eight sets, and there was nothing I could do. The school won't let you go out and advised me to act more because I'm not fit to be a teacher. To be a teacher, you must be able to talk first, and then you must have something in your stomach. I don't want to confuse people with children.
I'll do whatever I'm told. I don't want to do anything too serious. Just stepped down.
Reporter: I can feel the indifference in your character. You are in Vanity Fair. Isn't the spear contradictory? !
Teng: Normally, I prefer to keep silent and think about problems. I think this is a carefree thing, that is, I have encountered this state. I like acting, and I like the life of the film crew very much, because it is simple. Although everyone fights and curses together, and now gambling is added, as long as you control yourself, people will leave you alone. This is not the same as at work. You don't hire people, you don't get in the way, you don't get in the way, people are still calculating you! In the crew, it will break up in March at the most, and it is quite easy for everyone to be together.
I don't know who influenced me, but I like to get along well with others. Sincerity is good, but it is not sincere. Then everyone will be happy, have a decent face and hurt each other less. If so, everyone will live a long life.
Reporter: Are you a full-time actor or have other plans?
Teng: My working relationship has been in the Theatre Academy. Since last year, I have been hired by the film and television department. This year, the school set up a special adult education department, let me manage it. In this case, there may be less filming in the future. I didn't join the party and felt that I was not qualified. I really don't want to be an official, because I don't want to be in charge of people and make people nervous. Just discuss it!
However, on the other hand, I'm sorry that I didn't do what the company arranged, and I will retire in a few years!
Reporter: What have you learned the most from more than 30 years of acting life?
Teng: I'm in the wrong business. I am a very rational person. Originally, I wanted to take an examination of engineering colleges, because it is said that I got full marks in mathematics. Later, I entered the drama school. After working for many years, I really feel wrong. If I were an engineer or a doctor, I would definitely be a good candidate.
This is why I was not easy to be famous when I was young, but I became famous when I was old. It may be that I watched more life in my later years and accumulated more life. Sometimes it becomes a subtle experience. Because I have stayed in the countryside for a long time, I have a deep feeling about the countryside. Now I may be like this in role shaping, and I have little imagination.
That award: from the general affairs director to the golden rooster winner, did your struggle go smoothly?
Teng: I always feel that acting is not my profession. Up to now, I have found all the plays, and I have never taken the initiative to find any plays. When filming Mountain, Man and Dog, a reporter from the movie channel asked me, "Why did the director choose you?" I said maybe it's because I'm thin, because there are fewer thin people and there may be other problems, but the image is still the main point, but there are also many thin people. Why not find other skinny people? I have been thinking about this problem recently. It stands to reason that this kind of performance is recognized by experts, so I have to think about it. What is the difference? Actually, these are all given by others. Do you know what they are thinking? Why don't you just play the role there and finish it? In fact, actors are all like this, but they can't get this award without suitable opportunities in all aspects. It's not who is much taller than who.
Reporter: How do you feel about winning the prize?
Teng: I don't think there is any difference. Now I'm being asked to film, and people say, "Teacher Teng, it's not easy to do this. It is not easy to talk about the price with you. " I think it depends on whether I like it or not and how the script is. Just to get more attention, that's all.
Of course, I'm happy, too, but I haven't thought so much about fame and fortune. This award is just an affirmation of my performance in that movie. This film was made by everyone, and this award is for me. It's just an affirmation of the previous performance. I think you are simple and have no performance marks. This is the director's credit. I think life is as real as possible. Of course, it can represent something, for example, I can make an exception when evaluating professional titles. I did ask, but drama school is more troublesome, and I have to take a foreign language test and archaeological Chinese after I am 50 years old. 165438+1October 26th, and the exam will be held in April next year. I am leaving tomorrow, so I can't register. Forget it! When judging first-class actors, you can get an extra room when allocating rooms. I am short of housing now. Do you want to get a house from school or something? That's all I have. What else is there? ! When filming again, I feel troublesome. For example, I am too small to look for you. One is whether you answer it or not, so who knows me! The other is piece rate. Can people afford it? There may be fewer such films. I think film and television works are for young people, and there are not many opportunities for old people to play the leading role.
Reporter: Is your investment also relatively reduced? Don't you think it's a pity to spend energy and time on movies?
Teng: The school told me not to go out so much next year. I don't feel sorry. I think if I'm still that thin, I might still have a chance, but I'm tired and in poor health. I don't have that much demand, really. One thing happened recently because of my son's problem. He has grown up. The house is also a matter. If you want to save him some money, that's the best. To say that my wife and I really have no desire to spend. I'm afraid of driving and getting carsick by car. Why do you think I bought a car? Buying a house? It's too expensive. People of our age don't know how to use it very well. Even if it is possible, they think that money saved is money and they are reluctant to spend it. People of our age and young people have different ideas about spending money, and they are more diligent. Young people can earn flowers, I can't earn flowers, and now I can earn flowers. Compare things. Shopping, if I can earn a lot, I won't buy that good one, or this state. I think it's worth taking advantage of this.
Reporter: Don't you want to make your life better?
Teng: That's the problem. I don't think the situation is very bad now. I don't think it can be better than now. For example, I have two rooms now, which I think is ok. Why do I live on the third floor? I have to clean up. Reporter: It was not easy for you to achieve today's results, and you were particularly excited at that time.
Teng: It's not easy! But compared with others, it's really easy. At that time, I was asked to prepare a one-minute speech, which said, "Salute to all those who pushed me to this honor!" " Su Shuyang said it. I had to wear a suit before going to Shenyang, so my wife and I spent a day shopping in Wangfujing and bought a suit, tie and tie clip. Anyway, it's new from top to bottom and from the inside out. After I put it on, I felt that I was immediately put there. I'm really not used to it.
I wasn't sure about winning the prize at that time, but I was confident that I got a lot of votes, because the film itself had a good voice and there were six nominations.
Reporter: What is your biggest feeling from filming to now?
Teng: The biggest feeling is that I dare not perform a drama now, mainly because I can't perform basic skills: I have been on stage for two hours, and I feel not confident enough. Unlike movies and TV, I can dig one by one. I went up to get it for more than ten minutes before I came down to rest, and then I was able to stand up again. If there is a stage play, scene after scene, I can't stand it.
Actually, I'm a little timid, afraid of being screwed up by others. It's not easy to make a fool of yourself in public in a play.
Reporter: How to evaluate acting school and natural actor?
Teng: I don't want to talk about it. In fact, good actors always talk about their roles. As long as your role is good and the audience likes to watch it, no matter what kind of actor you are, I think an actor should know what he can and can't play. It is impossible to say that I am an acting school, and I can act anything.
Reporter: What role do you want to try most next?
Teng: I think it is quite appropriate for me to play the bad guy. Always play the good guy. Besides, maybe no director can find me yet. I have to play the villain, not the little villain. That kind of evil person is actually quite enjoyable to play. I still want to play comedy, but no one has come to me yet. Sometimes there is a play, and the feeling changes when you clap your hands. The director said stop, stop, stop over there and we'll start again.
Reporter: Compared with the previous days, is there a feeling of "lingering"?
Teng: No! Because I have never thought about what will happen in the end, or what my purpose is, I am not filming for winning the prize. I only knew that there was such an award in China, but I didn't dare to think about it, because it was too far away from me. First of all, I am a professional non-professional actor, because I am not a troupe, nor a professional film actor, nor a "drifting north". I have a job, and I don't expect to make dinner. I feel that people who take this as their profession will win prizes. I didn't do that. I'm the general affairs director. What award did I win? Get a general manager award? ! I dare not think about it, so I don't regard it as one of my goals, nor as a way to find affirmation. I just feel bad. I didn't manage this hospital well when I was the director of general affairs.
That story: Can you tell me about your current salary?
Teng: It will definitely be high. I don't like talking about it, because I am an old comrade. Most people give as much as they want, and almost forget it. Now the basis for talking about price is different. I'm still like that. I value this role more. It's easier to talk about The crew is really having a hard time now. Generally, my salary is relatively low.
Now it is possible to shoot an episode of two or three thousand to seven or eight thousand or even ten thousand yuan. There may be fewer short plays and more long plays. What if people don't have that much money and have a crush on you again? I'm not the kind of person who spends a lot of money. Sometimes I am afraid that I will run away. It's a good book! There are many actors, and there is nothing to do, especially now.
Reporter: Compared with the Golden Rooster Award at the end of this century, which do you think is more important, luck or strength?
Teng: I didn't think this movie was good at first either. There were few films and few good films that year, and it was easy to get ahead. We are realistic and luckier, because many people have this ability. It's just a matter of chance. First of all, someone must appreciate you, and then a good script and a good director will praise you. In addition, your own efforts are also related to the direction advocated by the judges at this stage. So many conditions are met to win this award.
Reporter: Can you tell me something about your family?
Teng: My wife and I have known each other since we were five or six years old. We went to the same primary school, but we separated after grade one. She went to study elsewhere. There is often contact between them. Her grandfather and my father are friends, one generation older than her (laughs). In high school, she came back. Later, because neither of them had an object, they came together in a daze. It's almost fifty years since we met. We have very different personalities. It is normal to be angry. I don't usually talk. She has a bad temper. In her words, I am a faded bandit.
Feelings, that is, being together, can't be said more.
My son does not like my job. I wanted him to go to school with convenient conditions, but he was not interested. Now he is a DJ, as long as he is interested. Nothing else. I just started eating some restaurants recently, and my teeth are not good. My wife doesn't eat seafood and mutton, but I like prawns and mutton. If she doesn't eat, neither can I. This hobby is over, what else to eat! There is nothing to eat.
Reporter: Talk about your new movie?
Teng: I'm filming Fear of the First Degree, a horror theme. It is said that two people who wanted to dig for treasure dug up a box. When they were ecstatic, they found two smelly vials in it and threw them away. The next day, both of them died, and so did the pig, because the vial was thrown into the pigsty. Later, I learned that the Japanese left infectious germs, and there was no rule of law. The police surrounded the village, and the people at the epidemic prevention station found a solution in ten days, killing 56 people in all. I play the village party secretary, try my best to keep the villagers from going out, cooperate with the treatment, and mix a lot of family ethics plays, which is quite good.
Reporter: Life, in your opinion, is everything arranged?
Teng: This is arranged by God. I left. I don't have to force anything. I think it's quite smooth. If I have to insist on something, I won't get it. And I am very tired and frustrated, so I will be less sad.
Teng Rujun likes riding with his wife when he is free. One is exercise and the other is relaxation.
In Changping, I said that I bought a house in a place called Guotang in Qincheng Prison, and they retired and moved there. "It's only five minutes away from the mountain", Teng Rujun's face overflowed with faint satisfaction.